Un tireur d'élite vivant en exil est de nouveau mobilisé après avoir appris l'existence d'un complot visant à tuer le président. Victime d'un coup monté et accusé d'avoir commis l'attentat, ... Tout lireUn tireur d'élite vivant en exil est de nouveau mobilisé après avoir appris l'existence d'un complot visant à tuer le président. Victime d'un coup monté et accusé d'avoir commis l'attentat, il part à la recherche du véritable tueur.Un tireur d'élite vivant en exil est de nouveau mobilisé après avoir appris l'existence d'un complot visant à tuer le président. Victime d'un coup monté et accusé d'avoir commis l'attentat, il part à la recherche du véritable tueur.
- Prix
- 2 nominations au total
Louis Ferreira
- Howard Purnell
- (as Justin Louis)
Rade Serbedzija
- Michael Sandor
- (as Rade Sherbedgia)
A.C. Peterson
- Officer Stanley Timmons
- (as Alan C. Peterson)
Avis en vedette
finally, a movie in theaters WORTH seeing!!!! i just saw "Shooter" and i was thoroughly entertained. the plot kept me intrigued from beginning to end. mark wahlberg is fantastic... he's like a modern day McGuyver, but better looking and more sarcastic. his character is cunning and smart. wahlberg excels in playing characters who are determined to make an impact. i'm not a huge fan of action movies, but this movie was so packed with plot that i just kept moving along with it. i bet most of the naysayers of the film are going to be people who believe every word their government tells them. yes, this film depicts government officials in a bad light, but what or who doesn't? i'm sure in reality it's much worse. don't let political beliefs interfer with seeing this film... it's a good time no matter what side you are on. the screenplay was well-written, excluding ONE, minute one-liner about anna nicole smith marrying for love which was obviously written before her death. (plus the story takes place in 1997 anyway!!) other than that detail, viewers should have no complaints with this film. it's intense but not overbearing. easy to follow but complex. and you'll be impressed with wahlberg's character... go see for yourself!!
Although not accurate all the way, this film is one of the more realistic action thrillers I've seen. It's one of the few films where the main character actually spends a lot of time taking care of just two gun shot wounds (without vital organs being hit), one of the few films that puts governmental corruption in a more or less correct perspective, one of the few films where the lone hero needs a sidekick to help him with the planning, etc. On top of that, the film is entertaining from beginning to end and character motives are believable.
But then again.... this film is not for everyone. Left wing supporters are likely to be offended by its pro-gun message. American right wing supporters are likely to be offended by the strong anti-US government viewpoints clearly expressed in this film. Pro-constitution anti-federal government paleoconservatives and right wingers outside of the US without an in depth knowledge of sniper rifles are probably the only ones to enjoy this film to the fullest. And boy oh boy, how little are they in number... which probably explains why this film did not become the blockbuster hit it could have been.
But then again.... this film is not for everyone. Left wing supporters are likely to be offended by its pro-gun message. American right wing supporters are likely to be offended by the strong anti-US government viewpoints clearly expressed in this film. Pro-constitution anti-federal government paleoconservatives and right wingers outside of the US without an in depth knowledge of sniper rifles are probably the only ones to enjoy this film to the fullest. And boy oh boy, how little are they in number... which probably explains why this film did not become the blockbuster hit it could have been.
Never mess with someone who can drop you with his gun from miles away. Snipers somehow has this aura of mystique and sexiness associated with the motto of "one shot, one kill", as exhibited in movies like Enemy at the Gates, or memorable war characters such as in Saving Private Ryan. In Shooter, this gets demystified for a while, hitting home that not only should one be gifted with the pulling of the trigger from incredible distance, a sniper is also a master mathematician, having to compute the trajectory of the round with factors of humidity, wind direction, angle etc just to hit the target.
Mark Wahlberg stars as Bob Lee Swagger, whom director Antoine Fuqua makes him literally walk with a swagger in all the silhouetted slow motion shots. A battle hardened veteran with ghosts from the past (don't they all), he gets tempted back to assist the authorities in order to feed his patriotic adrenaline, only to find himself screwed and framed for a treasonous crime he did not commit. It's cat and mouse as prey becomes hunter, and tries to exact justice and at the same time, to try and prove his innocence. Expect the usual guns, explosions, and plenty of blood and gore.
Shooter plays off like an urban Rambo meeting The Fugitive, only this time Dr Richard Kimble has biceps the size of melons and fights back with deadly accuracy from his rifle. He runs from the authorities, firmly put as the scheming villains involved in shady deals and the existence of a covert group of greed ala X-Files, one of whom is played by Danny Glover, in a rare turn of alignment to the dark side. No self-respecting beefcake wannabe can do without some DIY operation scene to keep alive, or some montage in gathering and making new weapons (pipe bombs, napalm anyone?), and half the time I was wondering about Mark Wahlberg being the quintessential new generation action hero.
