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IMDbPro

Gankutsu-ô

  • Série télévisée
  • 2004–2005
  • PG
  • 24m
ÉVALUATION IMDb
7,8/10
2,9 k
MA NOTE
Gankutsu-ô (2004)
AnimeHand-Drawn AnimationAnimationDramaMysterySci-FiThriller

Ajouter une intrigue dans votre langueAlbert, bored with Parisian life, travels and meets the enigmatic Count of Monte Cristo. Unaware that his father wronged the Count, Albert invites him to Parisian high society, paving the wa... Tout lireAlbert, bored with Parisian life, travels and meets the enigmatic Count of Monte Cristo. Unaware that his father wronged the Count, Albert invites him to Parisian high society, paving the way for the Count's intricate revenge.Albert, bored with Parisian life, travels and meets the enigmatic Count of Monte Cristo. Unaware that his father wronged the Count, Albert invites him to Parisian high society, paving the way for the Count's intricate revenge.

  • Creator
    • Mahiro Maeda
  • Stars
    • Jôji Nakata
    • Johnny Yong Bosch
    • Beau Billingslea
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,8/10
    2,9 k
    MA NOTE
    • Creator
      • Mahiro Maeda
    • Stars
      • Jôji Nakata
      • Johnny Yong Bosch
      • Beau Billingslea
    • 24Commentaires d'utilisateurs
    • 9Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire au total

    Épisodes24

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    Rôles principaux25

    Modifier
    Jôji Nakata
    Jôji Nakata
    • Count of Monte Cristo
    • 2004–2005
    Johnny Yong Bosch
    Johnny Yong Bosch
    • Albert…
    • 2004–2005
    Beau Billingslea
    Beau Billingslea
    • Bertuccio
    • 2004–2005
    Karen Strassman
    Karen Strassman
    • 2004–2005
    Kikuko Inoue
    Kikuko Inoue
    • Mercedes de Morcerf
    • 2004–2005
    Liam O'Brien
    Liam O'Brien
    • Andrea Cavalcanti
    • 2004–2005
    Tomokazu Seki
    Tomokazu Seki
    • Major Andrea Cavalcanti
    • 2004–2005
    Jun Fukuyama
    Jun Fukuyama
    • Albert de Morcerf
    • 2004
    Daisuke Hirakawa
    • Franz d'Epinay
    • 2004
    Kôji Ishii
    • Bertuccio
    • 2004
    Mai Nakahara
    • Peppo
    • 2004
    Ezra Weisz
    • Franz d'Epinay
    • 2004
    Jamieson Price
    Jamieson Price
    • Count of Monte Cristo
    • 2004
    Carrie Savage
    Carrie Savage
    • Peppo
    • 2004
    Nobuo Tobita
    Nobuo Tobita
    • Baptistin
    • 2004
    Tamio Sobami
    • Luigi Vampa
    • 2004
    Naoko Shirakami
    • Teresa
    • 2004
    Kirk Thornton
    Kirk Thornton
    • Baptistin
    • 2004
    • Creator
      • Mahiro Maeda
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs24

    7,82.9K
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    Avis en vedette

    10semitone

    Excellent Anime, Beautiful

    This is one show that has always kept me engaged.

    I suppose I must admit that the art style could be distracting to people who are not used to it. However, I found it to be gorgeous and takes the work to an entirely different level; this is art. I would hang pictures from this series on my wall; in fact, I have purchased prints from it.

    The art drew me in, but the story kept me around.

    In some respects, this is better than the book, in my opinion. The novel is over one thousand pages. Interesting, but long. This show cuts out much of the set-up, which keeps the pace in check and doesn't drag it down. If you are a huge fan of the book, the changes may disappoint you. But if you can watch it with an open mind, you may enjoy this translation.

    I know this has nothing to do with the quality of the show, but I must talk about the DVD art. The DVDs are quite pretty, with metallic bits that make me want to frame them or at least not put them in my player.

    The sound quality is top-notch as well, with great voice actors (I was surprised at the English cast, as it was excellent, although I prefer Japanese) and nice music. Some people don't like the opening theme (someone once said that it sounded like a drunk Frenchman; the singer is French, but probably not drunk), but I really enjoy it and think the non-rhythmic quality of it is interesting and fits into the show very well. I'm not a fan of the ending theme, but you can always skip it.

