The Wind in the Willows

A friend of mine was kind enough to burn me a DVD from the BBC-TV presentation, and send it to me in America. I was delighted, as I had been looking forward to it for some time and took for granted it would not come to the US.

I was not disappointed. This film is completely wonderful, from the saturated colors of the landscapes to the marvelously witty and creative camera work, to the absolute perfection of the actors in their roles -- each one entirely believable as the creature he was meant to be. Mark Gatiss' Rat was a bit underplayed--it was only on second viewing that I became aware of the subtleties of his performance: the little ratlike twitches of the nose and the occasional baring of the teeth. Bob Hoskins gave a solid, workmanlike performance as Badger, and of course Matt Lucas' Toad fairly stole the show.

But the absolute revelation of the film was Lee Ingleby as Mole. Somehow in watching him I was able to see two presences on screen at the same time: the full-scale human and a tiny shadowy creature of delicacy, timidity and great vulnerability. The humble little Mole, so earnest and willing to please, is of course the center and the heart of the story, and Ingleby brought him to life with extraordinary grace, sensitivity and humor. His parting line, "Perhaps there's room in the world for all sorts of creatures" (paraphrased) is a lesson to be lived by even today.

This is not the "Wind in the Willows" you grew up with. This is live actors in limited make-up, breathing life into the characters through their own talent, rather than through special effects. (Though there are a few of those too, and quite clever ones at that.) As soon as a commercial release of the DVD became available (March 26), I bought it. My first copy was well-worn long before then.

Venturing out from his underground home, Mole joins Ratty for a river trip. They come across the rich Mr Toad, who has taken up caravanning as a new hobby. However this hobby is replaced by a new one when he is run off the road by a motorcar – sparking a new passion in his life. While Badger, Mole and Ratty try to cure Toad of his car obsession, the weasels use it against him in order to get the deeds to Toad Hall.

That this was screened on New Years Day in the early evening slot should give you a clue about what to expect from this version. On the final day of the Christmas holiday, this is aimed at families with the parents enjoying the final day off work, looking for something warm, familiar and undemanding to watch that has enough of a family glow and wholesome feel to it to do the job. And that is just what this delivers nad it has the perfect material to do it with since Wind in the Willows is a family classic that many of us have affection for. Of course that is not saying that it is brilliant (it is not) but rather it is just safe family warmth without too much to really mark it out or justify watching it when not in a turkey-and-wine-induced stupor. The plot is well known and the film delivers it with a "jolly-old-England" air and light humour but not much else. It isn't that funny or inventive but again it does what it needed to do. Fans might also be narked that the weasels are squeezed into a silly panto action conclusion which seems like an afterthought for all concern.

Visually the film looks good and the minimal design of the characters was a nice touch. The sets look good but the jump-edits and backgrounds were modern touches that jarred with the rest of the film and didn't work – the very occasional use of special effects were terrible too. The cast has one or two "holiday BBC family drama" faces in there to draw the audience but nobody does that well. Lucas hams it up in the main role and he seems to be enjoying himself. He will amuse children but he is closer to "silly" than "funny" from where I was coming from. Gatiss is a solid "Oxford-type" as Ratty and he is OK without being distinguished; likewise Ingleby's mole – good but not really memorable. Hoskins was a good piece of casting and he gives good badger with his constant grump. The weasels are poor characters and not that well delivered by a group cast for their tumbling ability rather than anything else but small turns from Staunton and a few others are amusing.

Overall then a warm and basic bit of family entertainment that more or less did the job over the Christmas holidays by being pitched at a sedated family audience on their last day off work together and recovering from a New Year's Eve hangover. However it is not good enough to offer much if you are approaching it without this reduced set of requirements, not being funny, imaginative or engaging enough to stick in the mind even an hour after watching it. Of course it isn't helped by me having the memory of the 1996 version which, to be blunt, sh1ts on this version. OK it was floated down the river by Disney but it is better in almost every way and should be sought out by anything considering watching this because this 2006 version isn't a patch on it.

Wind in the willows in one of my all time favorite stories. I loved this story when I was a child, and this movie reminded me of how much I loved this story.

This movie appeared on Australian television just before Christmas Eve. This movie has a great cast including Matt Lucas as Toad, Mark Gatiss as Ratty, Lee Ingleby as Mole, and Bob Hoskins as Badger.

But this isn't the first live-action of Wind in the Willows. You may recall that there was a previous live-action film version of The Wind In The Willows that was released in cinemas. This film was released back in 1997 and it starred Steve Coogan as Mole, Eric Idle as Ratty, Terry Jones as Toad, Nicol Williamson as Badger, and Anthony Sher as the Chief Weasel. But this previous live-action film was a parody of Wind in the Willows. While this TV movie is very loyal to Kenneth Graham's original story. It has many of the same scenes and the same quotes that were in the book and it even has Toad's conceited songs. So I certainly enjoyed this movie and I highly recommend it to anyone who loves the book.

Matt Lucas as a marvellous Toad, Mark Gatiss as a spiky rat, Lee Ingleby as a nervous Mole, and Bob Hoskins as a grumpy old Badger make a classy cast within yet another version of Kenneth Grahame's classic book.

Comparing well with the Python-heavy 1996 version, which got lost in music and a mincemeat factory plot, this has many pluses in its favour - the best of all being the famous 'Piper at the Gates of Dawn' chapter covered in full, with all its ethereal magic. Plenty, then, to enthrall children and interest adults who happen to be watching with or without them.

A highly enjoyable made-for-TV version of the story. The subtle costumes and understated acting are perfectly suited to the subject. Toad's frivolous and irresponsible behavior are well-captured, though I found him more childish than anything else.

There are undertones of class separation and hints of the poverty of some of the characters that I found touching, and will go over the heads of many children, which to me is a plus.

Bob Hoskins' Badger is a delight, and I have a soft spot for Mary Walsh, no matter how large or small the part she's in. The British and Canadian actors all bring their considerable talent to the table, despite the fact that most of them are relatively unknown (at least to the best of my knowledge).

All-in-all, well worth renting or downloading, if you want a simple family movie for the holidays, or just a family movie night.