Gone are the days when Hollywood action movie were ruled by the Stallone-Schwarzenegger- VanDamme trio, and surprisingly there are no permanent beefcakes who can readily step into and fill the void. Wahlberg has been slowly inching his way in my opinion, though Marky Mark's filmography of The Italian Job, the Planet of the Apes remake, The Perfect Storm and the more recent Four Brothers, do suggest that more should be done to cement this status, hence Shooter. I can't wait for his Brazilian Job to hit the screens, though that one plays more like an Ocean's Eleven rather than the individual one-man-saves-the-world action hero type. The Departed was a vulgar bit role, so that doesn't count.
Antoine Fuqua is no stranger to directing action movies, or movies with the hero caught up against unfair odds. From Training Day to Tears of the Sun, you can see earlier influences creep their way into Shooter, making it a little familiar territory visited. There are many sweeping shots used to try and epic-ize the movie, and set action sequences take priority, reducing character development to the token time available between scenes, and sometimes at the expense of plausibility.
The supporting cast was fun to watch, as Michael Pena (World Trade Center, Crash) almost stole the show with his rookie FBI character being caught up in the wrong place at the wrong time, and almost against his training, wishes and protocol, forms and becomes an important ally for Wahlberg's Swagger. The woman folk however get relegated to backseat roles, as per the usual Fuqua movies with Eva Mendes, Keira Knightley and Monica Belluci. Don't expect Kate Mara or Rhona Mitra to do much. As for the rest, they are your token cardboard characters, there to chew the scene.
Shooter is an action fan's fodder, and it is nothing more than a guilt trip watching a cowboy of a hero mopping up the town's scum, exactly in the way we like to see justice served - without remorse, exacting, and served extremely cold. A satisfying actioner with the usual thrills and spills.
Mark Wahlberg stars as Bob Lee Swagger, whom director Antoine Fuqua makes him literally walk with a swagger in all the silhouetted slow motion shots. A battle hardened veteran with ghosts from the past (don't they all), he gets tempted back to assist the authorities in order to feed his patriotic adrenaline, only to find himself screwed and framed for a treasonous crime he did not commit. It's cat and mouse as prey becomes hunter, and tries to exact justice and at the same time, to try and prove his innocence. Expect the usual guns, explosions, and plenty of blood and gore.
Shooter plays off like an urban Rambo meeting The Fugitive, only this time Dr Richard Kimble has biceps the size of melons and fights back with deadly accuracy from his rifle. He runs from the authorities, firmly put as the scheming villains involved in shady deals and the existence of a covert group of greed ala X-Files, one of whom is played by Danny Glover, in a rare turn of alignment to the dark side. No self-respecting beefcake wannabe can do without some DIY operation scene to keep alive, or some montage in gathering and making new weapons (pipe bombs, napalm anyone?), and half the time I was wondering about Mark Wahlberg being the quintessential new generation action hero.
Gone are the days when Hollywood action movie were ruled by the Stallone-Schwarzenegger- VanDamme trio, and surprisingly there are no permanent beefcakes who can readily step into and fill the void. Wahlberg has been slowly inching his way in my opinion, though Marky Mark's filmography of The Italian Job, the Planet of the Apes remake, The Perfect Storm and the more recent Four Brothers, do suggest that more should be done to cement this status, hence Shooter. I can't wait for his Brazilian Job to hit the screens, though that one plays more like an Ocean's Eleven rather than the individual one-man-saves-the-world action hero type. The Departed was a vulgar bit role, so that doesn't count.
Antoine Fuqua is no stranger to directing action movies, or movies with the hero caught up against unfair odds. From Training Day to Tears of the Sun, you can see earlier influences creep their way into Shooter, making it a little familiar territory visited. There are many sweeping shots used to try and epic-ize the movie, and set action sequences take priority, reducing character development to the token time available between scenes, and sometimes at the expense of plausibility.
The supporting cast was fun to watch, as Michael Pena (World Trade Center, Crash) almost stole the show with his rookie FBI character being caught up in the wrong place at the wrong time, and almost against his training, wishes and protocol, forms and becomes an important ally for Wahlberg's Swagger. The woman folk however get relegated to backseat roles, as per the usual Fuqua movies with Eva Mendes, Keira Knightley and Monica Belluci. Don't expect Kate Mara or Rhona Mitra to do much. As for the rest, they are your token cardboard characters, there to chew the scene.
Shooter is an action fan's fodder, and it is nothing more than a guilt trip watching a cowboy of a hero mopping up the town's scum, exactly in the way we like to see justice served - without remorse, exacting, and served extremely cold. A satisfying actioner with the usual thrills and spills.
23 March 2007. Warning: Spoilers. I can't say I was impressed with the ending, but most of the movie was involving and interesting. This solid action thriller is held together by Mark Walberg and contains the classic "Three Days of Condor" suspense and chase as well as the "The Bourne Identity" sophistication to make an overall nice thriller. Of course Walberg's near escape from death has already been pointed out as being a bit suspicious but the aftermath is handled about as well as any movie I've seen. There is a good interweaving of two characters trying on different tracks to solve this mystery, though its final explanation isn't as nefarious as some movies, more like "The Interpreter." While not in the top flight class of thrillers like "Bourne Supremacy," this movie definitely adds to the quality of this genre. Seven out of Ten Stars.
