Sex and Death 101

"Sex and Death 101" tries to be so many things at the same: a romantic flick, a dark comedy, a mystery-drama and a highly philosophical movie in the vein of "Matrix" (even including a white room where existential questions are discussed). Well, as I've said in the headline, the movie definitely does have its intriguing moments and there are quite a few meaningful lines in the script.

However, "Sex and Death 101" is too volatile to really be successful in any of the genres it touches. The story takes a thousand twists and turns. It's too cynical to be romantic, too shallow to be profound and too erratic to blow your mind. Characters are introduced and forgotten about in 10 minute-intervals and all of the main characters' friends just kind of disappear at the end, when Winona Ryder's character finally comes into the picture. Make no mistake, Ryder doesn't play a huge role in the whole movie. Her character seems awfully constructed and forced into the script. When the whole story is finally resolved it doesn't really make sense and leaves you totally uncertain of what the hell it was you just saw.

"Sex and Death 101" isn't the worst movie you could rent, but it's certainly pretty strange. I don't even know whom to recommend this to. Fans of Winona Ryder will not be happy with the little amount of screen time she gets. Friends of romcoms will find fault with both, the amount of rom and of com in this. To enjoy "Sex and Death 101" you probably just have to accept the fact that you don't know what you're gonna get. And, hey, that's kind of what the movie is about, too, I guess.

Conceptually, the film actually doesn't hit its point until the final twenty minutes in which Baker finally confronts Ryder and accepts his fate. The final coffee shop scene and discussion conjures memories of Daniel Waters' impeccable dialogue and pace ever-present in 1989's "Heathers". Yes, this isn't "Heathers" and thankfully, it isn't "Hudson Hawk" either, however, "Sex & Death 101", unlike both of the aforementioned films, doesn't stay with you, for better or worse. Again, the final scenes are well worth the wait and highlight exactly why Winona Ryder is everybody's favourite outsider. Her ability to present warped innocence and make it seem endearing is wonderful to watch. The moment that we see Death Nell writing in her journal (a throwback to Veronica Sawyer in Heathers) really emphasises this...Ryder's representation of the madness of youth and sex and sadness, all connected in one bizarre character. So, as a film, "Sex & Death 101" isn't great, but as an example of good screen writing and character development (in the case of Death Nell), it is interesting to experience.

I just saw this film at a preview. I have to say I normally don't like romantic comedies, so I didn't have any big expectations for this.

The film is about Rodrick who receives an e-mail with all the names of girls he have had sex with, and those he will have sex with within a year. The problem is, he at that time was meant to get married in not so long, but "the list" doesn't end with his wife-2-be's name. Actually: there are 72 more to come!

I won't say the movie is free of clishè, but compared to what were used to with these kind of films- it certainly is a good breath of fresh air. The plot is funny, the characters are interesting, the actors did a good job, and well the movie was good as well. Also Winona Ryder is as beautiful as ever! Watch it, but with reasonable expectations.

Enjoy:-)

Do you remember Daniel Waters? He's the guy who wrote Heathers, the greatest (if extremely unpleasant) teen-oriented movie of all time (Yeah, you can quote me; I'm THAT confident haha+). But then he squandered his talent and reputation by writing abysmal films like Hudson Hawk, Demolition Man and even Batman Returns (yeah, that one too). Now he's back with a new film in six years which he wrote and directed.

Just before he's to marry Fiona, Roderick Blank (Simon Baker) receives an anonymous e-mail with 101 names on it; Fiona's is the 29th, the first 28 are women Rod has slept with. The notion that he will have sex with 70 more people sends Rod into crisis mode, especially after three odd men in an aseptic office confirm that a celestial machine has made an error. They suggest destroying the list, but Rod finds that easier said than done. Working his way through it consumes him, plus he realizes that death may await him after #101. Meanwhile, a femme fatal nicknamed Death Nell (Winona Ryder) is putting men into a coma. Are they fated to meet? (Thanks again, IMDb)

I'll have to admit, this is quite interesting premise. And the good thing is, it hasn't gone wasted, since the person behind this film is definitely having a right mind to do it right. It is clever film about crisis of men and their quest to search for sexual fulfillment. Because once you hooked (to sex), even there's a hell right in front of you, you might not hesitate to dive into it. It raised a question about when one woman just wasn't enough, how far could you go? It's also about fate, when there's something that doesn't belong to you, it's just doesn't belong to you. And if you're persistent to have it, then you will lose it forever.

