The Ground Truth: After the Killing Ends

The information contained in this movie is somewhat familiar to many who have been paying attention to the news lately. The Walter Reed scandals show a small part of the fact that we are not doing a good job taking care of our injured heroes when they return.

What this movie further shows is a truth common to all wars. The psychological trauma that soldiers suffer while engaging in war and the difficulty they have when returning to civilian life. They are not just changed or affected, they are different people and most do not know how to deal with that as they do not know themselves.

Finally, this film shows what the military does to our young men in women in getting them ready for war and the policies and practices that they have to follow in prosecuting war that leads to all the psychological trauma.

We have over 3000 dead soldiers in the four years of this invasion; but we have many tens of thousands that will suffer lifelong physical and psychological trauma because of this war. It doesn't matter what side you are on, it behooves you to know the cost of war to decide if we should be in that business. This film illustrates the costs to the men and women perfectly.

I saw this film tonight in NYC at the Landmark Sunshine. I didn't know what to expect, I'd not read much about it as I knew I would see it no matter what. All in All, it is very well done. It doesn't focus on the generalization of "Anti-War" statements, which to me, left the politics out of it. The soldiers mainly spoke of their awareness of toxicity in their training in boot camp, and how hard it was once they returned to civilian life. It was really good to see Paul Rieckhoff and Camilo Mejia tell about the difficulty in surviving not only the war, but refusing the command to go back when it was against personal morals. Make no mistake - this is not an anti-war film. Anyone who says it is hasn't seen it or is not living with the scars of war on their souls.

One of the more bizarre things about the war in the Middle East, at least from a British perspective, was how all-too-keen we were to wade on in with the Americans in the name of fighting 'terror'. This is when, for the decades born out of the strife that followed the Irish Civil War, we nary went anywhere near an enemy far closer to home and far more prone to a defeat than any stretch of land pertaining to throw a seemingly unlimited amount of Muslims at you. We are, of course, speaking about Britain's struggle with the Irish Republican Army – an organisation whose actions over the years have meant that, even prior to the respective invasions of Afghanistan and Iraq, terrorism and the threat of terrorism was nothing at all new to the U.K. There was never any conquest of The Emerald Isle, but that never stopped any Briton fervently celebrating its patron saint on March the 17th (as the day of their own, St. George, goes largely unnoticed) nor grinning affectionately when recalling the charming image of a typically lovable Irishman, whose fondness for beer is matched only by his penchant for boxing, comes to mind. There was no crusade up and down the streets and through the cities of Ireland, searching for the dogs responsible for destroying pubs and hotels up and down our country like there is in The Middle East, where untold horrors are being bestowed upon people who probably aren't even interested in the West, but are most likely becoming more and more radicalised as an invading force loiters unwelcomely.

But to an extent, I digress. In The Ground Truth, a probing American documentary from Patricia Foulkrod which is more about the mindset of the solider and how rotten, lying American politicians essentially con their young men into fighting a war they really don't want to be anywhere near, we cover more-so the process of what happens to a grunt from their basic training to the harsh realities of post-war life than any sort of political sub-study. The documentary begins in late 2005 with a Venice Beach-set inauguration, as American men enlist to join the forces. They are young and energetic; they are surrounded by advertising boards informing the onlooker of a body building product and there is very much this presence of masculinity. We learn that some signed up because a recruitment officer was convincing enough, others tell us that the allure of merely escaping one's neighbourhood and travelling the world was enough to join - one informs us they saw "Top Gun" and joined – a film which didn't even depict the Army but was about the Air Force, and was actually about Americans 'fighting' in a war that never even happened but for on the ice rinks of Lake Placid and across the chessboards of Reykjavik.

The whole thing reminds us of the opening act of Oliver Stone's "Born on the Fourth of July", made by a man who had already been there and already done that – a film wherein one's very essence of even being a man is questioned should one refute going to war. The entire process is, of course, in preparation for fighting in Iraq – arguably the biggest sham war in the history of mankind; a war so futile, unpleasant and unnecessary that everybody, from anti-war politicians who're at the top of their game anyway, right the way through to a 2008 produced episode of "Family Guy" which depicts one of its characters being told that we're in Iraq because 9/11 was induced by "a bunch of Saudi Arabians, Lebanese and Egyptians financed by a Saudi Arabian guy living in Afghanistan and sheltered by Pakistanis" have had a respective 'pop' at it.

To an extent, it is a 21st Century "Korea"; a conflict whereby, thanks to latter-day MacArthurism, we have conspired to go on an ego-centric death march into neighbouring Iraq (China) having defeated the majority of the Afghan (North Korean) army. It is a war so false and so vehemently putrid that even the pro-war American politicians want nothing to do with it in earnest: who could forget the agonising sequence in Michael Moore's "Fahrenheit 9/11", wherein he poses to several American politicians, application forms in hand, that they send their own sons over there to fight the good fight? The Ground Truth weasels out the lies Americans are told in order to sign up; tells of the realities of the fighting and the post-war fighting that the politicians don't bother with, things that are not limited to the losing of one's mind when all is said and done. Americans, in this regard, have is good and healthy: British veterans of the conflict, after having left the Army, are forced into living on the streets while immigrants who can barely speak the language are given houses – those characters in "Jarhead", a film set during Gulf War One about how conflict didn't actually kick off for some troops, never had it so good.

There was a very interesting quote I remember finding in a history text book at my old school some years ago, a quote made by an American who fought in both World War II as well as the Vietnam War. He spoke of how in WWII, you knew who your enemy was: you wore the green uniform, they wore the grey ones and the idea was to push through Europe and into Berlin. Cut to twenty years later and confusion reigns in Vietnam, where nobody knew who the enemy was; where the enemy were; where anyone was going or what anyone was trying to achieve. Some people don't like to compare Iraq to Vietnam, but the material we see and hear in Foulkrod's documentary makes it hard not to think of the above; observe what's happening and draw one's own conclusions – this is a tough, powerful work of non-fiction which works well.

I caught this at a screening at the Sundance Film Festival and was in Awe over the absolute power this film has. It is an examination of the psychological effects on our brave soldiers who join the military with hopes that they will protect and serve our country with honor as well as be taken care of by our government for it. The film details the psychological changes that takes place in boot camp as the soldiers are turned into "killers for their country" and put into the war and the after effects once they return home. It also portrays the effect that killing has on the human psyche. It pays homage to the Soldiers and never ever criticizes the soldiers unlike other films, instead criticizes a system that is not prepared to and does not take care of all the physical and psychological needs of the returned Vets.

This film is powerful, moving, emotional and thought provoking. It stands as a call to arms to support our troops not only by buying stickers and going to parades but by actually listening to them, and helping to support a change in the way their health and well being is taken care of after the killing ends.

The best film of the Festival so far, ****/****

I saw this film premiere Friday (1/19) night in Park City for Sundance and was incredibly moved. Sitting in a theater and hearing first-hand the anguish soldiers go through was almost more than I could bear. Others in the audience were equally moved and while we wanted to turn away, the least we could do was bear witness as these men and women shared their experience with us. Robert Acosta, Paul Rieckhoff, Sean Huze, and Herold Noel, all veterans of the war in Iraq and featured in the film, were present. While they may be home now, you can tell this war is still inside them and probably always will be. Whether you support the war or not, it is OUR duty to support the troops with something other than a bumper sticker. See this film!