If you were to take the best parts of Tom Clancy's Jack Ryan series (Patriot Games, Clear And Present Danger, Sum of All Fears) and mixed in the best parts of the only good Rambo film (First Blood) you would end up with something akin to Shooter. Shooter is a smart, engaging and all out enjoyable action flick that never pulls its punches and always surprises you when you least expect it.
Mark Whalberg plays the role of Bob Lee Swagger, a former military sniper who quit the army following a disastrous mission where his best friend and spotter is killed when they are left behind. Three years later he is hired by a Colonel (played with gusto by Danny Glover) to figure out how a suspected assassin is going to attempt to kill the President from over a mile away, a shot that few could make. Swagger figures out how it is going to be done and is asked to supervise locating the sniper on site. But on the day of the supposed assassination, Swagger is set up with the assassination attempt that kills a visiting diplomat. Swagger is then left on the hunt while trying to prove his innocence.
Shooter twists and turns with an elaborate conspiracy that is very convincing, though of course the writers wimp out and take the cheap road of drawing international oil into the plot (can't writers think of an original plot device?). However, this is hardly a drawback since the rest of the film is solid as a rock. The film really puts you into the shoes of a sniper and gives an impressive overview of the mindset that it takes to be as accurate as someone of the character of Swagger.
The only real distractions in the film would be Elias Koteas, whose psycho performance is heavy-handed and does not fit the film, and Kate Mara who has little to do throughout the film but appear upset or in distress. The film could have done without either characters or their respective actors. As well, some of the character relations seem forced at time, particularly in the relationship between Michael Peña's character of Nick Memphis and his FBI confidante Lourdes, played by Rhona Mitra. Their almost effortless camaraderie comes off as less than convincing.
Overall, Shooter certainly delivers as an entertaining thrill-ride that is certainly not dumbed down in the least. If you want an intelligent action film with lots of impressive gun play and several elaborate, thrilling action sequences to boot, Shooter is right up your alley and will not disappoint. 7.6 out of 10
Mark Whalberg plays the role of Bob Lee Swagger, a former military sniper who quit the army following a disastrous mission where his best friend and spotter is killed when they are left behind. Three years later he is hired by a Colonel (played with gusto by Danny Glover) to figure out how a suspected assassin is going to attempt to kill the President from over a mile away, a shot that few could make. Swagger figures out how it is going to be done and is asked to supervise locating the sniper on site. But on the day of the supposed assassination, Swagger is set up with the assassination attempt that kills a visiting diplomat. Swagger is then left on the hunt while trying to prove his innocence.
Shooter twists and turns with an elaborate conspiracy that is very convincing, though of course the writers wimp out and take the cheap road of drawing international oil into the plot (can't writers think of an original plot device?). However, this is hardly a drawback since the rest of the film is solid as a rock. The film really puts you into the shoes of a sniper and gives an impressive overview of the mindset that it takes to be as accurate as someone of the character of Swagger.
The only real distractions in the film would be Elias Koteas, whose psycho performance is heavy-handed and does not fit the film, and Kate Mara who has little to do throughout the film but appear upset or in distress. The film could have done without either characters or their respective actors. As well, some of the character relations seem forced at time, particularly in the relationship between Michael Peña's character of Nick Memphis and his FBI confidante Lourdes, played by Rhona Mitra. Their almost effortless camaraderie comes off as less than convincing.
Overall, Shooter certainly delivers as an entertaining thrill-ride that is certainly not dumbed down in the least. If you want an intelligent action film with lots of impressive gun play and several elaborate, thrilling action sequences to boot, Shooter is right up your alley and will not disappoint. 7.6 out of 10
Le saviez-vous
- AnecdotesAccording to the movie's script doctor William Goldman, Clint Eastwood, Robert Redford, and Harrison Ford passed on the movie. These men would have fit the literary Bob Lee Swagger's age a bit more closely than Mark Wahlberg (born in 1971). Author Stephen Hunter introduced Swagger as a Vietnam veteran in a 1993 novel, taking place in 1992; however, to accommodate Wahlberg's age, this film has Swagger active in Africa in the 1990s, instead of Vietnam in the 1970s.
- Gaffes(at around 1h 9 mins) Inexplicably, the three men who plan to kill Memphis and make it look like a suicide beat him bruised and bloody beforehand. These wounds would surely raise unwanted questions about the circumstances of his death.
- Citations
Bob Lee Swagger: I don't think you understand. These boys killed my dog.
- Autres versionsSome television airings use alternate takes with less blood and gore. For example, when Swagger shoots Payne in the hand, it is shown in a wide shot, instead of the bloody closeup in the theatrical release. And when Swagger shoots Payne again, instead of Payne's arm being blown off, as in the theatrical release, he is hit in the shoulder and simply falls down in a wide shot.
- Bandes originalesNasty Letter
Written and Performed by Otis Taylor
Courtesy of Telarc International Corporation
By Arrangement with Music for the Masses
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- How long is Shooter?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Shooter
- Lieux de tournage
- Cache Creek, British Columbia, Canada(Exterior)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 61 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 47 003 582 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 14 523 571 $ US
- 25 mars 2007
- Brut – à l'échelle mondiale
- 95 696 996 $ US
- Durée2 heures 4 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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