Thank God You're Here
- Série télévisée
- 2006–2024
- 1h
ÉVALUATION IMDb
7,7/10
1,4 k
MA NOTE
Ajouter une intrigue dans votre langueAn improvisational comedy series in which a celebrity performer is dressed up in costume before passing through a door into a room where they are welcomed with the phrase "Thank God you're h... Tout lireAn improvisational comedy series in which a celebrity performer is dressed up in costume before passing through a door into a room where they are welcomed with the phrase "Thank God you're here."An improvisational comedy series in which a celebrity performer is dressed up in costume before passing through a door into a room where they are welcomed with the phrase "Thank God you're here."
- Prix
- 1 victoire et 8 nominations au total
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I don't know whether this is just a problem with the latest season but most of the people in the scene (except of course the select comic) are literally reading from a script, meaning they decline most offers that the improviser makes, so there's very little actual room for improvisation and it ends up unfunny. For example, in the episode with Marty Sheargold, his character is asked for his name and he says he's Tommy. The other performers then shoot that down and say he's being silly and his name's Nathan. Like why??? It doesn't make sense. Cannot even be compared to Whose Line, which is actually great.
Thank God You're Here is a great concept for a show and it's obvious that a lot of work goes into its preparation. It's good to see such a broad range of Australian talent having a go at this kind of improvisational comedy. The episodes with Shaun Micallef are exceptionally funny.
One of the things that I don't like about the show is the lack of creativity when it comes to involving the guest into the pre-written script that the ensemble cast are following. There is a little too much of the fill-in-the-blanks kind of thing happening in which the ensemble cast member starts a sentence, and then stops before the end so that the guest can complete it.
Here's a few examples of what I mean, from the segment Dailan Evans did as co-host on a "The Movie Show"-style film review program:
Ensemble Cast Member: "We're also looking at a great new Australian Classic, The Story of..." (turns to guest star to fill in the blank) Ensemble Cast Member: "At Canne this year it didn't win the Palme d'Or but it did win the..." (turns to guest star to fill in the blank) Ensemble Cast Member: "Which goes to the film for..." (turns to guest star to fill in the blank)
Very unimaginative. To make the show more believable (and more funny) they could perhaps leave it more open for the guest to do a little more improvising by means of starting and finishing their own sentences instead of just adding the punchline to something that's already been scripted.
Great show otherwise and I'm sure we'll see it improve immensely as it evolves.
One of the things that I don't like about the show is the lack of creativity when it comes to involving the guest into the pre-written script that the ensemble cast are following. There is a little too much of the fill-in-the-blanks kind of thing happening in which the ensemble cast member starts a sentence, and then stops before the end so that the guest can complete it.
Here's a few examples of what I mean, from the segment Dailan Evans did as co-host on a "The Movie Show"-style film review program:
Ensemble Cast Member: "We're also looking at a great new Australian Classic, The Story of..." (turns to guest star to fill in the blank) Ensemble Cast Member: "At Canne this year it didn't win the Palme d'Or but it did win the..." (turns to guest star to fill in the blank) Ensemble Cast Member: "Which goes to the film for..." (turns to guest star to fill in the blank)
Very unimaginative. To make the show more believable (and more funny) they could perhaps leave it more open for the guest to do a little more improvising by means of starting and finishing their own sentences instead of just adding the punchline to something that's already been scripted.
Great show otherwise and I'm sure we'll see it improve immensely as it evolves.
Australian TV has been (and probably will be for some time) quite lacking in the comedy department. Which is why shows like Thank God You're Here, are such a pleasure to watch. This show takes a comedian/actor (all Australian) and puts them in a random situation where they must interact with other supporting actors (who know what the scene is and have questions ready to throw at the actor when it's suitable) and improvise to fit in the scene. The supporting cast will ask the actor questions or say something about their character to which the actor must do their best to improvise. After all the actors have performed individually, they perform together in the one scene and after wards a judge will decide which one of them wins. Although his decision can sometimes seem incorrect, it's best to not let this ruin the show for you. The judge does tend to repeat himself but he makes enough funny jokes to keep his place in the show.
There is one main flaw with the show and that is to do with the situations. Sometimes the actors will fit perfectly in the situation and you can just sit back and enjoy it. In other situations though, the actors will seem very awkward and that takes enjoyment right out of it. One thing that tends to make it awkward is the little control the actor has over the scene. When the supporting cast are the main one's talking, it makes it less entertaining. Sometimes this is the own actor's fault in the sense that they don't try and take control of the scene but in others, the supporting cast and the scene itself make it too hard for them to take control. For example, if they were to put the actor on a talk show, rather than having the actor be the host of the show, they will put them as one of the guests therefore meaning that if the actors want control of the scene, they must work for it.
Even with the flaws however, Thank God You're Here is a greatly enjoyable show which can sometimes be hilarious. As of yet, there haven't really been any 'bad' performances, however some are far better than others. If you get the chance to watch this show, don't hesitate!
