Ajouter une intrigue dans votre langueAmerica is addicted to oil and it is time for an intervention. Enter Josh Tickell, a man with a plan and a Veggie Van, who is taking on big oil, big government, and big soy to find solutions... Tout lireAmerica is addicted to oil and it is time for an intervention. Enter Josh Tickell, a man with a plan and a Veggie Van, who is taking on big oil, big government, and big soy to find solutions in places few people have looked.America is addicted to oil and it is time for an intervention. Enter Josh Tickell, a man with a plan and a Veggie Van, who is taking on big oil, big government, and big soy to find solutions in places few people have looked.
- Prix
- 1 victoire et 3 nominations au total
Laurie Lennard
- Self - Stopglobalwarming.org
- (as Laurie David)
Richard Branson
- Self - Founder of Virgin
- (as Sir Richard Branson)
Colin Campbell
- Self - Oil Geologist
- (as Dr. Colin Campbell)
- …
Herman Franssen
- Self - President of International Energy Associates
- (as Dr. Hermann Frassen)
Bill Shepard
- Self - Author
- (as Dr. Bill Shepard)
- …
Avis en vedette
Josh Tickell's film "FUEL" outlines the global illness created by disproportionally using petroleum fuel for energy. The viable alternative solutions information that we can all do today (unless apathy has gotten a grip on us (not me! I'm in a state of action)..) is absolutely exhilarating. Josh's great humanitarian gift of showing people how to lead themselves out of the gooey, polluting sludge and into a variety of life-style habits that put us in a higher state of mind and higher state of being is truly great...FUEL is a must for 2009 students from high school through all levels of college. In todays world we need a huge team of people committing to driving different fuels and looking for the many choices we all have to protect the natural environment that we all rely on. We all also need to join green community groups that communicate the latest information about applying the green knowledge. Spread the word about "FUEL" ..the people of the world really need this message
If one film this year has capacity to transform today's world to one where human rights are restored, it is "Fields of Fuel." As the film highlights, returning the power, both energy and political, to the common individual is what biodiesel and the father of diesel, Rudolph Diesel were all about.
One of the best things about bio-diesel is the next generation food-free biodiesel creatively and economically produced. Non-foods such as algae, desert grass and Camelina grown where no food grows are major parts of the new, "next generation," food-free biodiesel. Keeping biodiesel but not the old way of making it with precious food source is the key. Throwing the baby out with the bath water has never been a humane solution. It seems that some groups are intent on causing the average person to think the contrary - about both biodiesel and babies. That's why "Fields of Fuel" needs to be seen by most Americans; the sooner the better for humanity. The film leaves no question about what is morally right. Not only that, it inspires and motivates with its compassionate and solution-driven demonstrations.
Without seeing "Fields of Fuel," it seems too few Westerners, the "haves," realize the rich opportunities and the justified hope that the new generation of biodiesel offers to the world's poorest of the poor. Many of the poor, such as Australian Aborigines and Ni-Vanuatu islanders, both among Earth's oldest living cultures now living in Least Developing Conditions, could benefit enormously from biodiesel produced in their communities.
We hear people complain of high fuel prices, but most of these people still go and do. Present oil prices for the poorest Peoples means they do not go or do. For such Peoples already experiencing high levels of suffering due to unemployment and associated disease, too expensive or no oil often means no transportation for services to survive.
Locally produced biodiesel can help change this scenario of the poor and the hungry to one of hope and health. As a matter of fact, thanks to the leadership of "Fields of Fuel" producer and one man in the Least Developing island nation that followed him, Vanuatu, ni-Van buses run on coconut oil. The abundance of coconuts left to rot on the beaches there are now used for biodiesel. This generated employment and income to locals that had none, plus clean air to an overpopulated town - not to mention the streets' sweet scent similar to toasted coconut candy coming from the buses.
