007 Quantum

Quantum of Solace or Quantum so less, as some of its critics may call it, definitely lacks certain aspects of a traditional Bond movie. It may be eccentric in the sense that it may not be able to titillate the esoteric Bond fans as it may lack their eclectic style and taste but it definitely succeeds in projecting a new Bond for the contemporary world who may not be a coeval of a superhero, who despite being vulnerable has got the killer instinct in him, which is the very defining characteristic of Ian Fleming's larger than life human incarnate. This Bond goes about his business in a fashion which is far more realistic compared to the Bond of the bygone era with an incredible passion and utmost devotion which is nothing but inexorable. Though Casino Royale was the pioneer of this graduation but its Quantum of Solace that consummates it and gives Fleming's agent a mystique which has always eluded him hitherto, an aura which gives him an opportunity to be mortal and hence a chance to qualify to be called a human.

Quantum of Solace is loaded with mind blowing action sequences which makes it a high octane extravaganza. The pace of the movie is such that you hardly get time to breathe freely. The plot though comparatively weaker than its precursor, is still good enough to keep one guessing thereby keeping one at the edge of the seat, all the way through.

The only aspect of the movie which should be under the scanner is its editing which is far from just and at times needless and severely annoying. A bit constraint editing under some meticulous vigilance could have done wonders and would have probably helped it, in its quest to be the best Bond movie of all time.

All being said and given what we have, the movie fails to disappoint the audience and will surely redefine the very prerequisites of an action movie and will definitely serve as a benchmark for the movies in the years to come.

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Since Pierce Brosnan started playing bond, I've started enjoying the game despite all the ridiculous history of the Bond brand and when they announced that Daniel Craig is taking over I thought "Gees" we are going back to the dark ages. well, I was wrong. Casino Royale to the series of Bond was like Batman Begins for Batman. The film was seriously good, it was a rebirth of the brand totally genuine and lacked all the silliness that was associated with Mr.Bond movies. The directing along with the film editing was awesome, Danial Craig's performance was brilliant and the film was coherent and sharp. Now I can confidently claim that Daniel Craig is the best suited James Bond of all time. So we are standing on pretty solid ground. Quantum Of Solace is no good if you haven't watched Casino Royale because for the first time a bond movie is based on its predecessor. the film is quite dark in tone and is over-dramatic for this kind of movie but let's get to the serious stuff. what's with the shaky hand held cams and the fast shots of the action scenes ? it gives you a fake feeling of what's going on the scene and add to that terrible editing and you end up with a messed up piece of work and a headache. I wonder who was responsible of casting Marc Forster for Director, the man has no taste of Bond at all. wasn't it enough for them to take away Moneypenny, Q, the gadgets, the humor and witticism, his "shaken, not stirred", the line "my name is Bond, James Bond." where the hell is the opening gun-barrel-sequence ?? even the Brilliant music composer David Arnold was miles away from Bond although he made some serious soundtracks before but again where is James Bond theme ? Anyway the movie isn't that bad but it's sure not a 007 movie and I'm putting a score of "7/10" just for Daniel Craig and Judi Dench performance. But for the 23rd Bond movie, please bring the soul of the series back.

I was looking forward to seeing this film but I'm not sure I was excited to see it. This had been tempered by some average reviews and also some negative ones that suggested that it was simply, not very good as a film - a lot of which have come from ideas over what a Bond film should be. People praised the "reboot" but apparently QOS is unacceptable? I do not think that the Bond films cannot change it up, but if they tried to do a Bond that was a romantic comedy I would be the first to come to this site complaining about "what have they done to Bond?" so I'm not totally for change.

QOS is not that much of a step away from the Bond tradition and it is just more of an action movie than a Bond movie. Yes I thought it was strange that the traditional opening was saved for the end of the film but the absence of gadgets, innuendo, comedy etc didn't bother me one bit – these were what I hated in Die Another Day in particular. Some have had the issue that QOS follows directly on from the previous film and that the narrative flows directly rather than restarting with a new threat. I liked this though as it cuts away the need to establish everything fresh and instead we get the development of the Quantum organisation - a thread that is good for several more films I suspect. Others have complained that the story made no sense (Kermode in particular went on about how little sense it made) - personally I didn't struggle with the overall flow. The specifics of some scenes or characters perhaps were lost on me, but this was mainly because the film didn't spoon feed me - and I'd rather it made me think. It is not a traditional Bond story though but it worked and those scoffing about the exploitation of one country to make money and get power as a trivial plot by the series standards are not seeing this as a part of a bigger, powerful organisation.

Where the "story" side of the film falls down is in the development of the character as Bond – it could have been any character doing the running and jumping. Don't make me wrong, it is not terrible but the title credits made me hope for more. You see, the names I recognised that made me think something would click were the following - Daniel Craig (arguably the best "actor" to play Bond), Paul Haggis (Oscar winning writer - and not for action films but for films where story, script and characters were the whole show), Marc Forster (Kite Runner and Monster's Ball - again, more about characters and material than action). I wasn't looking for QOS to be a no-action, all character affair but I did hope that these talents could do great things with the new, darker character of Bond. But they don't. Yes we have the general continuation of this tough, violent man driven by some twisted sort of vengeful love but it makes very little of it. The scenes between the action do well enough to built the story and connect the action but ultimately they are only "the bits between the action". The cast are still good - but just feel like more was possible. Craig is a good Bond, rough, fit and attractive with dark menace in his very heart. Amalric may not be a typical Bond super-villain but that was the point. Kurylenko is stunning and fits the modern Bond girl role well. Dench does what she does with quality but Arterton offers nothing but a clumsy Goldfinger reference while Jeffrey Wright's performance suggests an interesting character that the script never produces. Giannini's character produces a moment of emotional and superficial coldness in Bond that is good but otherwise I could have done with him or his character.

