Although comedic creations will never get the credit given to dramatic ones, I do consider Alan Partridge to be one of the finest modern characters because of how well developed he is internally and how well Coogan gets him. Partidge is an awful person but he is a normal one at the same time, which makes him all the more realistic in his actions. As a character he is never better than when we are closest to him, to see and appreciate his motives and his feelings – all of which are funny in their awful ways. The problem with this film then, is that we don't get that close often enough because there is a bigger plot to serve and move things forward.
This plot does still produce an engaging story but the film is best in its smaller, awkward moments where Alan's bravado crumbles into reality ("I never knew my mother either") or his selfish, egotistical self comes out in the smallest gestures (his dawning horror when he struggles to find himself on television is brilliant). The film has just about enough of these to work as a Partridge film but not quite enough to make it a great film, instead it is an amusing cinematic outing for a great character, but it is still hard not to feel a little disappointed with that.
The cast are pretty great though. Coogan himself deserved more smaller moments to let his character shine, but whenever he gets them he makes the most of them and is refreshingly free of worry of his own image. Meaney is really good but doesn't overplay or get in Coogan's way. Tim Key, Montagu and others all provide good support, but Coogan is the whole deal and all is well when the focus is on him.
Alpha Papa isn't as great as it could have been and it certainly will not challenge the TV shows for quality, but it is a solid film version, albeit one that is best when it shuns the film narrative and gets close to the human monster of Alan Partridge.
