Une mère en deuil s'en prend à la police de Los Angeles à son propre détriment lorsqu'elle tente de faire passer un imposteur évident pour son enfant disparu.Une mère en deuil s'en prend à la police de Los Angeles à son propre détriment lorsqu'elle tente de faire passer un imposteur évident pour son enfant disparu.Une mère en deuil s'en prend à la police de Los Angeles à son propre détriment lorsqu'elle tente de faire passer un imposteur évident pour son enfant disparu.
- Nommé pour 3 oscars
- 14 victoires et 55 nominations au total
Avis en vedette
Wow, I think I need to calm down a bit. I was skeptic at first to see this movie but I don't regret spending 900 króna's (I'm from Iceland so that's very expensive) on a movie ticket to see the best movie I've seen in a long time. And I encourage everyone to do the same, go see Changeling.
This movie has everything; a terrific story based on true events, outstanding acting from everyone of the cast, excitement, tears, blood and it holds you tight until the end. And I won't forget the magic behind the camera provided by the genius Clint Eastwood.
Angelina's character is terrific and she fights, what seems to be at first a lost fight, for her son in a world controlled by men. You learn to hate some characters in the movie and love others. You learn to feel for Angelina's character and hope the movie ends well. Changeling will make you cry and when you walk out of the theater after this fantastic film you feel both good and satisfied.
Angelina was so good and convincing in this movie that I could not believe my own eyes and ears. And John Malkovich was very good too but Angelina is the rock of this movie. She carries it on her shoulders and Clint Eastwood directs her like...like...I don't know what to write anymore, I'm still calming down. I'm going to stop now and finish the review with these two sentences: If Angelina Jolie gets an Oscar nomination for her acting she deserves to win. Just go see Changeling and Angelina's acting will blow your mind.
Angelina Jolie does a superb job of portraying a Los Angeles woman ("Christine Collins") in the late 1920s whose boy is kidnapped. Five months later, the "proud" police department brings her kid back, making it a good PR session. Unfortunately, it's not her kid and stupidly, although she's naturally upset about, she poses with the kid and takes him home. (Would that really happen?).
Then she begins her quest of finding her real "Walter." Further twists and turns make the story increasingly horrifying. In all, you won't be able to keep your eyes off the screen wondering if justice will ever prevail in the end and who exactly is involved in what. It's not particularly a fun ride - you'll have a frown on your face for quite some time - but it sure is interesting and an excellent two hour-plus of entertainment. By the end, you'll be emotionally exhausted.
Kudos to all the actors in here for riveting performances and to the production and design team for a great period piece. Where else can you feel you're back 75-80 years in time with the boxy cars and flapper hats than in movies?
Le saviez-vous
- AnecdotesScreenwriter J. Michael Straczynski first learned of the story of Christine Collins from an unnamed source at Los Angeles City Hall. The source had stumbled across case files regarding the Wineville Chicken Coop Murders among other discarded documents scheduled for destruction. Straczynski took the files and became obsessed with the case, doing extensive research over the course of a year. He tried to make it into a television project, but never found a solid way to do that. Virtually every event depicted in this movie appears as cited in legal documents, with dialogue often taken verbatim from court transcripts. Straczynski wrote his first draft of the screenplay in only 11 days.
- GaffesDetective Ybarra uses the term "serial killer," coined by FBI Special Agent Robert K. Ressler in the 1970s.
- Citations
[last lines]
Christine Collins: Three boys made a run for it that night, Detective, and if one got out, then maybe either or both of the other two did too. Maybe Walter's out there having the same fears that he did. Afraid to come home and identify himself, or afraid to get in trouble. But either way, it gives me something I didn't have before today.
Detective Lester Ybarra: What's that?
Christine Collins: Hope.
- Générique farfeluThe black-and-white Universal logo used in the 1940s opens the film.
- ConnexionsFeatured in Los 10 magníficos: Clint Eastwood (2008)
Meilleurs choix
Détails
Box-office
- Budget
- 55 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 35 739 802 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 489 015 $ US
- 26 oct. 2008
- Brut – à l'échelle mondiale
- 113 398 237 $ US
- Durée
- 2h 21m(141 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1