Ajouter une intrigue dans votre langueAn examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.An examination of the heavy metal music subculture that tries to explain why, despite the longevity and popularity of the genre, fans are marginalized and ridiculed for their passion.
- Directors
- Writers
- Stars
- Prix
- 1 victoire et 1 nomination au total
- Self
- (as Denis 'Piggy' D'Amour)
- Self
- (as Bob Ezrin)
- Self
- (as George 'Corpsegrinder' Fisher)
Avis en vedette
What I didn't like too much was the fact that Sam Dunn barely talks about thrash metal. Yeah, he mentions METALLICA, MEGADETH, and there's the SLAYER interview, but this sub genre is the one that gets least mentioned (taking into account today's biggest metal band, METALLICA, arose from the thrash movement).On the other hand, black metal and death metal receive more film time. Maybe Sam Dunn wanted to leave the thrash part less explored due to the upcoming thrash documentary, "GET THRASHED", which has been in the making for at least 4 years.
Minor complaints aside, this documentary rocks and if you're a fan of the genre you'll do no wrong in getting this essential film in your DVD library. Thrash on!!!
Co-director Sam Dunn is both a metal aficionado and a student of anthropology. He knew how and where to delve into the culture with a healthy reverence for his subject matter, but with the objectivity to examine in a way that outsiders could glean appreciation. I found it fascinating.
In a systematic, well-structured manner, heavy metal's origins and history were examined, as was the disparity between its followers and detractors. Fans, band members and industry experts were interviewed. The questions and answers were intelligent. Historic file footage was used. The culture and its many sub-genres was analysed. The relationships between heavy metal and gender, sex, religion, Satanism and violence were all covered in a most interesting and enlightening manner.
It was shot on location, including at various concerts, across North America, UK and Europe. I found Dee Snider of Twisted Sister, Tony Iommi of Black Sabbath and Ronnie James Dio of Dio (accredited as the inventor of the devil horn sign) the most compelling interviewees, though there were many others too numerous to mention. The sum of the whole turned out a rich result.
Unlike many documentaries of late, where the primary goal appears to be light entertainment using celebrity heads, this film is truly insightful, intelligent, balanced, educational, funny and entertaining! Whatever your taste in music, I highly recommend it.
When this documentary starts showing at the multiplexes, it will be the biggest exposure this musical genre would have gotten thus far, aside from a few ridiculous lawsuits that went public throughout the years. The concept itself that mainstream audiences will be learning of everything from Dio's unique opinions on things to Norwegian Black Metal is quite appalling. More importantly, hopefully this documentary will clear once and for all every false doubt and misconception that Metal has always portrayed to the misinformed.
A head banger's journey starts off by examining Metal's roots, the long debate in regards to who was the first Metal band ever. Then, we are taken through an analysis of how metal sub-genres came to exist. Dunn also gives his thoughts about Metal's culture, viewpoints, religious standpoints, the fans and every other aspect of metal. Some of the veterans of the scene as well as some insightful outsiders give their interesting opinions to support the argument at hand. The film balances the serious aspects of Metal with some unintentional humor. Personalities like Alice Cooper, Bruce Dickinson, Alex Webster, Slipknot, Ghaal, Dee Snider, Doro, Ihsahn and many others offer their own individual thoughts in an intellectual way while bands like Mayhem make a fool out of themselves during a drunken interview.
Dunn is a true metal head. It is his passion, yet he gives a critical and sometimes subjective opinion of the music at hand. The documentary is extremely entertaining and informative. It made me proud to be a metal head. It even made me give bands I'm not too fond of another chance. Bottom line is, if you're a Metal fan you'll enjoy this from beginning to end. If you're a curious outsider, here's your chance to understand our world better and get a more defined opinion of our music. And even if you don't, well to quote Dunn at the end: "We're doing just fine without you "
Le saviez-vous
- AnecdotesIn one of the film's oft repeated moments, Dunn attempts to interview Mayhem's Necrobutcher at a festival, who clearly appears aggravated at the suggestion that black metal is not as popular as it once was. In 2015, Dunn would interview Necrobutcher again for his Metal Evolution series' "Extreme Metal" episode about the same subject, with a considerably more laid-back Necrobutcher admitting that Dunn's point about black metal being "fractured" to a more melodic and a rawer contingent is a valid one.
- GaffesDunn also mentions the "Filthy 15", a list of artists with lyrics considered obscene in one of a number of ways. Sam mentions that, of the 15, 8 are metal bands- he has miscounted. Upon reviewing the list, Danish black metal band Mercyful Fate make the list but bump the count to 9 bands. They are also not highlighted like the other metal bands sharing spots on the list.
- Citations
Sam Dunn: Ever since I was 12 years old I had to defend my love for heavy metal against those who say it's a less valid form of music. My answer now is that you either feel it or you don't. If metal doesn't give that overwhelming surge of power that make the hair stand up at the back of your neck, you might never get it, and you know what? That's okay, because judging by the 40,000 metalheads around me we're doing just fine without you.
- ConnexionsFeatures Heavy Metal Parking Lot (1986)
- Bandes originalesThe Number of the Beast
Written by Steve Harris (as Stephen Harris)
Performed by Iron Maiden
Licensed courtesy of EMI Records
Meilleurs choix
- How long is Metal: A Headbanger's Journey?Propulsé par Alexa
Détails
Box-office
- Budget
- 1 300 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 5 095 $ US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1