Ajouter une intrigue dans votre langueA love story that happens in the background Revolution in Timisoara.A love story that happens in the background Revolution in Timisoara.A love story that happens in the background Revolution in Timisoara.
- Director
- Writers
- Stars
- Prix
- 1 victoire au total
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Avis en vedette
The idea of the movie is a good one.
The actors are well known Romanian actors and they put up quite a good acting.
Of course, there are a lot of flaws in the movie, including super acting (pretty unusual for Sergiu Nicolaescu). Also don't expect any special effects, even if the movie action is placed as time and space in the Romanian revolution from 1989.
Although the Romanian revolution is only the background for the main story so probably that's why you don't get the real feeling of how it really was (or maybe it was intentionally made this way to emphasize the perception of the main characters on the Revolution).
Overall is a nice movie, but if you're very selective with what you watch to, probably you should skip this one.
The actors are well known Romanian actors and they put up quite a good acting.
Of course, there are a lot of flaws in the movie, including super acting (pretty unusual for Sergiu Nicolaescu). Also don't expect any special effects, even if the movie action is placed as time and space in the Romanian revolution from 1989.
Although the Romanian revolution is only the background for the main story so probably that's why you don't get the real feeling of how it really was (or maybe it was intentionally made this way to emphasize the perception of the main characters on the Revolution).
Overall is a nice movie, but if you're very selective with what you watch to, probably you should skip this one.
I expected this movie to be just another political thriller/drama from Sergiu Nicolaescu but instead I got a character story in the background of the '89 Romanian Revolution, plus an almost more grabbing subplot about a newspaper story of the 15 years since the Revolution. The main actor, Cristian Iacob does a very good job, as well as Maia Morgenstern & Florin Chiriac. The film itself is more like the old movies of Sergiu Nicolaescu with a lot of tragic situations, memorable characters (like the driver played by Valentin Teodosiu), a slight amount of violence... Very recommended. 9 out of 10.
P.S. 15 doesn't mean the 15 years that have passed, but something else;).
P.S. 15 doesn't mean the 15 years that have passed, but something else;).
Not worth waisting to much time on this, i just have to say it's one of the worst movies I've seen( and I've seen my share of bad movies from Manos to Master of Disguise), and you should stay away unless you want to see how bad sergiu got in his old age... Kinda sad he's so lame and doesn't even know it... Pretty much the worst thing that ever happened to romanian movies
I know pretty much all his stuff is awful, but he outdone himself this time. I mean It's not even so bad it's funny it's... well just bad
PS I usually don't like to insult people online but whoever gave this one a 10 is either a retard or sergiu got 10 accounts and voted himself.
I know pretty much all his stuff is awful, but he outdone himself this time. I mean It's not even so bad it's funny it's... well just bad
PS I usually don't like to insult people online but whoever gave this one a 10 is either a retard or sergiu got 10 accounts and voted himself.
10mbancila
It is said that those who do not learn from the mistakes of the past are doomed to re-live them. This movie is about the mistakes of the past. It's one of the most dramatical movies I've ever seen. It's about the tragedy of one family during the bloody events that took place in Timisoara, Romania, in December 1989, that ended with the collapse of the communist regime of Nicolae Ceausescu and the death of 1100 people.
The movie is called 15, because the events took place over time, both in December 1989 and December 2004, when a Romanian journalist from a Parisian newspaper returns to Romania to write an article about the changes from the collapse of Ceausescu's regime, 15 years ago. She's in the search of a child told to have been born in the orthodox cathedral in Timisoara, in the days of the Revolution of 1989. The most scenes of the film take place in December 1989 and represent the drama of this boy's parents.
It definitely worth seeing.
The movie is called 15, because the events took place over time, both in December 1989 and December 2004, when a Romanian journalist from a Parisian newspaper returns to Romania to write an article about the changes from the collapse of Ceausescu's regime, 15 years ago. She's in the search of a child told to have been born in the orthodox cathedral in Timisoara, in the days of the Revolution of 1989. The most scenes of the film take place in December 1989 and represent the drama of this boy's parents.
It definitely worth seeing.
First time when my son brought home the CD with "15", we just had a look. And we reacted.
We saw the opening credits, with the long list of acknowledgements - and we laughed our asses off.
We saw the opening shot, with that ferris wheel - and we laughed our asses off.
We fast-forwarded to a scene where Maia Morgenstern is in a sewer and calls for someone - and we laughed our asses off.
We FF-ed even more, to some militiamen invading an apartment - and we laughed our asses off.
We switched at random, to find a scene self-pastiched from "Revansa" (some guy jumping from a bridge on a train carriage) - and we laughed our asses off.
...This was the first impact.
After a while, we gathered enough patience to sit down and watch all the movie. And we both reached to the same conclusion: It made no difference. Really none.
And we cried our eyes off.
We saw the opening credits, with the long list of acknowledgements - and we laughed our asses off.
We saw the opening shot, with that ferris wheel - and we laughed our asses off.
We fast-forwarded to a scene where Maia Morgenstern is in a sewer and calls for someone - and we laughed our asses off.
We FF-ed even more, to some militiamen invading an apartment - and we laughed our asses off.
We switched at random, to find a scene self-pastiched from "Revansa" (some guy jumping from a bridge on a train carriage) - and we laughed our asses off.
...This was the first impact.
After a while, we gathered enough patience to sit down and watch all the movie. And we both reached to the same conclusion: It made no difference. Really none.
And we cried our eyes off.
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Détails
Box-office
- Brut – États-Unis et Canada
- 3 013 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 633 $ US
- 17 avr. 2005
- Brut – à l'échelle mondiale
- 3 013 $ US
- Durée
- 1h 35m(95 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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