Ajouter une intrigue dans votre langueIn this visual essay style documentary, intimate audio of journalist Michael Azerrad's interviews with Kurt Cobain is played over more recently photographed footage of Cobain's Washington st... Tout lireIn this visual essay style documentary, intimate audio of journalist Michael Azerrad's interviews with Kurt Cobain is played over more recently photographed footage of Cobain's Washington state homes and haunts.In this visual essay style documentary, intimate audio of journalist Michael Azerrad's interviews with Kurt Cobain is played over more recently photographed footage of Cobain's Washington state homes and haunts.
- Prix
- 2 nominations au total
Avis en vedette
While I appreciate the audio interviews captured within this film, I question why a movie was made. I would have enjoyed the film as much if listened to on the way home while I was in traffic. It should have been a CD release, not a film.
The film revolves around some audio recordings that were compiled from a series of late night interviews. There were very intimate details described by Cobain, including how he did care about what people thought about him (as opposed to what most of his friends suggested), and that he wanted to write some pop songs for their albums, but Sub Pop forced them into keeping the albums underground. Some may already be aware of these facts, but I enjoyed learning of them for the first time. The tone in which Cobain spoke felt genuine, and the pacing of the interviews was perfect. These interviews deserve to be heard by any fan of Cobain's, or Nirvana. They were a great listen.
The problem with this film is there isn't a single video clip or photo of Cobain, his family, or Nirvana until the last 30 seconds of the movie. The entire film involves a series of related images that play based on the interviews. An example would be when speaking on his father's job, they show footage of men working at a lumber yard. When Cobain spoke on Seattle, they'd show images of Seattle Record stores, streets and highways. They even had real time images being drawn in the form of artsy cartoons (tree's and grass swaying) during some of the vocals. It was like watching on LONG Fruitopia commercial combined with a film strip about Washington. Unfortunately it also seemed like they had problems clearing for use in this movie.
I understand what the director attempted with the images, but it failed in my eyes. It's almost like they brainstormed how they could generate the most revenue from the interviews, as opposed to having a vision upon hearing them. It feels forced, and I don't need to see this again. Literally. If I ever end up with a copy of the DVD I'll either record the audio to CD, or listen to it with the TV off.
I found this utterly fascinating and personally I loved the footage of city streets, random everyday people from those cities that Kurt spent his life in, gorgeous views of vistas, cityscapes and other such eye candy to free your mind and let Kurt do all the talking. It never once gets boring despite a great deal of the footage being nothing interesting at all, some parts showing a part of Washington state that is dull, lifeless and depressing, but ultimately it all shows insight into why Kurt became the person he became and gives you images to go with the subjects Kurt is speaking of. I really cannot agree with the negative reviews of this film and I loved it. I am a huge Nirvana fan and I find Kurt Cobain utterly fascinating granted, but I am not a biased fan at all. This is a very very honest portrayal of Kurt Cobain. You might not even like him much when the movie is over. He can be quite depressing and a tragic figure to listen to, but one thing is for sure, he always had something interesting to say and never sugarcoated anything and always spoke from the heart. This is a true look at the real Kurt Cobain in his own words and for that, I commend it highly. My only complaint is that I wish it could have been a bit longer and I wish that there could have been a more complete in-depth analysis of his life as a lot of things were skipped over.
In those last years countless films have been released on anything that has to do with music -any kind of music. The most interesting of them weren't those about my (or your) favorite artists, but rather the ones that had a real cinematic approach on the way each was presenting the story. Moreover, the best of them were/are those that could be something more than just a "fairy-tale of drugs and self-destruction" or a "scientific musical analysis".
"About a Son" manages to pass this "test". Interested or not in Kurt Cobain, you cant ignore its cinematography; and that alone will be enough for you to sit and watch the film. But beyond this, the structure of the movie and director's subtle comments on Cobain's words are what make this a great documentary.
This is as close and personal you'll ever get to Kurt Cobain on film. Don't miss it.
Le saviez-vous
- AnecdotesRoughly eighty minutes into the film, Nirvana biographer and co-producer Michael Azerrad appears for a few seconds looking at the camera.
- Citations
Narrator: I never intended to have some kind of a mystery about us, it's just that i didn't have anything to say in the beginning and now that it's gone on long enough that there's actually a story in a way, but still i think every night that you leave i think, god my life is so fucking boring, compared to so many people i know, we don't deserve to have a book written about us.
- ConnexionsReferenced in Film Junk Podcast: Episode 156: Gone Baby Gone and Kurt Cobain About A Son (2008)
- Bandes originalesThe Motorcycle Song
Written and Performed by Arlo Guthrie
Meilleurs choix
- How long is Kurt Cobain About a Son?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Kurt Cobain About a Son
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 87 016 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 10 749 $ US
- 7 oct. 2007
- Brut – à l'échelle mondiale
- 126 432 $ US
- Durée1 heure 36 minutes
- Couleur