The action is what the film is about and, while enough to entertain, is never as thrilling or engaging as it should be. This is a problem and it's a problem that Bond struggles to solve - the Bourne problem. I know some people hate rapid editing and tight shots on principle because it causes motion sickness or "you can't see what's happening" but, done well (as in Bourne) it can draw the audience into action and make it a lot more intense. However, it is not something that happens in the editing room alone. For Bourne this approach compliments and is complimented by the choreography of the action and also the filming style. With Bond it feels at times like this style is an afterthought - some of the action scenes work with it but in the majority it only detracts from the scene. It is still noisy enough to do the job and I do like the brutal edge the scenes have but the editing was not a good call here. Otherwise the action is "good", great locations, fast cars, big explosions - just a shame that nothing had me on the edge of my seat.

QOS is different from the traditional, Christmas-afternoon-telly Bond; but clearing away a lot of clutter doesn't bother me as much as it has some viewers. The film works well as a solid action movie but falls short of being anything special. It is so conscious of Bourne that, in imitating aspects of that film, the makers forget to see if it works with what they are doing. The lack of depth and development in the character is also a disappointment given the talent involved in key areas. It is still a solid and enjoyable film that is worth seeing even if it is hard to ignore that most of it could and should have been better than it is.

I first saw this in 2008 with my family in a theatre.

Revisited it recently on a dvd which I own.

This is the twenty-second in the Bond series, a direct sequel to Casino Royale, and the second film to star Daniel Craig as James Bond.

Like its predecessor, this one too doesn't rely on gadgets n cgi n has more chases n fast paced action but in trying to cash in on the success of Jason Bourne, Taken n other action movies, this one tried the fast cut editing which ruined the fun.

In quick cut editing one cannot make out who's who n what is going on.

In this film, Bond seeks revenge for the death of his lover, Vesper Lynd and is assisted by a Bolivian agent Camille Montes, who is coincidentally seeking to avenge the murder of her own family. The trail eventually leads them to Dominic Green, well connected with CIA and a businessman working in reforestation and charity funding for environmental science but helping an exiled General to get back into power, in return for support for his sinister plans along with CIA.

This time Bond faces Craig Mitchell, General Medrano, Dominic Greene n Colonel Carlos.

I miss those olden Bond villain's powerful henchmen.

This time the movie being fast paced n Bond on a vengeance, Bond gets to cool off with Gemma Arterton only.

The pioneer of the balcony/window jump is undisputedly Jackie Chan (Rumble in the Bronx).

Jason Bourne in Bourne Ultimatum copied almost the same jump.

Bond too copied almost the same jump in this movie.

Quantum of Solace, the 2008 installment in the James Bond franchise, unfortunately serves as a stark reminder that not all sequels live up to their predecessor's legacy. Following the thrilling reimagining of 007 in Casino Royale, this film grapples with an identity crisis, offering a chaotic narrative that ultimately feels more like a series of action scenes than a cohesive story.

One of the film's most significant missteps is its jarring pacing. Picking up immediately after Casino Royale, Quantum of Solace rushes through plot points with little room for character development or emotional investment. The narrative feels fragmented, as if key scenes are missing or hastily cut, leaving audiences struggling to connect with Bond's motivations and the stakes of his mission.

Daniel Craig reprises his role as the iconic British spy, but even his charismatic performance is unable to salvage a script that prioritizes action over substance. The film tries to explore Bond's quest for vengeance and personal fallout from Vesper Lynd's betrayal, yet these themes are underexplored and overshadowed by relentless chase sequences and explosions. The bond (no pun intended) between Craig's Bond and the characters he encounters, including the film's main antagonist, Dominic Greene, played by Mathieu Amalric, lacks the depth and intricacies that made his previous relationship with Vesper so compelling.

The cinematography, often praised for its style, can at times feel disorienting, with shaky cam angles and rapid cuts that detract from the action rather than enhance it. While some may argue this approach adds intensity, many viewers will find it visually confusing and hard to follow, reducing impactful moments to a blur.

The film's focus on environmental themes related to the villain's desire to control water resources feels more like a half-hearted attempt at relevance than a fully realized plot point. This angle, meant to ground the film in contemporary issues, falls flat, leading to a climax that feels more underwhelming than exhilarating.

Quantum of Solace is a disappointing follow-up that strays too far from the character-driven storytelling that revitalized the Bond franchise. It favors action sequences over narrative coherence, leaving audiences longing for the depth and excitement that its predecessor so expertly delivered. As a result, this installment feels less like a classic Bond adventure and more like a missed opportunity, reminding us that even the most beloved franchises can falter.