Comment perdre ses amis et se mettre tout le monde à dos
Titre original : How to Lose Friends & Alienate People
ÉVALUATION IMDb
6,4/10
72 k
MA NOTE
Un écrivain britannique a du mal à s'intégrer dans un magazine haut de gamme à New York.Un écrivain britannique a du mal à s'intégrer dans un magazine haut de gamme à New York.Un écrivain britannique a du mal à s'intégrer dans un magazine haut de gamme à New York.
Janette Scott
- Sidney's Mother
- (archive footage)
Thandiwe Newton
- Thandie Newton
- (as Thandie Newton)
Avis en vedette
This movie at its heart is basically a romantic comedy, but it made me laugh out loud several times and typical rom coms rarely make me do that. Simon Pegg is definitely usually the funny guy in the movie, but Megan Fox steals a ton of the funny lines and even Kirsten Dunst has some moments that are legitimately funny as well. This movie won't win any awards and the idea (even if it is loosely based on a true story) isn't original, but if you want a good laugh I'd say watch it.
Sidney Young runs a small alternative culture magazine in London dedicated to popping the bubble of celebrity. He hits the big time when he gets a call from Clayton Harding, the editor of Sharps magazine a glossy celebrity magazine based in New York City. Sidney goes into the job thinking he can be different from the puff pieces the magazine is famous for and somehow has been employed as part of Harding's darker streak and longer for more. Sadly this instinct is dead wrong and Sidney finds himself a joke within the office and a failure within the world of celebrity and movie stars that he needs to work.
HTLF&AP (it's easier) is in the mould of The Devil Wears Prada as it is written as an insider's exposé of celebrity culture from someone who discovered it firsthand. Like that film, this one also struggles to tell this tale within a narrative structure that engages. It is helped though by having the central character be a major part of his own discovery, ie not only do we see the world of superficiality that is the celebrity scene but Sidney is more than a pair of eyes as he fails so impressively to assimilate himself into it. The problem is though that it is not savage enough on the celebrity culture and instead tries to draw a lot more humour from Sidney's various pratfalls and failures. This produces some moments of amusement but at the same time it robs the material of the teeth it really should have had. What is left is a reasonably funny comedy that goes where you expect it to, right down to the pat ending that was always going to be there.
Pegg has enough about his performance to be funny even though this is far below the films he has made with Wright. He makes it work better than it should at times but then he cannot bring out an edge that isn't there in the script. The starry supporting cast may be part of the reason that it doesn't tear at the hand that feeds it and indeed there are some solid turns here. Bridges, Anderson, Fox, Huston and others all do reasonably good work around Pegg. Dunst is at her best when in the "hate" part of her "love/hate" relationship with Pegg and I liked her until the film gradually started to use her character to turn the way we all knew it would go.
Not a brilliant film by any means then but still one that is amusing as it treads familiar paths to a weak ending. Should have been better but is still just about good enough to distract as a comedy.
HTLF&AP (it's easier) is in the mould of The Devil Wears Prada as it is written as an insider's exposé of celebrity culture from someone who discovered it firsthand. Like that film, this one also struggles to tell this tale within a narrative structure that engages. It is helped though by having the central character be a major part of his own discovery, ie not only do we see the world of superficiality that is the celebrity scene but Sidney is more than a pair of eyes as he fails so impressively to assimilate himself into it. The problem is though that it is not savage enough on the celebrity culture and instead tries to draw a lot more humour from Sidney's various pratfalls and failures. This produces some moments of amusement but at the same time it robs the material of the teeth it really should have had. What is left is a reasonably funny comedy that goes where you expect it to, right down to the pat ending that was always going to be there.
Pegg has enough about his performance to be funny even though this is far below the films he has made with Wright. He makes it work better than it should at times but then he cannot bring out an edge that isn't there in the script. The starry supporting cast may be part of the reason that it doesn't tear at the hand that feeds it and indeed there are some solid turns here. Bridges, Anderson, Fox, Huston and others all do reasonably good work around Pegg. Dunst is at her best when in the "hate" part of her "love/hate" relationship with Pegg and I liked her until the film gradually started to use her character to turn the way we all knew it would go.
Not a brilliant film by any means then but still one that is amusing as it treads familiar paths to a weak ending. Should have been better but is still just about good enough to distract as a comedy.
How To Lose Friends And Alienate People looked like it might be different to the average rom-com we get these days, it looked like it was going to be a smart and satirical look at mainstream Hollywood. It isn't and it wasn't. It's in exactly the same vein as Run Fat Boy Run. I'm not saying that it's a bad film because it isn't and neither is Run Fat Boy Run, but I just felt like I'd seen it all before.
