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5,2/10
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MA NOTE
Ajouter une intrigue dans votre langueBased on the true story of the double initial killings in Rochester, NY.Based on the true story of the double initial killings in Rochester, NY.Based on the true story of the double initial killings in Rochester, NY.
- Prix
- 1 nomination au total
Andrew Fiscella
- Len Schafer
- (as Andy Fiscella)
Avis en vedette
This crime thriller centers on a detective named Megan (Eliza Dushku) who investigates a series of child murders in upstate New York. But Megan suffers from a mental illness, the symptoms of which get worse as she delves deeper into the killings. She hears strange voices and sees "visions" related to the victims.
With low light levels and muted colors, combined with creepy background music, the film's first half creates an effective thriller atmosphere. We see the outline of the killer, but never the face. Will Megan solve the murders and overcome her illness, or will the inept police supersede, to botch the case? As viewers, we root for Megan to succeed.
Although the script idea originates from a real-life murder case, referred to generally as the "double initial" serial killings, which terrorized upstate New York in the early 1970s, the film's overall plot and main characters are fictional. The story setting is the present, not the 1970s. The scriptwriter created the Megan character out of thin air. And the story's outcome deviates considerably from the outcome of the real-life case. The film's writer wrote a fictional plot, based on a real-life premise. The film's second half fails to convince, largely because of its clichéd plot contrivances.
Visuals consist of an annoying widescreen projection and some hokey CGI effects, in the form of "ghosts". But the low lighting contributes tension, as does some clever low-angle camera shots. And the director relies mostly on a hand-held camera, which enhances realism. Overall casting and acting are fine.
"The Alphabet Killer" gets off to a great start. But it falters in the second half, owing to fictional plot points that dilute the underlying real-life premise. I would have preferred a narrative that followed the true story, though I understand that the reason for not doing so was budget constraints. By lowering one's expectations, the viewer may find the film worthwhile, either as a fictional thriller or as a character study of a woman fighting her own demons.
With low light levels and muted colors, combined with creepy background music, the film's first half creates an effective thriller atmosphere. We see the outline of the killer, but never the face. Will Megan solve the murders and overcome her illness, or will the inept police supersede, to botch the case? As viewers, we root for Megan to succeed.
Although the script idea originates from a real-life murder case, referred to generally as the "double initial" serial killings, which terrorized upstate New York in the early 1970s, the film's overall plot and main characters are fictional. The story setting is the present, not the 1970s. The scriptwriter created the Megan character out of thin air. And the story's outcome deviates considerably from the outcome of the real-life case. The film's writer wrote a fictional plot, based on a real-life premise. The film's second half fails to convince, largely because of its clichéd plot contrivances.
Visuals consist of an annoying widescreen projection and some hokey CGI effects, in the form of "ghosts". But the low lighting contributes tension, as does some clever low-angle camera shots. And the director relies mostly on a hand-held camera, which enhances realism. Overall casting and acting are fine.
"The Alphabet Killer" gets off to a great start. But it falters in the second half, owing to fictional plot points that dilute the underlying real-life premise. I would have preferred a narrative that followed the true story, though I understand that the reason for not doing so was budget constraints. By lowering one's expectations, the viewer may find the film worthwhile, either as a fictional thriller or as a character study of a woman fighting her own demons.
Bland is the right word to describe this movie. Absolutely nothing interesting, nothing new and a cruelly stupid plot.
Eliza Dushku is pretty but that is all she is. In most parts of the movie she walks and talks like a zombie. Not sure if that is how delusional people would behave, but her performance looks comical. And since the whole movie circles around her, she single handedly manages to bring the entire movie down.
I really hope to see her cast in a better and more suitable role.
This is one such movie where everything looks bad, right from the acting, music, script, dialog, plot everything.
I was shaking my head and hoping to see the movie end at some point.
Stay away from this one unless you want to totally waste your time.
Eliza Dushku is pretty but that is all she is. In most parts of the movie she walks and talks like a zombie. Not sure if that is how delusional people would behave, but her performance looks comical. And since the whole movie circles around her, she single handedly manages to bring the entire movie down.
I really hope to see her cast in a better and more suitable role.
This is one such movie where everything looks bad, right from the acting, music, script, dialog, plot everything.
I was shaking my head and hoping to see the movie end at some point.
Stay away from this one unless you want to totally waste your time.
The Alphabet Killer is based very, very loosely on a real story. But screenwriter Tom Malloy pretty much made this story entirely his own. The basic facts of the case are that there once was a killer whose victims were young girls whose first and last names started with the same letter. And that killer dumped the bodies in towns with names beginning with that same letter. For example this film's first victim is Carla Castillo, found in Churchville. Where does this movie want to go from there? Well, it turns out not to really be about the killer but about the young detective investigating the crime, Megan Paige. Eliza Dushku plays the role and the movie was always going to sink or swim on her performance. Dushku just about manages to keep the film afloat.
The film veers toward the supernatural and/or psychological as Megan Paige begins to be haunted by visions. Is she really seeing things or just losing her mind? She ends up having a nervous breakdown and losing her position as a detective, demoted to a desk job. But when the bodies of more young girls turn up, following the alphabet pattern Megan had obsessed on, she's back on the case. Her new partner, played by screenwriter Malloy himself, is understandably wary. Eventually the two bond and make some progress in the case. But the killer remains elusive and Megan will not let the case go. Her frustrations manifest themselves in more of these visions or hallucinations or whatever they are. Megan is losing it again and it's a race against time to solve the case before she goes completely crazy. And of course before the killer strikes again.