    Overall, I absolutely love this series, and it deserves a lot of attention, not just from the anime community but the art and classic novel communities as well.
    Scortia

    An AMAZING adaptation... in some ways better than the original novel.

    I can scarcely put my love for this 24-episode anime series into words. "Gankutsuou" is a futuristic adaptation of Dumas' acclaimed novel "The Count of Monte Cristo". Famous anime director Mahiro Maeda shows just how much he loved the original novel and the character of the Count by being quite faithful to the mood while leaving his own fresh take on the story.

    One of the most noticeable details about this series is an almost revolutionary method of animating. This series uses 2-D Texturing to an extreme level... giving hair unnatural textures and even everything in the background textures... in an insane color palette. It takes viewers and episode or two to get used to this style of texturing but over time it becomes something most fans love about the series.

    One of the major changes in this anime is that the storyline is told from Albert's point-of-view for the majority of the series. This means everything that happens before the Château D'if comes in back-story. This also adds mystery to the Count's past and his character itself. Much of the cast is younger than in the novel, in classic anime fashion. Such as Albert is 15 instead of in his early twenties...but this makes his heightened innocence added into his anime persona more believable and his personal growth more endearing. There are other small character changes. Eugenie is greatly changed into a character that is actually of interest opposed to her novel version. Humoresly enough, according to the original promo for the series, she was indeed still quite similar to the book version in the first set up of the series... being quite close with her "lady friend".

    And of course other major changes come with the new time and setting. Most of the series takes place in Paris but the year is 5053. So Paris is futuristic while also having touches of old such as the fashion and carriages and opera thrown in. And also we take the playing field out into space where Earth's warfare is mostly taking place in the future.

    I honestly can't praise this series enough. I think the most important aspect of adaptations should be to get the tone of the novel right and to get the most rich, important characters accurate in personality. This series does this incredibly well. After appreciating the Count's character in the novel, the depth added from the anime only heightens my interest in him. This series is to be released in America soon so I personally suggest it as a buy to anyone who wants an anime with rich, involving plot and characters. Almost all of the storyline from the book is there, aside from an ending which is different but not a "hollywood ending" like the recent movie.

    10 out of 10!
    10Soul_Snatcher

    Underrated Masterpiece

    I cannot believe this enigmatic anime is so overlooked as if no one really knows about it much. The brilliant story, animation style that's captivating and cool characters make it an absolute masterpiece. Highly recommended!
    NoneOfYourDamnBeeswax

    A sloppy and childish fable of revenge.

    The sell of this story is that it is one of the greatest revenge plots in the story of anime. Based on the novel of Count of Monte Cristo, by Alexandre Dumas. Adorned by a daring creative endeavor of animation, where weird patterns, contrasts and textures reign, showcasing something different.

    That is the sell, the product meanwhile, for some reason acclaimed, is rather disappointing.

    The show is hard to watch by virtue of its childish, ridiculous, over the top and obnoxious prepubescent characters and dialogue, that simply make it hard to connect to an obvious plot with tragedy overtones. You know early on what is gonna happen. Everyone is so easy to rile up, so immature and prone to the worst course of action. Everyone except for one character, conveniently. The lack of rationale and subtlety to every one of their emotions... It feels cheap, childish, in order to make some character rise while the other fall. Everything is rushed, magically falling into place, overdramatized. With theatrical type of movements that don't feel right.

    It doesn't seem elaborated in spite of the diverse and complex fronts of the story, it's many characters and pathways. People that have made of themselves arriviste wonders, cunningly, vilely, suddenly, when the weight of an ominous past comes upon them, lack the character or intelligence to make a single good decision. There's no grasp or ability to adapt to the upcoming adverse conditions. Victims of a perfect plan backed by a lifetime of preparation, an indomitable desire for revenge, an irresistible charm and copious amounts of money. Women and men fawning over the Count's charm and becoming simple pawns in his chessboard. It's all so easy.