There is one main flaw with the show and that is to do with the situations. Sometimes the actors will fit perfectly in the situation and you can just sit back and enjoy it. In other situations though, the actors will seem very awkward and that takes enjoyment right out of it. One thing that tends to make it awkward is the little control the actor has over the scene. When the supporting cast are the main one's talking, it makes it less entertaining. Sometimes this is the own actor's fault in the sense that they don't try and take control of the scene but in others, the supporting cast and the scene itself make it too hard for them to take control. For example, if they were to put the actor on a talk show, rather than having the actor be the host of the show, they will put them as one of the guests therefore meaning that if the actors want control of the scene, they must work for it.
Even with the flaws however, Thank God You're Here is a greatly enjoyable show which can sometimes be hilarious. As of yet, there haven't really been any 'bad' performances, however some are far better than others. If you get the chance to watch this show, don't hesitate!
I don't think I can say any more than what people have already said about this show. It is groundbreaking, the best show on TV. It has an appeal for absolutely everyone. I have no doubt that in a few years' time the concept will be picked up by networks from other countries.
One thing I'd like to comment on is everyones' attitude towards the "judge" of the show. Now, is it just me or is this aspect merely another part of the comedy? Tom Gleisner is there simply to send up the Reality TV concept of a judge and to inspire more laughs. He's not a real judge. It's not a real contest. This is a sketch comedy show, pure and simple. Perhaps the closest thing to it is "Who's Line Is It Anyway?" Even then, it's in a genre all its own.
And, damn, it's funny.
One thing I'd like to comment on is everyones' attitude towards the "judge" of the show. Now, is it just me or is this aspect merely another part of the comedy? Tom Gleisner is there simply to send up the Reality TV concept of a judge and to inspire more laughs. He's not a real judge. It's not a real contest. This is a sketch comedy show, pure and simple. Perhaps the closest thing to it is "Who's Line Is It Anyway?" Even then, it's in a genre all its own.
And, damn, it's funny.
I didn't see the first episode of Thank God You're Here. My father did, and he told me he enjoyed it, and found it amusing. My father finds many things amusing, but I decided to watch it on the station it began on.
I fell in love.
Thank God You're Here brings out some of the best of Australian comedy. It brings out some of our greatest comedians and let's them take a scene and run wild with it. It is full of great improvisation, and it's definitely material for a thoroughly entertaining evening.
The concept of the show is marvelously simple: a contest gets dressed up in a costume, then walks through a door, completely unaware of what scene lay beyond. They then do their best to improvise the scene before them, frequently answering questions provided by the actual crew of the show. The costumes are great, sometimes a little bit iffy, but it just adds to the hilarity of the show.
One of the flaws of the show is it's Judge, Tom Gleisner. I can quite happily say his role is completely unnecessary, and, in choosing the winner, and criticising the contestants, he is always saying positive things - never a negative thing spills from his mouth. Rather than a judge, Gleisner appears to be what I'd call a "feel-good" instructor - because that's all he seems to actually do.
Regardless, watch the show, and just mute it whenever Gleisner speaks. You'll be much happy that way.
I fell in love.
Thank God You're Here brings out some of the best of Australian comedy. It brings out some of our greatest comedians and let's them take a scene and run wild with it. It is full of great improvisation, and it's definitely material for a thoroughly entertaining evening.
The concept of the show is marvelously simple: a contest gets dressed up in a costume, then walks through a door, completely unaware of what scene lay beyond. They then do their best to improvise the scene before them, frequently answering questions provided by the actual crew of the show. The costumes are great, sometimes a little bit iffy, but it just adds to the hilarity of the show.
One of the flaws of the show is it's Judge, Tom Gleisner. I can quite happily say his role is completely unnecessary, and, in choosing the winner, and criticising the contestants, he is always saying positive things - never a negative thing spills from his mouth. Rather than a judge, Gleisner appears to be what I'd call a "feel-good" instructor - because that's all he seems to actually do.
Regardless, watch the show, and just mute it whenever Gleisner speaks. You'll be much happy that way.
Le saviez-vous
- AnecdotesThe format was sold for recreation in a number of countries.
- Citations
Ensemble Cast: [as a pirate] What happened to your hand?
Peter Rowsthorn: [holding up his hook hand] ... Fell off.
- ConnexionsFeatured in The 7PM Project: Episode dated 12 August 2024 (2024)
- Bandes originalesCome Anytime
Written by Dave Faulkner
Performed by Hoodoo Gurus
Licensed by Sony/ATV Music Publishing (Australia)
Courtesy of Universal Music Australia
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Détails
- Durée1 heure
- Couleur
- Rapport de forme
- 1080i (HDTV)
- 576i (SDTV)
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What is the Spanish language plot outline for Thank God You're Here (2006)?
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