After one "Fields of Fuel" screening, I met a small group of bio-diesel advocates that learned from and then followed in the footsteps of "Fields of Fuel" director; after which they created their own path. They now travel the world to marginalized Least Developing condition communities. They are teaching Indigenous tribal villagers to produce biodiesel so their villages have: fuel for their village tractor so they can grow their food more efficiently; fuel for their community generator for desperate needs; fuel for their village school bus so their children can learn; and fuel for emergency trips to their far-off hospital to save a life. We in "developed nation" communities would now do well learning sustainable living from these villagers.
I've been privileged to view "Fields of Fuel" several times, appreciating it more each time. The theater has usually been understandably packed, and people were standing along the side walls. Roars of laughter, clapping and cheering DURING the show, wiping of heartfelt tears upon seeing the pain and suffering that we are complicit in committing when we fill our tanks with other than biodiesel ... all typically occur during this film's screenings. Standing ovation typically occurs after the show. These are well-deserved rewards of a special young man who experienced firsthand as a boy the suffering deliberately induced by Big Oil profiteers. He vowed to offer a better choice to all of society.
The strong, favorable, audience responses to "Fields of Fuel" and this films' capacity to transform our unjust world today to one more humane are due to that young man's courageous determination to make a difference. Over twelve years, he demonstrated that focused determination to help halt suffering from petrochemical related injuries in his mother's home state, Louisiana, our great nation, America and the world. Those years of dedication and hard work are reflected in this amazing work of theater art.
Perhaps the most favorable "Fields of Fuel" response of all is one that I've heard a few times after different screenings. Each time, it was a teacher speaking this to Joshua and the audience during the Q and A, in the theater following the screening:
"This film should be screened in EVERY school in the United States!" Indeed, our nation and the world will likely be much better places for all to live when school children, their parents and teachers face and learn the truth about oil, and learn the joys of making a positive difference locally, nationally and globally. Seeing "Fields of Fuel" is empowering. It leaves the viewer knowing that this better standard of living is possible for all of humanity, the rich and the poor. It is right there at our fingertips to be harnessed, not only through biodiesel, but also whichever alternative sustainable energy sources most appropriately match each individual's and community's unique needs and resources. This is all explored in gripping edutainment of "Fields of Fuel." Congratulations to the over one hundred people that worked and are still working tirelessly to improve our world through "Fields of Fuel," especially to that special young man, one of my two great sons, Joshua Dupre' Tickell.
One of the best things about bio-diesel is the next generation food-free biodiesel creatively and economically produced. Non-foods such as algae, desert grass and Camelina grown where no food grows are major parts of the new, "next generation," food-free biodiesel. Keeping biodiesel but not the old way of making it with precious food source is the key. Throwing the baby out with the bath water has never been a humane solution. It seems that some groups are intent on causing the average person to think the contrary - about both biodiesel and babies. That's why "Fields of Fuel" needs to be seen by most Americans; the sooner the better for humanity. The film leaves no question about what is morally right. Not only that, it inspires and motivates with its compassionate and solution-driven demonstrations.
Without seeing "Fields of Fuel," it seems too few Westerners, the "haves," realize the rich opportunities and the justified hope that the new generation of biodiesel offers to the world's poorest of the poor. Many of the poor, such as Australian Aborigines and Ni-Vanuatu islanders, both among Earth's oldest living cultures now living in Least Developing Conditions, could benefit enormously from biodiesel produced in their communities.
We hear people complain of high fuel prices, but most of these people still go and do. Present oil prices for the poorest Peoples means they do not go or do. For such Peoples already experiencing high levels of suffering due to unemployment and associated disease, too expensive or no oil often means no transportation for services to survive.
Locally produced biodiesel can help change this scenario of the poor and the hungry to one of hope and health. As a matter of fact, thanks to the leadership of "Fields of Fuel" producer and one man in the Least Developing island nation that followed him, Vanuatu, ni-Van buses run on coconut oil. The abundance of coconuts left to rot on the beaches there are now used for biodiesel. This generated employment and income to locals that had none, plus clean air to an overpopulated town - not to mention the streets' sweet scent similar to toasted coconut candy coming from the buses.