All in all it is pretty familiar serial killer stuff like we've seen in so many other films. The focus on an investigator who happens to be losing her mind is a bit of a different angle. But ultimately things play out pretty much as you would expect from the genre. Dushku performs a challenging role reasonably well. The supporting cast, including some familiar faces such as Cary Elwes and Timothy Hutton, is fine as well. But the film never threatens to make the leap from being decent to being really good. The story starts with promise but once it settles into its rhythm there is the sense that initial promise is not being paid off. The story kind of lags, things are a little mundane. They try to spice things up a bit by throwing in those haunting, sometimes scary visions of Megan's. But that gets a little repetitive and loses its impact. You know the film is going to go for a big reveal at the end but when it does the effort falls somewhat flat. The ending is actually rather predictable, not nearly as thrilling as it needs to be for the film to really excite you. Ultimately The Alphabet Killer is a decent little movie but that is about the best that can be said. Not a terrible way to spend 100 minutes but far from spectacular.
The film veers toward the supernatural and/or psychological as Megan Paige begins to be haunted by visions. Is she really seeing things or just losing her mind? She ends up having a nervous breakdown and losing her position as a detective, demoted to a desk job. But when the bodies of more young girls turn up, following the alphabet pattern Megan had obsessed on, she's back on the case. Her new partner, played by screenwriter Malloy himself, is understandably wary. Eventually the two bond and make some progress in the case. But the killer remains elusive and Megan will not let the case go. Her frustrations manifest themselves in more of these visions or hallucinations or whatever they are. Megan is losing it again and it's a race against time to solve the case before she goes completely crazy. And of course before the killer strikes again.
All in all it is pretty familiar serial killer stuff like we've seen in so many other films. The focus on an investigator who happens to be losing her mind is a bit of a different angle. But ultimately things play out pretty much as you would expect from the genre. Dushku performs a challenging role reasonably well. The supporting cast, including some familiar faces such as Cary Elwes and Timothy Hutton, is fine as well. But the film never threatens to make the leap from being decent to being really good. The story starts with promise but once it settles into its rhythm there is the sense that initial promise is not being paid off. The story kind of lags, things are a little mundane. They try to spice things up a bit by throwing in those haunting, sometimes scary visions of Megan's. But that gets a little repetitive and loses its impact. You know the film is going to go for a big reveal at the end but when it does the effort falls somewhat flat. The ending is actually rather predictable, not nearly as thrilling as it needs to be for the film to really excite you. Ultimately The Alphabet Killer is a decent little movie but that is about the best that can be said. Not a terrible way to spend 100 minutes but far from spectacular.
I normally am not a fan of crime movies, especially those based on reality but stretched to the extreme, and the "Alphabet Killer" is no exception. Poor acting, horrible misrepresentation of reality, inaccuracy beyond belief, and camera work that my high school journalist could have topped takes this movie to the bottom. I do, however, enjoy movies that i don't know what's going to happen five minutes into it, and that is where this movie does succeed.
I watched "Alphabet Killer" twice; once confused and then once playing the "Alphabet Killer" drinking game. Neither was incredibly enjoyable but compared to most of the films these days it was not repulsive. If you are bored and happen to have a free redbox code its worth the 2 hours for sheer enjoyment of how truly worthless cops are.
I know this is one of my less useful reviews but i really don't have much to say about this movie; that's why i watched it twice. It really isn't that bad but at the same time it's not that good. I gave it the benefit of having funny cop hating to get the 6 instead of the 4.
I watched "Alphabet Killer" twice; once confused and then once playing the "Alphabet Killer" drinking game. Neither was incredibly enjoyable but compared to most of the films these days it was not repulsive. If you are bored and happen to have a free redbox code its worth the 2 hours for sheer enjoyment of how truly worthless cops are.
I know this is one of my less useful reviews but i really don't have much to say about this movie; that's why i watched it twice. It really isn't that bad but at the same time it's not that good. I gave it the benefit of having funny cop hating to get the 6 instead of the 4.
I only basically wanted to see the location shots of my crap city, and surely did notice a few! The part that really drove me insane is the use of cell phones and laptops. I noticed the cars were pretty old looking but when the dad of Wanda hands over HER CELL PHONE to the cops for her contacts-- the movie was just dead to me after that. The kid was 12 year old and the year was 1972. Also I wasn't sure about the time frame because I think the killer struck again well before two years after the first girl's death.
I know it was only supposed to be "based on" these murders, but if they went to all the trouble of actually filming on location in Rochester, why didn't they go for a little more credibility? It was just meh, but again, fun for the location shots, and Eliza Deshku is always very good in everything.
I know it was only supposed to be "based on" these murders, but if they went to all the trouble of actually filming on location in Rochester, why didn't they go for a little more credibility? It was just meh, but again, fun for the location shots, and Eliza Deshku is always very good in everything.
Le saviez-vous
- Anecdotes(at around 21 mins) In the group scene, the guy who plays Tim, is Nate Dushku. Eliza Dushku's real life brother.
- Gaffes(at around 1h 27 mins) Towards the end of the movie, Richard tells Megan that she is going to take a trip down "The Geneseo". The river running through Rochester is "The Genesee" River. Geneseo is a town about 45 minutes south of Rochester.
- Citations
[first lines]
Megan Paige: Mostly the job is to ask questions. The frustrating part, the part that drives you crazy, is that the people you really want to talk to are dead.
- ConnexionsEdited into The Alphabet Killer: Alternate Scene (2009)
- Bandes originalesSkeleton (She's So Cool)
Written by Nils Alpha / Jukka Sebatian
Performed by Alpha Kids
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bảng Chữ Tử Thần
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 29 784 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 000 $ US
- 9 nov. 2008
- Brut – à l'échelle mondiale
- 106 596 $ US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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