Volver

I saw this film yesterday and it got me thinking well after I had left the cinema. It made me cry and it made me laugh. It is a choral film where women (as usual with Almodóvar) have the upper hand. I'm not a big fan of Penélope but I must admit she's really up to scratch this time. She has clearly fed on Sofia Loren to come up with the very credible character of Raimunda: tight skirts, high heels and generous cleavage. Carmen Maura and Lola Dueñas are simply magnificent. Also Chus Lampreave as Tía Paula (even in a too-short appearance inspired in Almodóvar's mother) is superb. Almodóvar himself has admitted that this is one of his most personal films, set in his home region of La Mancha and full of memories of his own childhood. Great music too. The moment of the tango ("Volver" by C. Gardel) turned into flamenco really makes you break in goose pimples. However, it is not Penélope's voice, but flamenco-star Estrella Morente's. If you like Almodóvar, you will certainly like this film.

I'm not going to tell you what the film is about because what was about for me it may not be for you and one of the many pleasures of the film is to find yourself there. Just let me say that after the Sahara, Vanilla Sky and Captain Corelli's Mandolin's adventures in Hollywood, I had discarded Penelope Cruz as an actress, completely. Well, "Volver" made me swallow my judgment. She is, quite simply, spectacular. A sort of Sophia Loren when Sophia worked with Vittorio De Sica. She is a mass of contradictions and not for a moment she tries to play for sympathy.Her emotion is contagious and makes us comprehend the incomprehensible. Carmen Maura makes a chilling, beautiful and unique entrance into this sublime Almodovar film based on his most scrumptious screenplay. The women stick together for each other's sake, they may even cross unspeakable boundaries for sheer compassion. The film uplifted me in a way that no other film has done in a long, long time.

'Volver' starts at a cemetery where the women are cleaning the graves on a windy day. Young mother Raimunda (Cruz), who after attending her mother's grave, finds herself widowed, thanks to her daughter. Her sister, Sole (Lola Duenas) sees a ghost of her dead mother and their battling-with-cancer friend Augustina is in search of her own truth about her mother. Almodovar's colourful canvas is a wonderful portrait of women in Spain. Though it is a colourful portrait, it's dark but somewhat humorous and appealing. Almodovar tells the story in a sensible but somewhat simpler tone. There are some shocking revelations but 'Volver' does not dwell on any one particular incident. It's the story of the women.

Penelope Cruz gives one of her finest performances. It's been evident in her recent film choices (that also include 'Bandidas' that she's experimenting with different roles. As Raimunda, she speaks her mind, she's energetic, she's brave and a risk taker but at the same time she's vulnerable and is hiding a dark 'shameful' secret. Lola Duenas's Sole is a loner (but she loves her sister and niece). She's independent and satisfied with her life. The actress does nothing short of a great job. Carmen Maura is equally great as the 'ghost' bringing lots of laughter but even during Irene's own vulnerable sad moments she is outstanding. Portillo's Agustina, is a quieter lonely character who loves the sisters. The actress skillfully underplays her part and her immense talent is especially evident in the darkly humorous and somewhat sad talk-show scene. Like Almodovar's 'Todo Sobre Mi Madre', 'Volver' is about distinctive female characters and the viewer loves these women and feel involved in their stories.

Like most Almodovar's films, the soundtrack is part of the narration that adds to his slightly weird chaotic world. Similarly, Iglesias's score brings out the richness of the atmosphere created by the wonderful cinematography (thanks to excellent photography). The Spanish streets, the vivacious culture is just presented in Almodovar's unique style.

'Volver' is witty, warm, funny, colourful, disturbing, uplifting and lightly dark with a well told story and lovable characters portrayed wonderfully by the actresses.

An extremely kind, compassionate and tender film noir, from Spain's most internationally acclaimed filmmaker, might lack some of the suspense his other movies are famous for, but still it keeps the spectator thrilled and anxious until the very last moments. Anyone who likes Almodovar movies should see this one, and you can bring your family along, for a change (kids and grandmas alike).

Indeed, the movie lacks some of the usual Almodovar suspense, and whatever mysteries it contains, are generally solved by the viewer some 20 minutes before they are explicitly and verbally elaborated on screen. It looks like Almodovar lost some of his interest in the telltale part of his movies, paying more attention to acting and emotions. Well, acting is fully worth the shift.

Penelope Cruz is predictably brilliant and gorgeous, but performance by other ladies (from the elderly Chuz Lampreave to teenage Cobo) is also worth applause.

Despite its gorgeous collection of images and a cast whose performances are tremendous across the board, Volver suffers from a reckless and haphazard plot. Almodóvar has a tendency to treat his plot points as if he were a Roman aristocrat in a vomitorium, throwing stuff at us that makes little or no sense within the emotional context of the film, and frequently fails to plane up with our previous understanding of the characters. This is particularly true with the inciting incident, and with the revelation at the movie's conclusion; moments that give birth to the unassailable "what?", "why?", and "why didn't . . .?" and leave us fending for ourselves in our attempts to put details in their proper places. While the plot always succeeds in engaging the viewer, it compromises our ability to treat the film with the seriousness it would otherwise deserve.