    The world ain't overly interesting nor crafted, for some reason they set it in a futuristic scenario, with the society, architecture and hierarchy of the nineteenth century. It is barely presented, not well dove into and it simply doesn't merge. At times it does feel pointless beyond the fact that it allows for some ethereal scenes. There's no appeal to it and the animation ain't nothing to marvel at beyond the initial episodes. Mononoke (2007) or Sonny Boy are much greater and coherent visual spectacles. It's allure, lets call it, isn't enough to warrant this being thought of as a great show...

    It even turns boring in its slow pace approach.

    And we have not arrived yet at the worst part, THE MAIN CHARACTER. The show overrelies on the shoulders of two characters, and of those is Albert, who is so awful that I could dedicate myself only to find whatever ill intended adjective I can find in order to pair him with it, he's undoubtedly one the most enchanted, idiotic and irritating characters in the history of anime. Good luck in not hating him. I couldn't care less that me harboring those feelings could be attributed by some to how well he's written, when he's so one note and otherwise this show doesn't incite gasps, surprise or horror, but rather invites you to roll your eyes. The other character is Conde de Monte Cristo, who is not charming enough nor interesting enough here, in between his ambiguous dialogue, to compensate his counterpart. Their dynamic although possible, is horribly on the screen. The Count should have a much center role while Albert is tossed to the side, no show can depend on such a character.

    The end is also rushed and horrible, so there's that. It isn't the conclusion to the developments, but a nonsensical, poorly written child book kind of finish. There's no trace of coherence, it's just ridiculous.
    SarahofBorg

    Beautiful and well-done

    I heard about this anime and was immediately interested. I know anime very well and I was looking for something that looked artistic, intelligent, and suspenseful. Unfortunately I have never read the book this was based on, but I found this anime's story so beautiful that I have picked up the 1,400 page book and plan to finish it all. If you see only one anime in your life, and you appreciate art and drama, than this is the best of it's kind. The unique art takes some getting used to, and is somewhat disorienting at times. Really, the only complaint I have about the art is it's Too beautiful, that it goes to fast to fully appreciate. This show would probably be best in slow motion just for the sake of the art. I have heard some say that although they loved the book, they loved this anime version even more. Don't let it's scifi setting disturb you. It has absolutely no negative effect on the story. The scifi setting really only seems to enchance it's overall beauty. The characters are extremely well-developed and fascinating. One moment they will be strong and courageous, the next moment crying, the next laughing. Every episode ends in an extreme state of unpredictable suspense (AKA cliffhangers galore.) I believe so far the entire show has not been released in America. I actually suggest watching the show in it's entirety, and wait until all episodes are released, and that you have a lot of time on your hands to watch it. The story is somewhat complex, certainly unpredictable, and always gripping. Even the seasoned otaku would highly appreciate this anime at least for it's impressive quality. It's not the cliché cheaply-made primitive-art anime about scantily clad lolicon girls. Speaking of which, all the characters are quite beautiful for both sexes, and I seem to have a personal crush on The Count. I highly recommend this to anyone whose looking for an intelligent, dramatic and classic story.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The series title "Gankutsu-o" ("The King of the Cavern") is the Japanese title of Alexandre Dumas's "The Count of Monte Cristo" when it first was published in that country in 1905.

      Though later publications used a more accurate title ("Monte Cristo-haku" - "The Count of Monte Cristo), "Gankutsu-o" is still the most popular one in Japan.
    • Citations

      Count of Monte Cristo: My solitude has ceased to be solitude. I am surrounded by the goddesses of revenge.

    • Connexions
      Referenced in Belle: The Dragon and the Freckled Princess (2021)
    • Bandes originales
      We Were Lovers
      Opening theme

      Performed by Jean-Jacques Burnel

      Lyrics and music by Jean-Jacques Burnel

      Arrangement by Jean-Jacques Burnel & Louie Nicastro

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    Détails

    Modifier
    • Date de sortie
      • 5 octobre 2004 (Japan)
    • Pays d’origine
      • Japan
    • Site officiel
      • Official site (Japan)
    • Langues
      • Japanese
      • English
    • Aussi connu sous le nom de
      • Gankutsuou: The Count of Monte Cristo
    • société de production
      • Gonzo Digimation
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      24 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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