Un gangster a des capacités psychiques. Un homme d'affaires mise sur un cheval et risque sa vie. Un médecin doit sauver la vie de son amant. Un seigneur du crime menace une pop star.Un gangster a des capacités psychiques. Un homme d'affaires mise sur un cheval et risque sa vie. Un médecin doit sauver la vie de son amant. Un seigneur du crime menace une pop star.Un gangster a des capacités psychiques. Un homme d'affaires mise sur un cheval et risque sa vie. Un médecin doit sauver la vie de son amant. Un seigneur du crime menace une pop star.
- Mr. Parks
- (as Will Maier)
- Banker #2
- (as Salvador Garcia)
Avis en vedette
The weird and overrated "The Air that I Breath" uses four tales named "Happiness", "Pleasure", "Sorrow", "Love" - that entwines characters and situations around the powerful and omnipresent gangster Fingers. The stories are unpleasant and the power of Finger is exaggerated how could a famous pop-star be intimidated by a criminal the way Trista is? The attraction of this forgettable movie is the non-linear screenplay that hides a poor and boring story and the great cast. My vote is six.
Title (Brazil): "O Ar Que Eu Respiro" ("The Air that I Breath")
Some of the dialogue is almost too obvious, at times having answers repeat all the words in the question just a bad redundancy as though the audience might not comprehend a short answer. These characters are so important in the scheme of each other's lives that everything out of their mouths needs to be so well crafted that it becomes stiff. The delivery, though, is almost consistently superb. Brendan Fraser is great in a rare serious role, the kind of stuff that began his career. Very stoic and deliberate in all he does, you begin to feel for him as the stone façade starts to falter. Due to the story-structure going out of order, we see some of this emotional evolution before the catalyst for it, but once that event occurs, it makes everything before it make more sense and I actually think it was handled well as a result. Even his ability to see the future was utilized in a realistic way that it never felt like a gimmick, just a skill he had and used. The best actor, again as almost always, is Forest Whitaker as a by-the-books successful man who has finally realized that his pristine life is devoid of true happiness. No material needs can fill the void of actually living, whether living wealthy or poorly, it is the act of adventure and excitement that is necessary to enjoy. His final reaction of pure adulation is the best part of the film and it happens about twenty minutes in.
One would think that a story as involving as this would have pretty equal billing for all roles, but that is not true. Whitaker and Kevin Bacon are underused while Fraser is involved at almost every turn. Andy Garcia, however, is the one that stays the most constant throughout. As a hardnosed bookie/gangster, nicknamed "Fingers," Garcia shines, something that usually doesn't occur with him of late. He is good at this type of role and it was nice to see him sink his teeth into it. Even Sarah Michelle Gellar had her moments, although few, to show that maybe she can do more than Scooby-Doo and every year's Japanese horror remake. Mention also needs to go to Clark Gregg in a small, but funny role, and Emile Hirsch as Garcia's nephew, appearing to be a pawn to the plot, but in actuality becomes a role with payoff.
As far as the style went, I can't complain too much. The correlations between each thread is well conceived if not totally contrived to benefit the story. I enjoyed the transitions, especially at the start with multiple layers and progressions. I can't quite recall if that is the only part in which it was used, though. The music was also a help; very Explosions in the Sky-like, the score enhanced each moment it was used. In the end, the film just couldn't keep its bloated, heavy-handed script up. Even utilizing the four emotions as vignette titles (something used similarly in the superior The Dead Girl) was so obvious that it became laughable. Each instance made you know first thing that they will be the exact opposite of that title despite the lead thinking they werehappiness was really depression, pleasure was really regret, sorrow was really vanity, and love was desperation. Every emotion is more of a backhanded overview that is manipulated in order to serve the tale, rather than allowing the tale to serve the emotions that are supposed to be back-boning it.
I have to say IMHO this is probably the best "serious" ~ non comedic performance I have seen from Brendan Fraser. AlI the way around good acting. Sarah Michelle Gellar's performance is stellar and Kevin Bacon's performance in this movie is terrific.
So thank you to everyone who wrote the good reviews. They steered me in the right direction and I'm glad I watched this movie.
The emotions expressed in the film are all emotions that help us understand how we are interconnected. With the exception of Brandon Fraser and Andy Garcia, all the roles in the film were confined to a particular segment. There were some very good actors in small parts in the film.
Fraser was fantastic in a very unemotional role. His first attempts at showing any emotion cost him his life, just as Forest Whitaker's attempt at happiness cost him his.
I really like Whitaker's musing that happiness comes from playing by the rules and doing well in school. The reward for doing well in school is more school and more school, and then you can get a job and start wanting things. Do any of us every attain happiness? Or, as Whitaker, are we stuck in some dead-end job wanting? Kevin Bacon showed how one risks it all for love and gave a superb performance. I just kept wishing that Sorrow (Sarah Michelle Gellar) was that little girl from his past. I bet she was and they just didn't tell us.
A very pleasurable hour and a half.
The story of this movie could be easily summarized by one exact quote of just a random-looking worker from the movie: "I need a way out". I couldn't agree more - in todays universe, even more in my country, there are people who live to work. They live to eat, they live to buy some goods and sometimes, they just live to give their problems away to other people... This is actually all covered in this movie by a director that I have never heard of, but it might be a time for me to start learning his name. I began loving this movie from very first fifth minute- to the very end.
The cast is amazing - both main and supporting actors gave me their best. Bacon, Whitaker, Gellar, Fraser, Garsia, Hirch - what a nice choice for this movie! However, if you are not really open minded, you may not like their characters, you may not like the plot, but still, you will love the acting. Persuasive, smart and well done. That's how I would rate the crew members of this movie.
This leads to n awfully understandable conclusion - "The Air I Breathe" is actually one of the best movies I have seen this year, only "25 Hour" moved me more.. Even after seeing Ed's "25 Hour" i was quick to state that crime/drama is from now on my most favorite genre of the movie. Didn't take long to prove that it actually is - thanks to the amazing "The Air I Breathe"
Le saviez-vous
- AnecdotesWhen Brendan Fraser is looking at pictures of the famous pop star Trysta, played by Sarah Michelle Gellar, real magazine photos of Sarah Michelle Gellar were used.
- GaffesWhen Gina is in the hospital, we see the patient monitor in demonstration mode ("demo" is flashing). It also indicates the patient is an adult male.
- Citations
Pleasure: When you can see the future, you think you're capable of changing it. But you're just a witness to coming moments, unable to help, even if you wanted to and maybe you don't. Sometimes you think you're supposed to learn something, about patience or distance, but in the end it's all about discipline. Seeing things you don't always want to and just moving on. After a while things become easier. Routine keeps your mind from wandering. You begin to accept things as they are. Every man has his destiny. You can't escape it, even if you can see it coming.
- ConnexionsFeatures Homo Faber (1991)
- Bandes originalesTurnstile Blues
Written by Carla Azar, Greg Edwards and Eugene Goreshter
Performed by Autolux
Courtesy of Red Ink
By Arrangement with SONY BMG MUSIC ENTERTAINMENT
Meilleurs choix
Détails
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 25 775 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 487 $ US
- 27 janv. 2008
- Brut – à l'échelle mondiale
- 2 602 098 $ US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1