Paheli

A veteran short story writer once said about one of his stories that adults may not understand his story but children will. this film is a delightful romance. it is no use asking how can a ghost impregnate a woman. While reading some stories or viewing some films we suspend our sense of reality. there are no gruesome or handsome villains who invent new forms of coldest cruelty . There are no impossible and bloody fight scenes. True the story is mythical but quite allegorical. In one scene the ghost says that he is "love" every woman yearns for. In this film the sexuality of woman is described as something holy. In traditional societies normally the sexuality of women is suppressed on the plea of need for social stability. But in myths and folktales this taboo is transcended. The songs and dances mostly based on Rajasthani folk idioms are delightful. Rani Mukerjee acted superbly and there is a delightful cameo role by Amitab Bachan There is humor, joys and sorrows in this film. credos to Amol Palekar.

I am a bit sick of all the movies that Bollywood that has been churning out recently with an emphasis on skin show and a story line that follows a course of some not so great to begin with Hollywood movie. With that in mind, movies like Swades, Black and now Paheli at least leave some hope that not all film-makers are out of ideas. Paheli as many may know is based on an Indian novel 'Duvidha' by Vijay Detha. The novel centers on a love story between a ghost and a woman whose husband leaves her on the night of their marriage to go on a business trip. Amol Palekar took over the reigns for this telling, which is the novels second bow on the big screen. I must admit this is the first time that I have seen a movie directed by Palekar, and he has left me with a good taste so I'm sure to rummage through some movie store looking for more of his work. The story is a might unbelievable, but it is told in a simple way and no attempt is made to make the viewer believe such things actually happen. I think thats what really helps here, there is no painful drawn out explanation of why things are so, the story is just presented and the audience is allowed to believe what they may. And judging from the reaction I saw most people in the theater really enjoyed the movie. The performances are really strong. Rani is great first a rejected bride and then a woman who finds true love with a ghost. Also for me Anupam Kher as the greedy family patriarch really stands out with his comedic act, had me cracking up at regular intervals. SRK, well I already said I was a big fan, and this performance is just another one to add to win column. Where I don't think this is one of the finest performances of his career, it should at least appease those who are always accusing him of lacking versatility. Yeah I mean really every other actor has won an award for Best Villain, a Critics Award and a plethora of Best Actor awards for their monotonous work. A great movie, something different and definitely one well worth the watch.

Paheli is an unusual film on the subject of women's rights disguised as a love story. It is basically the story of a young woman, Lachchi (Rani Mukherjee) who is abandoned by her husband Kishan (Shah Rukh Khan) the day after their wedding. A spirit who falls in love with Lachchi on her way home comes to find out that the husband will be away for 5 years and so he takes the form of Kishan and lives with Lachchi for the next four years. Eventually, of course, the husband returns and Lachchi must choose between the two. How the story is resolved answers the 'paheli' (riddle) of the film.

The film works well for several reasons: acting on the parts of all principal players is quite good, the visuals and cinematography is breathtaking and the theme is quite unusual, especially for a Bollywood film. It does have its drawbacks, though: there are at least two too many songs, and the film ultimately becomes the ghost's story when it should have been Lachchi's.

Shah Rukh Khan delivers his most restrained, understated and likable performance in years; it is because of this performance that he still qualifies as one of India's quality actors. Rani Mukherjee is also sufficiently restrained (unlike her overacted performance in the overblown 'Black' or the overstretched attempts at humor in 'Bunty Aur Bubli'). She gives Lachchi a likable innocence without overdoing the vulnerability part. It is the kind of part one would expect an actress of Tabu's calibre to play.

Anupam Kher and Rajpal Yadav play their parts with gusto. Amitabh Bachchan as the wandering shepherd milks his 5 minute cameo for all it's worth. Sunil Shetty, with all of two lines, is utterly wasted.

It is Juhi Chawla, however, who delivers the most dignified and poignant portrayal in 'Paheli': even in moments when she has very little or no dialogue, her silently suffering Gajrobai speaks volumes through wary visages and a body language that speaks of years of defeat. I kept hoping to see more of her throughout the film, and though she is definitely there, it's not enough. Her story is far more heartbreaking than Lachchi's and deserved more attention. Juhi has become a perfectionist as an actress: the forbidding longing on her face as she watches Lachchi leave for ritual prayers, or her sheer disbelief at the return of the husband who abandoned her is award-worthy acting. Everyone's favorite giggling heroine has emerged into a tour de force dramatic talent. Believe it or not, she *is* the new Shabana Azmi. If Bollywood has any sense at all, films will be made just so she can act in them.

Paheli is a likable, unusual film. Watch it for Shah Rukh (who is mercifully restrained), watch it for the story (which is unusual and relevant), but most of all watch it for the few fleeting moments of Juhi Chawla's revelatory brilliance.

This film is absolutely excellent. The film was well-made. Great script and there was plenty of time to build relationships. Unlike the recent Indian movies that seem to be pointless and fast-paced and songs placed right-left and centre. This film is much better than Devdas. The colours, the songs, the acting, directing, producing and the cinematography are just brilliant. However you should not watch this film if you are a sceptic of folk tales and myths because this story is a Rajasthani folk tale so the people who will find this 'UTTERLY STUPID' are people who hate folktales or hate Bollywood films. This will go in the classics, I hope this gets the international recognition it deserves.

A man submits himself completely rules laid down by his forefathers. His accounts are important to him than looking at his beautiful bride. His father's suggestions and warnings are his foremost considerations; his wife's desires are secondary. His money-earning prospects are his main essentials compared to spend some time with his wife.

A woman has no choice other than that chosen by either her elders or her husband. She cannot stop herself from dreaming: dreams of colourful bangles, dreams of new dresses, dreams of her husband and dreams of a sweet love. That, dreams come true, is just a hope. And where dreams can come true is a fictitious tale.

The tale creates an invincible character, a ghost that fills the void in the woman's life: the void of love left by her man. This ghost is an epitome of all what a woman expects from a man.