Les Chroniques De Narnia: Le Prince Caspian
Les frères et soeurs Pevensie sont de retour à Narnia, où ils sont enrôlés pour mettre en déroute un roi maléfique et restaurer l'héritier légitime du trône de la terre, le Prince Caspian.Les frères et soeurs Pevensie sont de retour à Narnia, où ils sont enrôlés pour mettre en déroute un roi maléfique et restaurer l'héritier légitime du trône de la terre, le Prince Caspian.Les frères et soeurs Pevensie sont de retour à Narnia, où ils sont enrôlés pour mettre en déroute un roi maléfique et restaurer l'héritier légitime du trône de la terre, le Prince Caspian.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 4 victoires et 21 nominations au total
- Glenstorm
- (as Cornell S. John)
- Lord Sopespian
- (as Damian Alcazar)
- Lord Scythley
- (as Simon Andreu)
- Lord Donnon
- (as Pedja Bjelac)
- Lord Montoya
- (as Juan Diego Montoya Garcia)
Avis en vedette
There's something about the young actors chosen to play the four major roles- Peter, Edmund, Susan and Lucy. They badly make you wish you were in their shoes. The film in itself is often reminiscent of LOTR, but the major difference being in a childlike simplicity this one retains.
Aslan, despite not having much of a role, manages to be the most striking character, and Lucy is as lovable as she was in the first film.
The battle scenes are brilliant, as are the landscapes. The power politics and senselessness of violence are dealt with a lot maturely in this film as compared to the first installment. At some point you realize you want at least a dozen more films revolving around these four siblings, and to be able to access Narnia for ever.
The only thing that ruins this film is this strange invasion of Hollywood-like romance as a very annoying little subplot, and the sudden intrusion of a ridiculous song at a climactic point.
Apart from that, I am pretty sure any fantasy-hound would enjoy this film a lot, and especially so if you're a big Lewis fan.
I know I am.
The idea that the kids actually grew up in Narnia, then returned to their world while retaining all their knowledge and maturity intrigued me (and it makes their battle skills more believable). All that said, I still didn't find myself nearly as emotionally invested or involved in this as I was with The Lord of the Rings, the standard with which it will always, perhaps unfairly, be compared. Why Narnian humans now have Italian accents is beyond me, and some of the jokes fall flat, but all in all it was very good; better than the first in terms of storytelling, character, and filmmaking. ***1/2 (out of five).
The movie is entertaining, but rough around the edges. The editing is poor and one scene in particular should have been removed entirely as it does nothing for the film, outside of extend its already substantial length.
Is it better than The Lion, The Witch and The Wardrobe? That all depends on your stylistic preferences. If you're the wonderment, fairy-tale, unlimited Turkish Delight type you'll prefer the first Narnia. If you're a darker, sword and sorcery fan you'll consider Prince Caspian the better movie.
Both were worth the price of admission, but both left me feeling like they were one script doctor, soundtrack and/or director away from being the perfect fantasy movies they could have been. That said, Prince Caspian certainly warrants a bucket of popcorn and a fun Sunday afternoon at the theater with the family.
I tried very hard to separate this film from the book but came up with the conclusion that one can not do that in cases like this. True, movies are never better then the book so you have to go in expecting changes, however this film is so far from the book that if the characters names were changed one would never know it was a Narnia based story. The film felt more like a story someone else wrote and simply pasted names and small scenes from Lewis's book to make it fit the mythos.
First things I like... Miraz was great! He was evil and developed in ways he wasn't in the book and I thought it was fantastic. I also liked how we got to know Miraz general Glozelle. That character showed a man who was on the wrong side but still had honor. He was worthy of what he receives at the end of the movie and was a great addition not included in the book.
Now on with the problems. One of the biggest was the dialog. Long gone is the intelligent flow of language and in its place is a modern interpretation of how people should talk to fit in with todays youth. The children and animals say "Shut up" while the dwarfs pipe up with "Ya gotta be kidding." It is clear that this script was not from the book and was from someone else's work not Lewis's.
Peter and Caspian are not the noble characters impacted by their experience and worthy of leading the Narnians. Peter starts off the film as a whining young man, a mere imitation of the young man we saw in the first film. Peter has little growth from that point never showing any consideration of growth. In fact by the end of the film there is no love for Peter or belief that he is a high King. Caspian is not much better. Caspian lacks humility and any true endearing quality until the end of the film when he admits he feels unworthy to lead (one of the few lines from the book). This moment comes far to late for us to believe there is anything genuine behind it.
The romance between Caspian and Susan is so forced it becomes painful at times. The entire love aspect adds nothing to the characters and merely adds grown factor to poor character development.
Attempts are made at creating drama over the four kids sudden disappearance from Narnia but there is no follow through. Several things have this half thought out feel to them making you wonder if the writers felt Lewis didn't know how to write about characters.
One of the biggest issues is that the lynch-pin for the entire Narnia series is missing for most of the film, Aslan. Aslan is never really referenced through out the first two thirds of the film. The Narnias never mention him or even recognize that he is the major influence for their entire nation. There is a hint at the situation from the book in which the children deal with the fact that only Lucy can see him but what Lewis used to show growth and a major issue of the children's growth in this story is blown over and turned into a three minute trek and dream sequence.
One of my biggest problems is when Lucy tells Peter that a possible reason that Aslan has not appeared is that he is seeing if they are worthy of him showing up. I was very angry at this statement because if there is one thing the first movie showed us and the books make clear it was that Aslan worked for those he cared for, not because of their deeds but because of who he is. Aslan was treated poorly and we lost all sight of the great lion who was loved as a great leader and king from the first film.
All in all I think this film suffers from some one else writing the story they think should have been done, not interpreting the story that was written.
Le saviez-vous
- AnecdotesTilda Swinton, as well as reprising her role as The White Witch, also makes a short cameo as a centaur.
- GaffesWhen the Pevensies are outside their treasure chamber in Cair Paravel, Peter tears off the entire bottom of his shirt, which would not have worked with a button down shirt because it splits in the middle, to make a makeshift torch. After Edmund takes out his flashlight, the camera once again shows Peter. The missing piece of his shirt is only on the right side. The rip changes again when they are entering the vault
- Citations
King Miraz: Tell me, Prince Edmund...
Edmund Pevensie: King.
King Miraz: I beg your pardon.
Edmund Pevensie: It's King Edmund, actually. Just King, though. Peter's the High King.
[awkward pause]
Edmund Pevensie: I know, it's confusing.
- Autres versionsThe original theatrical version of this film was released by Walt Disney Pictures, but all television, video, and theatrical re-issue versions of the film are distributed by 20th Century Fox. As a result, the current version in circulation opens with a 20th Century Fox logo. This happened as a result of Disney deciding against its distribution deal when it expired in 2010; Walden Media sold its share of the rights to 20th Century Fox that year.
- Bandes originalesThe Call
Written by Regina Spektor
Arranged & Produced by Harry Gregson-Williams
Recorded & mixed by Peter Cobbin
Performed by Regina Spektor
Courtesy of Sire Records
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Chronicles of Narnia: Prince Caspian
- Lieux de tournage
- Hereherataura Peninsula, Hahei, Coromandel, Nouvelle-Zélande(ruins of Cair Paravel)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 225 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 141 621 490 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 55 034 805 $ US
- 18 mai 2008
- Brut – à l'échelle mondiale
- 419 665 568 $ US
- Durée
- 2h 30m(150 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1





