Walter Sparrow devient obsédé par un roman qui, selon lui, a été écrit sur lui, alors que de plus en plus de similitudes entre lui et son alter ego littéraire semblent apparaître.Walter Sparrow devient obsédé par un roman qui, selon lui, a été écrit sur lui, alors que de plus en plus de similitudes entre lui et son alter ego littéraire semblent apparaître.Walter Sparrow devient obsédé par un roman qui, selon lui, a été écrit sur lui, alors que de plus en plus de similitudes entre lui et son alter ego littéraire semblent apparaître.
- Prix
- 5 nominations au total
Avis en vedette
Walter Sparrow (Jim Carrey) is a family-man married with Agatha Sparrow (Virginia Madsen), and works catching dogs in the Department of Animal Control and has a teenager son very close to his wife and him. On the day of his birthday, he is bitten by a dog and comes late to meet Agatha. While waiting for him, Agatha buys a detective book with a novel about the mystery around the number 23 in a bookstore as a gift to Walther. He becomes captivated with the story and obsessed with the number 23, finding many coincidences with his own life, and he decides to find the author, believing the story is about him. His further investigation discloses a mysterious situation that makes Walther paranoid.
The dark "The Number 23" is a great tale of obsession, paranoid and redemption. The story and the characters are very well developed, the final twist is totally unexpected and the film has a stylish cinematography and edition, with intense use of dark colors. There are stunning sequences, like for example when the boy meets the widow dead on her bed, or the meeting of Fingerling with Suicide Blonde. Jim Carrey is perfect and Virginia Madsen is still a very beautiful and sexy woman and has a great performance. In spite of having a moralist conclusion, it works and leaves a magnificent message of justice and moral standards that are almost forgotten in the present days. My vote is eight.
Title (Brazil): "Número 23" ("Number 23")
The dark "The Number 23" is a great tale of obsession, paranoid and redemption. The story and the characters are very well developed, the final twist is totally unexpected and the film has a stylish cinematography and edition, with intense use of dark colors. There are stunning sequences, like for example when the boy meets the widow dead on her bed, or the meeting of Fingerling with Suicide Blonde. Jim Carrey is perfect and Virginia Madsen is still a very beautiful and sexy woman and has a great performance. In spite of having a moralist conclusion, it works and leaves a magnificent message of justice and moral standards that are almost forgotten in the present days. My vote is eight.
Title (Brazil): "Número 23" ("Number 23")
I knew when I bought THE NUMBER 23 on DVD that I haven't to expect too much after reading the critics on this link. I watched it with high attention till the end and I have to say that it worked on a fair level as an average thriller. There are some points in this film that weren't logic for me. Anyway, if you have really nothing to do this one offers many mysteries and puzzles to solve but not great suspense. There were perhaps some unnecessary bloody scenes. I was very positive surprised seeing Jim Carrey giving a great and respectable performance in a thriller. I cannot share some opinions that he was misplaced here because he has no doubt a great talent and I can imagine him in other roles of this genre. And director Joel Schuhmacher made finally a better movie than his last ones. Final number: 6/10.
It's interesting to see Jim Carrey in such a role, I think he did a good job. When I watched it for the first time, I was a teenager and I was amazed, it's not a "wow" movie but I think you will enjoy watching it.
Carrey KILLS it in this movie. He was perfect for the role and acted the hell out of it. I just know one of these days he's going to have a career renaissance and come back as a serious actor and knock everyone's socks off.
I can't say that either Jim Carrey or Joel Schumacher have done anything impressive lately, but they do an okay job here. The number 23 is strangely entertaining. With its moody tone, its claustrophobic and haunting photography, its convoluted storytelling, and a lot of walls defaced with black ink, the movie frequently resembles John Carpenter's In the Mouth of Madness. This one is not quite as creative, and even though it occasionally gets clumsy, the film is fairly intriguing and might be worth checking out if you like scary thrillers.
Jim Carrey is Walter Sparrow, a mild mannered dog catcher who has a nice family and a dull life. On Chrismas week, his wife buys him a strange memoir entitled 'The number 23'. Sparrow is a little sceptic at first, but once he starts to read he quickly gains interest, and is surprised to discover that the story has remarkable resemblance to his own life. One aspect in particular has gotten his attention. Sparrow starts to notice the number 23 itself appear everywhere, in dates, names, times... It gets him quite excited. Soon however, this hysteria will take him down a dark road as he seeks to find out the truth about what is really going on. What does the number mean? who wrote the novel? and what does it have to do with him?
The funny thing about the movie, is that the whole 23 concept ends up being kind of eluding and irrelevant. It feels like little more than a plot element to throw the viewer off track so we cannot figure out the movie before it is ready to give us the climactic twist. Depending on how focused you are on the picture, it may or may not work. The ending is strangely predicable in a way, although not too blatantly.
I can't say much for the acting (esspecially Carrey) but the cinematography and music are quite eccentric. There are times when the Number 23 feels like a cross between a Jazzy scored film-noir and a comic book.
I guess in the end, the movie could use a little work, but of course nothing is perfect. Try it and see what it does for you. It's not 2 bad3 .
Jim Carrey is Walter Sparrow, a mild mannered dog catcher who has a nice family and a dull life. On Chrismas week, his wife buys him a strange memoir entitled 'The number 23'. Sparrow is a little sceptic at first, but once he starts to read he quickly gains interest, and is surprised to discover that the story has remarkable resemblance to his own life. One aspect in particular has gotten his attention. Sparrow starts to notice the number 23 itself appear everywhere, in dates, names, times... It gets him quite excited. Soon however, this hysteria will take him down a dark road as he seeks to find out the truth about what is really going on. What does the number mean? who wrote the novel? and what does it have to do with him?
The funny thing about the movie, is that the whole 23 concept ends up being kind of eluding and irrelevant. It feels like little more than a plot element to throw the viewer off track so we cannot figure out the movie before it is ready to give us the climactic twist. Depending on how focused you are on the picture, it may or may not work. The ending is strangely predicable in a way, although not too blatantly.
I can't say much for the acting (esspecially Carrey) but the cinematography and music are quite eccentric. There are times when the Number 23 feels like a cross between a Jazzy scored film-noir and a comic book.
I guess in the end, the movie could use a little work, but of course nothing is perfect. Try it and see what it does for you. It's not 2 bad3 .
Le saviez-vous
- AnecdotesJim Carrey claims to have been obsessed with The Number 23 long before being a part of the movie. His production company is called JC 23 Entertainment. It was coincidence that his father was an accountant and he played the saxophone, like his character in the movie.
- Gaffes(at around 1h 10 mins) After Walter and his son have found the buried skeleton only to return with the police to find it gone, they are met by his wife, whose hands are clean. However as they drive home Walter notices her hands are very dirty.
- Citations
Walter Sparrow: There's no such thing as destiny. There are only different choices. Some choices are easy, some aren't. Those are the really important ones, the ones that define us as people.
- Autres versionsUnrated version runs 3-4 minutes longer.
- Bandes originalesBlue Christmas
Written by Billy Hayes (as Bill Hayes) and Jay Johnson (as Jay W. Johnson)
Performed by Dean Martin
Courtesy of Capitol Records
Under license from EMI Film & Television Music
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Number 23
- Lieux de tournage
- Pasadena, Californie, États-Unis(bookstore location)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 35 193 167 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 107 000 $ US
- 25 févr. 2007
- Brut – à l'échelle mondiale
- 77 677 553 $ US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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