The start was rushed and lacked that flowing feeling. The middle was the best part, with a couple of laugh out loud moments. The end was a walking cliché which came straight from the school of Cameron Crowe (once again not always a bad thing).
Simon Pegg stuck to his normal schtick when he's without Mr. Wright and Mr.Frost, playing the lovable but overall clumsy fish out of water Brit. Jeff Bridges was and still is The Dude so he can do no wrong. Kirsten Dunst stuck to her guns and Megan Fox was thrown in as the so hot at the moment crumpet.
An entertaining film. Not bad. Not great either.
The start was rushed and lacked that flowing feeling. The middle was the best part, with a couple of laugh out loud moments. The end was a walking cliché which came straight from the school of Cameron Crowe (once again not always a bad thing).
Simon Pegg stuck to his normal schtick when he's without Mr. Wright and Mr.Frost, playing the lovable but overall clumsy fish out of water Brit. Jeff Bridges was and still is The Dude so he can do no wrong. Kirsten Dunst stuck to her guns and Megan Fox was thrown in as the so hot at the moment crumpet.
An entertaining film. Not bad. Not great either.
Straughan's adaptation of 'How to Lose Friends & Alienate People' is a charming and funny albeit familiar film. Yes, the story itself isn't anything new to the screen. The film also had potential of being an engaging satire but it remains rather a feel good romantic comedy. I liked the mixture of American and British humour. It is a well executed film that is rushed in the beginning and clichéd in the end. I enjoyed the mid-sections the most. Pegg, yet again, dominates the movie with his comic power. He's simply hysterical even though he isn't very different from his other films. Jeff Bridges is fantastic. A smoking Gillian Anderson is cast against type as the neurotic, stuck-up and arrogant publicist. Kirsten Dunst looks quite cute here and delivers a charming performance. Megan Fox pretty much plays herself. 'How to Lose Friends & Alienate People' has got some hilarious dialogues brilliantly delivered by the actors. It is the comedic sequences that stand out while the romantic scenes and the more dramatic ones feel rather deja-vu. Pegg proves that he can carry a film on his own and 'How to Lose Friends & Alienate People' remains, at the least, highly entertaining.
Sidney Young (Simon Pegg) is a boorish, unlikeable, annoying, inappropriate, douche idiot A-hole. He crashes parties and ridicules famous celebrities in his London magazine. He gets noticed by Clayton Harding (Jeff Bridges) and hired onto the glitzy "Sharps" magazine as the cultural editor. He tries to befriend co-worker Alison Olsen (Kirsten Dunst) and win over starlet fame-whore Sophie Maes (Megan Fox).
Simon Pegg doesn't fit this character that well. Even in 'Spaced', he had a streak of likability. He's an adorable guy. It's a little better when he shows some vulnerabilities later in the movie. For a guy trying to show how shallow everybody is, he's the most shallow of them all. I wish they wade through some of his depths earlier in the movie. The other problem is that he has no chemistry with Kirsten Dunst. She's almost as hopelessly uncompelling as a character. The movie really struggles to find its way in this rom-com formula.
Simon Pegg doesn't fit this character that well. Even in 'Spaced', he had a streak of likability. He's an adorable guy. It's a little better when he shows some vulnerabilities later in the movie. For a guy trying to show how shallow everybody is, he's the most shallow of them all. I wish they wade through some of his depths earlier in the movie. The other problem is that he has no chemistry with Kirsten Dunst. She's almost as hopelessly uncompelling as a character. The movie really struggles to find its way in this rom-com formula.
Le saviez-vous
- AnecdotesToby Young, the man around whom the film is based, was banned from the set, as he was reportedly annoying cast members, and interrupting Robert B. Weide as he tried to direct scenes.
- GaffesWhen we first meet Sophie Maes (Megan Fox), she says she is a vegetarian and would never wear fur, yet we see her at the party towards the end of the movie wearing what looks like a real fur shawl. However, this is most likely a testament to how movie stars sell out their beliefs when they become famous.
- Citations
Sidney Young: [to his father] You thought Brad Pitt was a cave in Yorkshire.
- ConnexionsFeatured in Film '72: Episode dated 23 September 2008 (2008)
- Bandes originalesThe Drinks Taste Better When They're Free
Written by Liam Howe, Ian Mack & Hannah Robinson
Performed by Electrovamp
Courtesy of Universal-Island Records Ltd
Under licence from Universal Music Operations
Published by Copyright Control/Right Bank Music UK Ltd/Native Songs
Produced by Ian Mack & Paul Middleton for Right Bank Productions Ltd
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- How to Lose Friends & Alienate People
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 2 778 752 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 430 294 $ US
- 5 oct. 2008
- Brut – à l'échelle mondiale
- 19 152 009 $ US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Comment perdre ses amis et se mettre tout le monde à dos (2008) officially released in India in Hindi?
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