OK, let me stop you right here, before you storm out to buy this DVD. It's just too bad that they did it right doesn't mean that they did it good. Because Sex and Death 101 is the movie that put too much ambition for its own good. In my opinion, Daniel Waters was thinking way too much on this project. It supposed to be good dirty and fun little movie that eventually might create cult following. But what I saw is just such a promising project engulfed by director's self-absorbed vision. It's doesn't sync with audience like his Heathers script, which is like a wake up call for all generation-x who consumed by popularity. In the mean time, Sex and Death 101 was also talking about important subject alright, but it can only be able to educate people about sexuality. It's just can't relate to audience (especially target group like generation-x who probably got older by now).

And when director's vision has gone wrong, everything in this film also has the same destiny. Simon Baker's narration didn't really mean anything, and then it got worse when the story went on to unexpected turn. Also, the story about god-like operation room is pretty unnecessary. Come to think about it, I saw a similarity between this film and Danny Boyle's Life Less Ordinary (because it has something to do with an act of god too!). Although LLO is a flawed film, but it is an entertaining movie where you can almost feel filmmaker's burning passion on the project. But Sex and Death 101 is just cold as ice project where you could feel a touch of isolation miles away.

But it has some redemption moments, especially when the comedy was kicked in. I think I laughed out loud a couple of times (so rare these days -,.-'). There were the scene where Roderick ALMOST sleep with Sophie Monks, and the scene where he vs. catholic girls on school bus (even it's so absurd, but it's just damn hilarious). And also a fine performance by Simon Baker, even if he's not particularly A-list star, but he's charming enough to make me bought him as a striking handsome ladies man (he got to sleep with 101 women, alright?). On the other hands, Winona Ryder is simply dreadful. She supposed to be disturbing femme fetal, but she act like she's on crack or something. Comes to think of it, it's almost ten years since her last good role in Girl, Interrupted, I wish she will comeback real soon.

Sex and Death 101 may have some sharp idea and hysterical black humor moment, but it tried too hard to be something important (and then chicken out in one of the most whimsy ending I have ever seen). I kind of admire the director's attempt to reach out for his royal fans and tried to reignite his good old days with familiar subject. But, sorry Mr. Waters, this wasn't the one yet.

Although this film seems like a b-movie or even verging on soft-core porn (if there was actual sex in the film, it would be a soft core porn mainly due to the lighting and obvious low budget) Sex and Death has a few redeeming qualities. There are moments of insightful "sex isn't what is important in life" expressions, that however verge on forcing the viewer to relate to the main character Roderick Blank. It has a sweet unpretentiousness to it, that is refreshing amidst the mega-bucks Hollywood romantic comedies with predictable stories, but still feels like it should go straight to video and not bother with the theaters.

An interesting premise, with a plot twist that feels very predictable but ends in a surprising way, its still not enough for me to recommend it to anyone, as the film doesn't leave with you anything —- no glowing feelings, no revelations, not even a basic contentment after watching a horror, thriller or romantic comedy. Instead the film is bland, with no character development and no explanation as to any character motivations. Why did Winona Ryder's character choose to act the way she did (explained but not at all believable)-- what about the motivations of every other character in the film? What is Roderick's motivation? Pure boredom? Although explained by the script, there is no emotion from the actors, no expression of anything remotely connected to feeling, to depth. Nothing is really clear, its all hinted at, and the viewer is left feeling uninspired and unconnected from the characters and the story. The lead actors still did their best with it,(the ensemble was horrid though) and though this is Ryder's worst character ever, perhaps it was all a fault of the writing, who is to say? This film is like a tantalizing sandwich in the shop window. It looks beautiful at the start as it has good ingredients (seasoned actors) and has a unique and interesting recipe (premise) yet when you take a bite, there' s no meat, no filling, no flavour. The viewer is left with an empty mouth, empty head and a lighter wallet.