La vie devant ses yeux

One of the main reasons for picking this up is the star pairing of Uma Thurman and Evan Rachel Wood playing the same character Diana in a tale that explores how lives get changed and affected in a post Columbine styled school shooting. Directed by Vadim Perelman who also helmed The House of Sand and Fog, The Life Before Her Eyes is adapted from the novel by Laura Kasischke, and the first scene sets up the hook beautifully - what if you're caught in a dead end with your best friend, and a gunman?

The narrative unfolds in non-linear fashion, which splits the story into two separate threads, one with the younger teenage Diana (Rachel Evan Wood) and her BFF Maureen (Eva Amurri) discussing the usual problems, issues and dreams a teenager would have, and their aspirations in life, and the other putting its focus on the adult Diana (Uma Thurman) now married to a professor and having to raise her child Emma (Gabrielle Brennan) who's quite a handful to handle, providing some mean reminiscence into her own past that she hopes she's able to steer her kid out from that doomed past.

In character pieces like this, both lead actresses shine in their respective spheres, with Evan Rachel Wood playing yet again an impetuous youth living life her own way, never hesitating to dabble in sex and drugs, and basically the making all the mistakes that one can make as a teen. The chemistry shared with Eva Amurri was excellently convincing so much so that with the pivotal scene in the bathroom, you're put on the edge of your seat as to the choices that both will make. Which you can partake in if you put yourself in similar shoes, with a gun pointed at you and a chance to live, or die, per your wishes.

Uma Thurman tackles her mom role with aplomb, juggling raising a kid with trying to avoid her past which is slowly coming back through flashbacks no thanks to the 15th anniversary of the fateful day in school. It may seem that she's living that perfect life, but the cracks soon show up and little things become opportunities for reminiscence. I suppose as a parent you will try that utmost best to avoid your kid repeating the same mistakes you have made, and will be on the lookout for warning signs. Thurman brings to the table that level of maturity, as well as a sense of paranoia as she tries hard to forget her past.

Vadim Perelman created a film that's basically very dreamlike in quality as it deals with themes such as conscience and self-preservation, and crafted the key bathroom scene with ingenuity that keeps you constantly guessing how it will all play out, and pulling his punches at the right time to keep up that level of suspense right up to the end. Production values are purposefully split down the middle to differentiate the landscapes between the two time periods to reflect the lifestyle and mood of Diana and of course to throw clues in addition to what's being done by the narrative, with a haunting soundtrack throughout courtesy of James Horner.

Some may not like the how the finale played out but I thought it was refreshingly different from the usual narrative twist attempts. Some may deem it not plausible, but I tend to consider it not as being performed during a single moment, but more of being worked on over a period of time. After all, an idea isn't just conceived and worked on overnight - we tend to think about it at some lengths not necessarily always during the same sitting. Even if you have an inkling of how it will play out, it's the delivery of key scenes and the wonderful dramatic performances that make this way above average. Recommended!

The sophisticated Perelman/Kasischke sensibilities will not be for all markets; this is essentially a rather highbrow film, with a surprise ending which will spoil it for some who want their movies to be straightforward, but which is essential to its philosophical heart. Thurman is outstanding as the older, pensive Diana, and Wood perhaps even better as the self-confident, rebellious younger version. Perelman's direction captures the dreamy lyricism contrasting with a sometimes brutal realism that is also found in Kasischke's beautiful and poetic 2002 novel. There won't be many better, genuinely adult movies this year, and most likely it will be ignored.

The narrative of 'Life Before Her Eyes' switches backwards and forwards between two episodes in the life of Diana McFee. The first is her teenage summer prior to a Colombine-style high school massacre - while the second occurs twenty years later, as her town prepares to remember this tragic event's anniversary. In the high school time-line, Diana (Evan Rachel Wood) hangs out with best friend Maureen (Eva Amurri), alternately discussing future plans and current boyfriends. Their fine performances are captured in radiant dreamlike cinematography which intensifies a sense of foreboding as they approach their fateful encounter with a homicidal armed schoolmate.

In the later sequences, a 30-something Diana (Uma Thurman) is embroiled in another crisis, with her marriage under strain and her daughter exhibiting rebellious tendencies similar to Diana's student behavior. Unfortunately these segments are handicapped by Thurman's lifeless performance. By the end of the film all the loose ends have been neatly resolved, but the climax is ruined by a plot twist which contradicts all the previous character development. Apparently this flawed finale was forced on the producers at Thurman's insistence.

Vadim Perelman's 'The Life Before Her Eyes' is just as powerful but equally complex as his harrowing 'The House of Sand and Fog'. This movie is just as engaging and at times, also confusing. Perelman uses fascinating visuals. The film opens with a montage of various beautiful flowers (that have a symbolic definition) and then follows two girls to a highschool bathroom. The shootout scene takes place only within the bathroom while we hear gunfire in the background but for me this movie has achieved in that first sequence what the pretentious 'Elephant' didn't (which was also about a highschool shootout). While the focus is on the two girls, you literally see the fear in their eyes as their 'nice' day is interrupted and their lives are threatened.

On the technical side, it is a very well crafted film. The cinematography, the music, the sets and editing are all top notch. The visuals are detailed and pretty much every frame has something to say.

The ending is different from that of the book but I think both of them rise the same question. What would have you done if you were in Diana's shoes? The question isn't easy to answer because you never actually know unless you are facing such circumstance. That is the test of one's courage. Emil Stern's screenplay is dazzling. The story doesn't follow a linear structure but there's a reason for that. Dialogues are laden with interesting philosophy. Perelman beautifully tackles numerous themes such as friendship, post-traumatic stress, motherhood and abortion among others.

The cast features three powerful performances: by Uma Thurman, Evan Rachel Wood and Eva Amurri. Thurman's portrayal of Diana's complexity, devotion to her family and inability to cope with her past is spot on. Wood and Amurri deliver very natural performances as two girls going through the usual teen problems but dealing with it differently because 'one has what the other doesn't' and that way they help each other. Their on screen friendship is very convincing hinting that they might actually be good friends in real life. Then there's the bathroom scene which could have easily gone wrong had it been played by lesser actresses but this is one of the most powerful scenes in a movie of recent time and one only has to watch it to understand its impact.

'The Life Before Her Eyes' is not an easy film to follow and those who are looking for something simple or light may feel let down but on the other hand it's a very strong movie. Perelman has hit the mark again just like he did with 'The House of Sand and Fog'. He seems to be intrigued by tragic stories and bringing them on screen. He does one hell of a job, again.

This film is about an intertwining story of a teenage girl involved in a college massacre, and her life 15 years later.

When I watched "The Life Before Her Eyes", I did not enjoy it. I thought it was some kind of supernatural thriller but it was not. The young Diana and the grown up Diana were connected too thinly together. I did not see much connection between the two, apart from disconnected scenes such as the name Emma, or the similar behaviour between Emma and the young Diana. Hence, scenes become disjointed mess. The ending was utterly confusing, and I was left to wonder what I had watched for 90 minutes.

After reading about what really happened in the film on the message boards, I started to appreciate the film better. What I thought was thin connection happened for a reason. I can only say that I am not in the mood to play puzzles or to analyse a film in depth. If I watched it another time I might have enjoyed it more.