The Gray Man

THE GRAY MAN isn't the complete story of serial-murderer Albert Fish. It's mostly about his encounter with young Grace Budd in 1928, and the ensuing horror of that case. Fish's biography, as well as his unspeakable crimes, are well documented elsewhere.

This is presented as more of a cat and mouse police procedural / drama. Patrick Bauchau is quite good as Fish, a seemingly kind, gentle old man with astoundingly vile proclivities. A first-rate psychological thriller, TGM is also a useful starting point for anyone interested in further pursuing the exploits of this very disturbed / disturbing man...

Albert Fish was one of the most monstrous of human monsters. While this movie shows him being prepared for electrocution, after he was convicted of kidnapping and cannibalizing a little girl, he taunted his captors that he was also responsible for nearly l00 other unsolved murders. This movie is so devoid of shock, horror, tension, grimness that it could be shown on the Disney Channel with just a few minor cuts. It's like the movie makers were determined to make a "serious" "artful" movie that would not upset anyone. Everything in this film is clean, glossy, sunny and the actor who portrays Albert Fish is so handsome and charming that it's like he walked in from a soap opera. The horrendous life of Albert Fish and the horrors he perpetrated deserves a shocking, bloody, horrific treatment. Nothing in this tame, pallid production suggests any of these qualities.

This is a very well made biography of the 1920-30's serial killer Albert Fish. I thought the set designers did a fabulous job with the period rooming houses, abandoned farms, and even the detectives police station. This is not a glossy MGM or Warner Brothers expensive film production about a fictionalized serial killer. Instead the director, Scott L. Flynn, developed the story line to provide us his film's audience with what it must have been like to live in the 1920-30's with a deranged child molester and serial killer on the loose.

The film maintains a historical value to it by outlining the known crimes and murders committed by Albert Fish without glorifying his crimes with any sexual deviancy nor with much violence and/or excessive blood letting since Albert Fish was known to be a cannibal.

It is easy to focus on the cat and mouse game between the serial killer Albert Fish (Patrick Bauchau) and the lead Detective Will King (Jack Conley) as Albert Fish seems to be unaware that he is being investigated by lead Detective Will King.

As stated earlier this is not a costly production as with (1991) The Silence of the Lambs, or (2007) Zodiac, but what the film The Gray Man does deliver is a first rate biography of the 1920-30's pedophile and serial killer Albert Fish.

I give the film a well deserved 7 out of 10 IMDb rating.

"The Gray Man" is an important addition to the horror genre. Director Scott Flynn chose to tell the story of Albert Fish, a serial murderer who is believed to have murdered and cannibalized several young children in the late 1920s and early 1930s in the environs of New York City. Fish worked as a handyman and painter in most of the neighborhoods he lived in, and was seen for the most part as a relatively inoffensive and grandfatherly individual by many people. In reality, he is said to have possessed a raging sociopathic pattern that knew its roots in the harsh treatment he received in state orphanages run by religious fanatics in the upper boroughs of the city. Flynn's film gives the viewer a slight background of Fish's character so that even the most offended audience member can understand Fish's motivation. The man remains genuinely creepy in depiction, however, simply due to the deep horror of life that true degeneracy, or "evil", if you must, rarely has a loud "telegraph". Albert Fish is scary because he looks like the earnest, hard working sort of character who you'd hire to repair your furnace.

"The Gray Man" is also a significant work in horror, because it puts to rest the idea that a grisly tale must rely upon grisly depiction in order to unsettle the viewer. Director Flynn has wisely chosen not to graphically re-create the murders, and does not bother with lurid presentations of children being dissected or disposed of as meat. It might seem ridiculous that I would even have to point this out, but anyone who knows contemporary horror understands how little credit all too many Gothic film makers lend the imagination of their public anymore. I don't want to belabor the point, suffice it to say that "The Gray Man" puts films like "Saw" and "Hostel" to shame. Very few things in this life are as terrifying as a child murderer, Flynn and his cast put this true story across without much reliance on the sensational. Why, they even rely on a few little tricks like "atmosphere" here. Imagine that.

Leading the cast is veteran actor Patrick Bauchau, who brings the character of Albert Fish himself a terrifying but not entirely unlikeable quality. His work in this film is a delicately balanced affair that is more effective than that of Anthony Hopkins in "The Silence of the Lambs". Hopkin's performance in that work is outstanding, of course, but it is relatively melodramatic and over- the- top compared to the craft and restraint Bauchau offers here.. Following Bauchau up as the intrepid Missing Persons investigator Will King is Jack Conley, whose world weary demeanor I found very welcome in this age of celluloid depictions of lantern jawed law enforcement officials who always know what to do. Conley's King is a man unsure in his surety, a gumshoe who's likable for the same reasons we like Jake Gittes in "Chinatown" and Sam Spade in "The Maltese Falcon". He's sort of an anti-bureaucratic bureaucrat.

The other supporting cast members are quite good, most notably the perpetually bemused children of Albert Fish, Gertrude and Albert Jr., who know him alternately as both solid family man and abusive personality. The roles are handled by Mollie Milligan and Silas Mitchell. Jillian Armaneni is powerful as the mother of Grace Budd, the victim of Fish whose disappearance finally put investigators on his trail, and Lexi Ainsworth is very fine as Grace herself. Ben Hall holds his own as Grace's brother Albert, and character actor Bill Flynn has an appearance as the notorious Dr. Frederick Wertham (yes, he of the controversial 1950s anti- comic book crusade) who was a defense witness at the Fish trial as Fish and his crew pleaded insanity.

As for accuracy, who knows? So much has been written about the case that, now, seventy five years after the events themselves, it's even more difficult to separate the folklore from the reality of the moment. Albert Fish has entered that realm of real-life bogeymen with a distinction known by few, so the scuttlebutt will continue to blossom. Be that as it may, "The Gray Man" is a finely crafted, ambitious and riveting horror film, one of the few in the contemporary samples from the genre that is worthy of the time it takes to view it.

A solid thriller about Albert Fish (a very fine performance by Patrick Bauchau), the real life serial killer of children in 1930's America. Fish seemed a harmless old man, but in 1934 he was arrested as the murderer of several missing children he somehow duped their families into leaving him with (using an assumed name throughout). Part character study and part detective procedural, The Gray Man wisely avoids graphic horror and sensationalism (Fish's murders, for instance, are never shown on camera), and while it is rather conventional, it is nevertheless quite chilling nonetheless and it shows a director with a very keen sense of storytelling.