C'est comme une drôle d'histoire

Craig (Keir Gilchrist) is depressed. Although his parents (Lauren Graham and Jim Gaffigan) are nice, they are a mildly over-achieving duo who try to gently push their teenage son in a certain direction. This means going to a competitive high school and following a specific curriculum. But, even though Craig is quite intelligent, his stress level is very high and he dreams of "jumping off a bridge". One morning, before sunrise, he sneaks out of the house to contemplate his own suicide but ends up going to a hospital emergency room. The teen insists they admit him. They do. However, the adolescent ward is undergoing renovations and doesn't have room for Craig. Instead, he is placed in the adult psych ward, with a nearly catatonic roommate, Muqtada (Bernard White). In short order, Craig wants to go home but his new shrink, Dr. Eden (Viola Davis) says that is impossible, he must remain for five days. Fortunately, he soon makes friends with an affable patient named Bobby (Zach Galifianakis) and casts his eye on a lovely young female Noelle (Emma Roberts), who bears telltale scars on her wrists. These three strike up a friendship, with Bobby schooling Craig on how to "dress up like an employee" and leave the ward, at least temporarily! It is quickly evident, however, that Bobby has some dark secrets, as does Noelle, and Muqtada seems to be going nowhere fast. Can Craig get the help he needs, even as he helps others? This is a lovely film which highlights the topic of mental illness in a sensitive, intelligent way. Yes, there are patients with more severe troubles than others but all remain part of the human race, as shown here. The cast is great, with Gilchrist doing a fantastic job as the film's main character. Galifianakis, Roberts, Davis, and especially White, do great work too, as do all of the lesser actors. The setting is fairly limited, as most of the action takes place in the hospital, and the costumes are suitably drab, although Roberts looks very pretty in whatever she wears. Then, too, the script is comically insightful while the direction and camera work are quite nice. All in all, if you are hoping to watch a great film that touches the heart, with depth, view this one kind of soon.

This is a slightly fun movie, but do not expect laughing your guts out. It's a almost a teenage romantic comedy placed in a different environment than the regular college movies. It has good characters and decent casting,and they will grow on you easily. Also, I appreciate such characters that are very enjoyable even if they don;t have more than 2-3 lines, such as Muqtada or Solomon. You may not remember this movie next year, but you might be hearing a friend sayin to you "get up, Muqtada" if you don;t want to get up from your bed :). This is a good 2010 movie, with a low budget,low commercial expectations but with great feedback. Despite dealing with depression issues, the atmosphere is positive and delivers a good feel at the end. Nice to see this kind of movies from time to time.

This is one of the most rewarding pictures I've seen in a long time. It's a breath of fresh air from the usual mainstream hokum, mixing black comedy and dry humor with genuine warmth and empathy. It's a movie you don't want to end, but when it does, you kinda want to give it a big hug.

There are no cheap laughs or lame gags here - the humor bubbles along like an undercurrent, echoing real life. Life is a constant source of amusement - we just have to recognize the fact and tap into it sometimes.

The storybook device, where the protagonist speaks directly to the audience, was perfectly weighted, cutting in at just the right moment to pace the movie and remind you of the pretext.

All the characters were well-rounded and authentic - I was particularly impressed that Craig's psychiatrist was played totally straight. The temptation to have her do or be something slightly crazy or contrived must have been great, but it was thankfully resisted. Likewise, the inmates of the psychiatric ward - there's a charming and utterly believable sense that everyone's a bit off kilter, rather than jokingly deranged.

The patients in the film aren't the butt of the joke - society and its proclivities are. That said, as a British viewer, I found it more difficult to appreciate how academia and peer pressure drive school-kids to anti-depressants and therapy - and for them to be impressed by the fact. I probably missed some of the main messages and in-jokes of the film, being from Yorkshire, rather than New York.

Nevertheless, I don't think you can fail to love this film. Zach Galifianakis is adorable, Emma Roberts is gorgeous and Keir Gilchrist manages to combine confusion and teenage erudition superbly.

If nothing else, you have to love the self-indulgent interludes, especially the 3D animation through Craig's fictional, line-drawn world and the wonderfully camp group performance of 'Under Pressure'. The soundtrack is spot on right to the last - who knew traditional Egyptian music could be the saving grace?

A depressed teen admits himself into a psych ward & meets some colorful folks.

Complex issues switched up and told in a free-spirited way. There's nothing sugar-coated about these characters, which is probably why I like them so much. Pluses for having them relate to our current society; these characters could be someone on your own street.

With a narrative & creative style similar to 500 Days of Summer, this is an oddly inspirational tale.

Comic relief provided by the excellent Zack Galifianakis.

Great music, great film!

"It's Kind of a Funny Story" is based on the book of the same title in which Ned Vizzini tells of his experience checking himself into an adult psychiatric ward at the suggestion of a suicide hotline. The film by Anna Boden and Ryan Fleck is lighter than their previous two films, "Half Nelson" and "Sugar", which deal with drug addiction and an immigrant's experience. Still the issue of teenage suicide is a serious one, even though Vizzini's book, and Boden/Fleck's screenplay, treat it with many comedic moments. Keir Gilchist from "The United States of Tara" is nuanced and convincing in the lead role, and is backed up by a strong supporting cast led by Zach Galifianakis and Emma Roberts. If you can remember or relate to what it is to be a teenager under pressure from school, parents, friends, and life in general you will like this movie. It will make you laugh, cry, and be glad to be alive--isn't that what film is all about?