After one "Fields of Fuel" screening, I met a small group of bio-diesel advocates that learned from and then followed in the footsteps of "Fields of Fuel" director; after which they created their own path. They now travel the world to marginalized Least Developing condition communities. They are teaching Indigenous tribal villagers to produce biodiesel so their villages have: fuel for their village tractor so they can grow their food more efficiently; fuel for their community generator for desperate needs; fuel for their village school bus so their children can learn; and fuel for emergency trips to their far-off hospital to save a life. We in "developed nation" communities would now do well learning sustainable living from these villagers.
I've been privileged to view "Fields of Fuel" several times, appreciating it more each time. The theater has usually been understandably packed, and people were standing along the side walls. Roars of laughter, clapping and cheering DURING the show, wiping of heartfelt tears upon seeing the pain and suffering that we are complicit in committing when we fill our tanks with other than biodiesel ... all typically occur during this film's screenings. Standing ovation typically occurs after the show. These are well-deserved rewards of a special young man who experienced firsthand as a boy the suffering deliberately induced by Big Oil profiteers. He vowed to offer a better choice to all of society.
The strong, favorable, audience responses to "Fields of Fuel" and this films' capacity to transform our unjust world today to one more humane are due to that young man's courageous determination to make a difference. Over twelve years, he demonstrated that focused determination to help halt suffering from petrochemical related injuries in his mother's home state, Louisiana, our great nation, America and the world. Those years of dedication and hard work are reflected in this amazing work of theater art.
Perhaps the most favorable "Fields of Fuel" response of all is one that I've heard a few times after different screenings. Each time, it was a teacher speaking this to Joshua and the audience during the Q and A, in the theater following the screening:
"This film should be screened in EVERY school in the United States!" Indeed, our nation and the world will likely be much better places for all to live when school children, their parents and teachers face and learn the truth about oil, and learn the joys of making a positive difference locally, nationally and globally. Seeing "Fields of Fuel" is empowering. It leaves the viewer knowing that this better standard of living is possible for all of humanity, the rich and the poor. It is right there at our fingertips to be harnessed, not only through biodiesel, but also whichever alternative sustainable energy sources most appropriately match each individual's and community's unique needs and resources. This is all explored in gripping edutainment of "Fields of Fuel." Congratulations to the over one hundred people that worked and are still working tirelessly to improve our world through "Fields of Fuel," especially to that special young man, one of my two great sons, Joshua Dupre' Tickell.
EVERYONE NEEDS TO SEE THIS FILM. Coming from the perspective of someone who knows very little U.S. energy consumption or the politics surrounding it, I found the film extremely accessible, clear, and captivating. It enlightened me on the big picture (which until seeing this film seemed overwhelming and unapproachable), gave me a sense of hope, and empowered me as the average citizen with simple things I can do to be a part of the solution. I was touched and inspired by FUEL and came away with a whole new outlook on the world and life itself!
Synopsis (from the FUEL website): Most Americans know we've got a problem: an addiction to oil that taxes the environment, entangles us in costly foreign policies, and threatens the nation's long-term stability. But few are informed or empowered enough to do much about it. Enter Josh Tickell, an expert young activist who, driven by his own emotionally charged motives, shuttles us on a revelatory, whirlwind journey to unravel this addiction from its historical origins to political constructs that support it, to alternatives available now and the steps we can take to change things. Tickell tracks the rising domination of the petrochemical industry from Rockefeller's strategy to halt ethanol use in Ford's first cars to the mysterious death of Rudolph Diesel at the height of his engine's popularization, to our government's choice to declare war after 9/11, rather than wean the country from fossil fuel. Never minimizing the complexities of ending oil dependence, Tickell uncovers a hopeful reality pointing toward a decentralized, sustainable energy infrastructure. Sweeping and exhilarating, Tickell's passionate film goes beyond great storytelling; it rings out like a bell that stirs consciousness and makes individual action suddenly seem consequential.
