Ajouter une intrigue dans votre langueAlbert, bored with Parisian life, travels and meets the enigmatic Count of Monte Cristo. Unaware that his father wronged the Count, Albert invites him to Parisian high society, paving the wa... Tout lireAlbert, bored with Parisian life, travels and meets the enigmatic Count of Monte Cristo. Unaware that his father wronged the Count, Albert invites him to Parisian high society, paving the way for the Count's intricate revenge.Albert, bored with Parisian life, travels and meets the enigmatic Count of Monte Cristo. Unaware that his father wronged the Count, Albert invites him to Parisian high society, paving the way for the Count's intricate revenge.
- Prix
- 1 victoire au total
Avis en vedette
I suppose I must admit that the art style could be distracting to people who are not used to it. However, I found it to be gorgeous and takes the work to an entirely different level; this is art. I would hang pictures from this series on my wall; in fact, I have purchased prints from it.
The art drew me in, but the story kept me around.
In some respects, this is better than the book, in my opinion. The novel is over one thousand pages. Interesting, but long. This show cuts out much of the set-up, which keeps the pace in check and doesn't drag it down. If you are a huge fan of the book, the changes may disappoint you. But if you can watch it with an open mind, you may enjoy this translation.
I know this has nothing to do with the quality of the show, but I must talk about the DVD art. The DVDs are quite pretty, with metallic bits that make me want to frame them or at least not put them in my player.
The sound quality is top-notch as well, with great voice actors (I was surprised at the English cast, as it was excellent, although I prefer Japanese) and nice music. Some people don't like the opening theme (someone once said that it sounded like a drunk Frenchman; the singer is French, but probably not drunk), but I really enjoy it and think the non-rhythmic quality of it is interesting and fits into the show very well. I'm not a fan of the ending theme, but you can always skip it.
Overall, I absolutely love this series, and it deserves a lot of attention, not just from the anime community but the art and classic novel communities as well.
One of the most noticeable details about this series is an almost revolutionary method of animating. This series uses 2-D Texturing to an extreme level... giving hair unnatural textures and even everything in the background textures... in an insane color palette. It takes viewers and episode or two to get used to this style of texturing but over time it becomes something most fans love about the series.
One of the major changes in this anime is that the storyline is told from Albert's point-of-view for the majority of the series. This means everything that happens before the Château D'if comes in back-story. This also adds mystery to the Count's past and his character itself. Much of the cast is younger than in the novel, in classic anime fashion. Such as Albert is 15 instead of in his early twenties...but this makes his heightened innocence added into his anime persona more believable and his personal growth more endearing. There are other small character changes. Eugenie is greatly changed into a character that is actually of interest opposed to her novel version. Humoresly enough, according to the original promo for the series, she was indeed still quite similar to the book version in the first set up of the series... being quite close with her "lady friend".
And of course other major changes come with the new time and setting. Most of the series takes place in Paris but the year is 5053. So Paris is futuristic while also having touches of old such as the fashion and carriages and opera thrown in. And also we take the playing field out into space where Earth's warfare is mostly taking place in the future.
I honestly can't praise this series enough. I think the most important aspect of adaptations should be to get the tone of the novel right and to get the most rich, important characters accurate in personality. This series does this incredibly well. After appreciating the Count's character in the novel, the depth added from the anime only heightens my interest in him. This series is to be released in America soon so I personally suggest it as a buy to anyone who wants an anime with rich, involving plot and characters. Almost all of the storyline from the book is there, aside from an ending which is different but not a "hollywood ending" like the recent movie.
10 out of 10!
That is the sell, the product meanwhile, for some reason acclaimed, is rather disappointing.
The show is hard to watch by virtue of its childish, ridiculous, over the top and obnoxious prepubescent characters and dialogue, that simply make it hard to connect to an obvious plot with tragedy overtones. You know early on what is gonna happen. Everyone is so easy to rile up, so immature and prone to the worst course of action. Everyone except for one character, conveniently. The lack of rationale and subtlety to every one of their emotions... It feels cheap, childish, in order to make some character rise while the other fall. Everything is rushed, magically falling into place, overdramatized. With theatrical type of movements that don't feel right.
It doesn't seem elaborated in spite of the diverse and complex fronts of the story, it's many characters and pathways. People that have made of themselves arriviste wonders, cunningly, vilely, suddenly, when the weight of an ominous past comes upon them, lack the character or intelligence to make a single good decision. There's no grasp or ability to adapt to the upcoming adverse conditions. Victims of a perfect plan backed by a lifetime of preparation, an indomitable desire for revenge, an irresistible charm and copious amounts of money. Women and men fawning over the Count's charm and becoming simple pawns in his chessboard. It's all so easy.
The world ain't overly interesting nor crafted, for some reason they set it in a futuristic scenario, with the society, architecture and hierarchy of the nineteenth century. It is barely presented, not well dove into and it simply doesn't merge. At times it does feel pointless beyond the fact that it allows for some ethereal scenes. There's no appeal to it and the animation ain't nothing to marvel at beyond the initial episodes. Mononoke (2007) or Sonny Boy are much greater and coherent visual spectacles. It's allure, lets call it, isn't enough to warrant this being thought of as a great show...
It even turns boring in its slow pace approach.
And we have not arrived yet at the worst part, THE MAIN CHARACTER. The show overrelies on the shoulders of two characters, and of those is Albert, who is so awful that I could dedicate myself only to find whatever ill intended adjective I can find in order to pair him with it, he's undoubtedly one the most enchanted, idiotic and irritating characters in the history of anime. Good luck in not hating him. I couldn't care less that me harboring those feelings could be attributed by some to how well he's written, when he's so one note and otherwise this show doesn't incite gasps, surprise or horror, but rather invites you to roll your eyes. The other character is Conde de Monte Cristo, who is not charming enough nor interesting enough here, in between his ambiguous dialogue, to compensate his counterpart. Their dynamic although possible, is horribly on the screen. The Count should have a much center role while Albert is tossed to the side, no show can depend on such a character.
The end is also rushed and horrible, so there's that. It isn't the conclusion to the developments, but a nonsensical, poorly written child book kind of finish. There's no trace of coherence, it's just ridiculous.
Le saviez-vous
- AnecdotesThe series title "Gankutsu-o" ("The King of the Cavern") is the Japanese title of Alexandre Dumas's "The Count of Monte Cristo" when it first was published in that country in 1905.
Though later publications used a more accurate title ("Monte Cristo-haku" - "The Count of Monte Cristo), "Gankutsu-o" is still the most popular one in Japan.
- Citations
Count of Monte Cristo: My solitude has ceased to be solitude. I am surrounded by the goddesses of revenge.
- ConnexionsReferenced in Belle: The Dragon and the Freckled Princess (2021)
- Bandes originalesWe Were Lovers
Opening theme
Performed by Jean-Jacques Burnel
Lyrics and music by Jean-Jacques Burnel
Arrangement by Jean-Jacques Burnel & Louie Nicastro
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Gankutsuou: The Count of Monte Cristo
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée24 minutes
- Couleur
- Rapport de forme
- 1.78 : 1