Sa majesté la reine

Once Princess Diana had been killed, there were expectations of the Queen of England. But instead of putting herself out there, she took the family and went into hiding. What this movie is about is how Great Britain began to want answers. We are made privy to the fact that the British press can be ruthless, especially the tabloids. Things get bad and Prime Minister Tony Blair comes on the scene. The Royals are incredibly resentful of this, particularly Prince Philip. The movie, and especially Helen Mirren, show us the fact that these are humans, even though they carry the weight of history. This is not a biography of the Queen. It involves those events following a tragedy.

A moment that may have felt like surrender to Elizabeth II is the most moving and powerful moment in a film filled with moving and powerful moments. Helen Mirren works a miracle with her characterization. When the Queen is forced by circumstances to address her people and mourn in public Diana's death, Helen Mirren doesn't forget that her character is a seasoned public speaker but not an actress. When she delivers her speech to her subjects, the real strength is in her commitment to her duty and not the meaning of her words. It is a chilling, masterful acting stroke. Stephen Frears uses the brilliantly structured script to reveal something that's always being in front of our eyes but we've never seen. The privacy of the most public people in the world. Michael Sheen is terrific as Blair and every piece of casting is truly inspired but it's Helen Mirren's film, oh yeah, one hundred per cent.

Let's start by saying that the film itself is a perfect reflection of the days we live in. A deep human drama with a tabloid sensibility. A tradition that's lasted over a thousand years shaken by a world who demands public spectacle. Humbleness or humiliation? Asks Queen Elizabeth to her Prime Minister. Talk Show audiences wouldn't know the difference and we are all, one way or another, talk show audiences. From Jerry Springer to Oprah Winfrey. How did it really feel like? We all want to know, we all want to see the sorrow, the confession or the denial on the catch of the day's face. Michael Sheen is a adorable, yes I think adorable is the right word, as Tony Blair, the labor link between the people and the monarchy. Helen McCrory as Mrs Blair is another standout. Just look at her walking backwards trying to to be true to royal protocol. I had to adjust to the fact that the Queen Mother was played by Sylvia Syms. Sylvia Syms! Queen Mom, a wonderful old battleship who's seen it all and fought her entire life for things to change so they could stay the same. It is however Helen Mirren, in a performance that could only be described as miraculous, that takes us body and soul through the painful ordeal of those seven days surrounding the death of Princess Diana, the "people's princess" a natural master in a world of tabloids and self humiliation disguised as humbleness. Helen Mirren gives us more than a glimpse into the hermetic heart of a living queen. Not a single false note, not a single cheap shot. A performance that is as poignant as it is entertaining. I was as besotted with Helen's Queen as her Labor Prime Minister was. I can't wait to meet her again.

It's 1997. Tony Blair (Michael Sheen) and the Labour Party have just won a landslide victory. Then Princess Diane is killed in a Paris tunnel. The Queen (Helen Mirren) is reluctant to change any protocol. Prince Philip (James Cromwell) dismisses the tidal wave of grief. Blair tries to advise them despite their intransigence. Eventually the pressure becomes too overwhelming and the Royals must change with the times.

There are two great performances in this. There is also an interesting personal drama within this international story. The death of a princess may not be important in the grand scheme of it all, but it provides a backdrop for a compelling personal drama. Michael Sheen seems to be the guy to play Tony Blair. He's great at it. Helen Mirren is exceptional. She brings both the stoic and the scared with such ease. She fully deserves the Oscar for best actress.

How silly of me. I kept putting off seeing this movie because I had an acute case of "Dianaetis" Too much about the doomed princess of the people. Well, I was wrong. I was very, very, wrong. The film is a surprising, unpretentious masterpiece and I haven't mention Helen Mirren yet. Apart from the fact that it's a film perfectly suited to be seen in your own living room or like me, in bed, it's also cinema with capital letters. The illusion created by Helen Mirren's portrayal is total and I mean total, eerily so. There were moments in which I was seeing the real thing or the "royal" thing I should say. When Elizabeth II bows to pressure and returns to London and views first hand the overwhelming show of affection for Diana, something happens to her, we will never know what exactly, but something. That in itself is Helen Mirren's mastery. To tell us exactly that without revealing anything. Needless to say I'm buying the DVD. I know I will see this one many times.