L'aube des survivants

A vampiric corporation sets out to capture and farm the remaining humans while researching a blood substitute.

Daybreakers has a captivating promising start, the is year 2019, a plague has transformed almost every human into vampires.

Directors Michael Spierig and Peter Spierig give the viewer an awe-inspiring vision of the future, the cityscape is amazing. It's also packed with excellent make up effects and nicely executed CGI. The film reflects some great parallels of today's social structure and struggles.

Sam Neill is the perfect vampire leader and Ethan Hawke is good as the trouble vampire who feels pity on the remaining humans.

However, sadly the film takes a turn for the worse when the usually excellent veteran actor Willem Dafoe turns up. From then on the film stumbles until the end credits as it stomps on the great idea's and visuals that came before, with bad dialogue and corny premises. Once the action moves from the city to countryside it's as if the producers turned a switch to- 'mediocre', with echoes of John Carpenters Vampires (1998).

An engaging strong intellectual start, regrettably becomes a futile unoriginal drip by the end.

Riding the most recent wave of monster-dom, Daybreakers is yet another entry in the endless parade of vampire films to hit the market since the arrival of a little film called Twilight which I hear is somewhat popular. Breaking with recent trends however, Daybreakers is by far the best of the bunch; high concept and high reward.

The year is 2019. After a plague sweeps across the globe turning men, women and children into blood-thirsty, pale version of their former selves another, larger threat looms. The remaining humans, who now mostly exist only in vast blood farms that recall the fields of The Matrix, are drying out so to speak. Blood shortages are common place and with the direction of a vampire haematologist named Edward Dalton (Ethan Hawk) they desperately search for a blood substitute. But complications lead Dalton to question his loyalties after he meets a group of humans led by a former-vampire turned vigilante (Willem Dafoe) and with the future of mankind resting in the balance, time grows more and more precious.

The vampire world created by director brothers Michael and Peter Spierig is extensive and all encompassing. The attention to detail at every turn is the greatest reason to seek out Daybreakers even if script and some performances aren't quite up to the same standard. Take for example instances of how the vamps navigate during the daytime and what a double-double coffee now means. Many earmarks of vampire lore remain; death by sunlight, susceptibility to a steak in the heart, etc. But many details about the new world culture is left to viewer imagination which is a far better avenue to take then attempting to stuff the story with exposition and revelations.

Amidst a sea of flashy set pieces, the acting takes a backseat. Hawk is merely there, Dafoe is entertaining enough and scores most of the laughs and Sam Niell shows up as the shady CEO of the blood farm and is sufficiently sinister. The real standout is Claudia Karvan as one of the remaining humans who actually manages to bring down her languid looking co-stars with her emotion and charm. Daybreakers features a number of requisite action set-pieces and do the job admirably enough but it is the story that is the real reason to see this film.

If there is still blood to be drained from this waning horror genre I hope it is not fast-tracked to take advantage of the current craze. If we are to have more vampire flicks of this calibre then I would rather experience them while not being constantly swamped. Regardless of where these fright flicks tread in the future we are lucky to have Daybreakers, as an entertaining and thought-provoking film like this is always welcome amidst a sea of remakes, reboots and rehashes that have become a Hollywood staple.

Read all my reviews at simonsaysmovies.blogspot.com

It's the year 2019 and the world has been taken over by vampires. Humans are being farmed for their blood, but there are fewer and fewer of them. Vampires turn feral when they don't get human blood. So the dwindling human race have real devastating consequences. Edward Dalton (Ethan Hawke) is a vampire, but he's searching for a blood substitute. He wants to save the human race. That's why the humans want his help for the ultimate cure.

The concept is terrific. The execution lacks the required intensity. While it has great ideas, the movie just doesn't have the pace or the action to sustain it. Ideas are not enough. This movie needs better hands to squeeze more excitement out of the script.

The big acting names in this are Ethan Hawke, Willem Dafoe, and Sam Neill. They give the movie instant credibility that's more than its B-movie roots. However to justify that credibility, they need to increase the drama.

Daybreakers is a superbly fresh and entertaining vampire experience. The film takes place in a dystopian future only a decade from now in which an outbreak in vampirism has turned the known world on its head. Contrary to the typical vampire film setup, vampires make up the majority of the world's population here and humans, who are either being framed for blood or are in hiding, make up only around 5%. In a way, the setup somewhat reminds me of the film Equilibrium, with vampires added into the mix.

The film finely balances sci-fi, horror, and action and I also really appreciated the utter desperation present in the film. So many action movies go so over-the-top in their action heroes that you never feel like their in any danger of being defeated, but here all odds are against our protagonists and, as events unfold, their situation grows gloomier and gloomier.

The entire cast--which includes Ethan Hawke, Sam Neill, William Dafoe, and Claudia Karvan—is on top of their game here and play the material straight, which is very refreshing. Especially Sam Neill, whom I've always been a fan of since I saw Jurassic Park as a kid, is great here and he really manages to steal the show in his scenes.

Also refreshing is the amount of bloodletting and thematic material present here. Make no mistake, Daybreakers is a "hard 'R'" and full of violence and grotesque sites like starving vampires turning into monstrosities that are hard to look at. The film also had ideas and much to say about a struggling society in the face of low supply to meet high demand.

I wasn't a huge fan of Undead, but the Spierig Brothers have truly crafted something special here. I do wish the film was a bit longer as I wanted to know more about the society the story took place in, but that's a testament to the film itself. If you're seeking a more adult vampire film with enough substance to excuse its style, I recommend Daybreakers.

Related Recommendations: Equilibrium, Gattaca, They Live, Aeon Flux , Blade, Blade II, The Matrix

Daybreakers (2009) is set in a dystopian society where almost every human has been turned into a vampire, this movie follows Edward Dalton, a vampire who works alongside humans to find a cure. I'm so glad I watched this film because I really enjoyed it and found it to be super gripping and engaging. The performances were a big standout and I ended up rooting for our protagonist!

I loved the cinematography in this film! It was very well thought out, and added a weird dream-like look to the movie. The colour palettes were really nice and the green and blue tints were great. It was a visually dark movie too, but I thought it pulled it off well.

The visual effects mainly haven't aged that well, however the gore still looked really good and I was impressed! Also, I loved the look of the vampires, it was so simple yet effective!

Ethan Hawke was likeable and iconic in his role, he was a great protagonist! Alongside him, Willem Dafoe did brilliantly, and Sam Neill made an intimidating and strong villain with a clear motive. The performances are helped by fun and engaging dialogue.

The score was used very tastefully, and was very subtle. The strings used were super fitting and added to the ominous and eerie atmosphere the film set. In addition, the sound design was effective too!

The film set an unnerving and weird tone, and had slow and steady pacing. It had a strange vibe that I really liked and was super enjoyable! The film is consistently interesting and full of tense and unique moments. Something I really liked was the cure, and how it was vampire blood. This was such a smart bit of writing and the reveal was great. The last 10 minutes were chaotic too, and a very satisfying climax.