Synopsis (from the FUEL website): Most Americans know we've got a problem: an addiction to oil that taxes the environment, entangles us in costly foreign policies, and threatens the nation's long-term stability. But few are informed or empowered enough to do much about it. Enter Josh Tickell, an expert young activist who, driven by his own emotionally charged motives, shuttles us on a revelatory, whirlwind journey to unravel this addiction from its historical origins to political constructs that support it, to alternatives available now and the steps we can take to change things. Tickell tracks the rising domination of the petrochemical industry from Rockefeller's strategy to halt ethanol use in Ford's first cars to the mysterious death of Rudolph Diesel at the height of his engine's popularization, to our government's choice to declare war after 9/11, rather than wean the country from fossil fuel. Never minimizing the complexities of ending oil dependence, Tickell uncovers a hopeful reality pointing toward a decentralized, sustainable energy infrastructure. Sweeping and exhilarating, Tickell's passionate film goes beyond great storytelling; it rings out like a bell that stirs consciousness and makes individual action suddenly seem consequential.
Fuel weaves a web of connection between US energy/petrol policy and the environmental and foreign policies that ensue from petrol dependence. Without being preachy, the narrator spins a yarn that takes him from the happy-go-lucky days of an Australian childhood to the US where he begins to mature in his views about energy and the most effective means to make a difference.
The film is stuffed with celebrities, the obligatory genuflection to a star-struck culture that can't imagine much if Cher, Willie Nelson, or Bono aren't hyping it. This aside, probably the most important aspect of the narrator's tale is how he realized that he wasn't going to get squat done if he didn't begin to work collectively. This is the most powerful message of his film. The last third of the move details all of the energy solutions afoot right now, which can be implemented with the right pressure on Congress. It's inspiring folks.
There only seemed to be one glaring error. This has to do with his calculus regarding the use of ethanol. I would suggest everyone read Alcohol Can Be a Gas for a more intelligent discussion on ethanol. The other bone to pick is the matter of environmental racism. Americans are likely more predisposed to any card but the infamous race card. The rebound effects for his own mother, however, demonstrate that good old saying by the big J himself, "That which you do to the Least of my brothers, that's what you do onto me."
The film is stuffed with celebrities, the obligatory genuflection to a star-struck culture that can't imagine much if Cher, Willie Nelson, or Bono aren't hyping it. This aside, probably the most important aspect of the narrator's tale is how he realized that he wasn't going to get squat done if he didn't begin to work collectively. This is the most powerful message of his film. The last third of the move details all of the energy solutions afoot right now, which can be implemented with the right pressure on Congress. It's inspiring folks.
There only seemed to be one glaring error. This has to do with his calculus regarding the use of ethanol. I would suggest everyone read Alcohol Can Be a Gas for a more intelligent discussion on ethanol. The other bone to pick is the matter of environmental racism. Americans are likely more predisposed to any card but the infamous race card. The rebound effects for his own mother, however, demonstrate that good old saying by the big J himself, "That which you do to the Least of my brothers, that's what you do onto me."
This film is amazing, beautiful and important. I believe it's this year's Inconvenient Truth but human and moving as it is Josh Tickell's personal story and currently his life mission. Everyone needs to see this film. It's is so inspiring! I am going to trade in my car for one that runs on bio-diesel because that is something I can do to cause change in this crucial area of the economy, foreign policy, the future of this planet! This film is so motivating that you are going to want to tell everyone you know to see this film and it's so timely considering the election and the current state of affairs. I usually find documentaries the cure for insomnia however FUEL is engaging and entertaining and makes you get off your butt and do something that makes a difference for our world!
Le saviez-vous
- AnecdotesOn January 1, 2010, Director Josh Tickell married Producer Rebecca Harrell, who also starred in the Christmas movie "Prancer" as a young girl. She also wrote and sang the song "Drive" that plays during the closing credits. Rebecca has been instrumental in changing the direction of the film since Sundance, and has breathed new life into Josh's efforts to bring education about sustainable fuels to the country and the world.
- ConnexionsFeatures Louisiana Story (1948)
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Détails
Box-office
- Budget
- 2 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 32 465 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 12 386 $ US
- 20 sept. 2009
- Brut – à l'échelle mondiale
- 32 465 $ US
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