Drôles de bottes

Like The Full Monty, this is a very satisfying, and ultimately uplifting film. It's basically about two people who have seemingly nothing in common, but are actually at similar crossroads in their lives. The performances by Joel Edgerton and Chiwetel Ejiofor are great and the plotting is nicely handled. The supporting roles are just as richly played as the main ones and provide many moments of humor. While there is a lot to laugh about, the film is strongest when dealing with the characters' foibles and triumphs over them.

This is a small film with giant themes and is definitely worth your time.

We on the other side of the Atlantic are only now getting to see this wonderful comedy/drama from the United Kingdom. Hard to believe for some that a film with drag entertainers could take its inspiration from Frank Capra.

But that's exactly what you have here. Charlie Price played by Joel Edgerton is a 21st century George Bailey, the closest I've ever seen to one portrayed in a long time. He's inherited his family business which is a shoe factory in Northampton. But the market is interested in the kind of craftsmanship his company has been known for over generations. Outlets are now buying cheaper stuff from the former Soviet bloc. He's letting his workers go.

One of them, Linda Bassett, tells him to get up and fight. And an inspiration hits him in the form of a spiked heel. He rescues what he first thinks is a woman, but it is a drag entertainer played by Chiwetel Ejiofor. Her spike has broken off in the attack and she's going to have to lay out some big money for new boots.

Like in the old cartoons, a lightbulb goes on over his head and he realizes there's a market here untapped for feminine footwear for cross-dressers. And who better to design the stuff than the person who knows her needs best.

It's not as easy as it sounds. Edgerton has a whole load of issues to overcome as does Ejiofor in learning to trust and respect his new business partner.

If you've seen any of Frank Capra's populist classics from the Thirties and Forties you already know what the ending will be.

Though for the life of me I cannot see James Stewart doing what Edgerton almost has to do to save the situation at the fashion show.

This movie is about old-fashioned values like decency and unselfishness. Though the premise, an old style English shoe factory avoiding bankruptcy by designing boots for drag queens sounds sleazy, this movie is squeaky clean entertainment suitable for children.

The camera work is entertaining, especially, oddly the closeup scenes of shoes being manufactured, streams of colour zipping along to the upbeat music.

It is a movie without villains. The conflict comes from selfish vs unselfish motives, self direction vs worrying what others think, despair vs taking responsibility.

Of course the theme of tolerance for diversity is woven through. The movie does not have the usual silly Hollywood tolerance breakthroughs. It comes in fits and starts with back pedaling and tolerance from surprising sources.

The lead drag queen Lola sings better than anyone on American Idol, in a genre all her own. The musical numbers are far better than you will see an any real world drag show. These are not female impersonators. None of the drag queens would ever pass as female.

This is a character-based tragi-comedy about wildly different outcasts interacting. Of course the basic plot is predictable if you watch the trailers and use your intellect. But that is not how to watch this comedy. It is a bit like complaining that Lucille Ball was inevitably going to get herself covered in some sort of mess in the Long Trailer or that a Marx brothers comedy would end in a pie fight. Immerse yourself in the movie's reality. I was genuinely surprised by the ending, though in retrospect it was inevitable. Plot twists like a murder mystery is not what this movie is about. If all you care about is plot, skip this movie; it will go over your head.

All said, unless you have a heart of stone, you will come out smiling and more optimistic than when you went in.

Kinky Boots is a cheeky, fun little movie that has a simple message, but a life all its own! It is part of the new wave of irreverent British comedies and it holds its own against the rest of the pack.

Chiwetel Ejiofor shines in this film, proving once again that he's an actor to watch. After compelling turns in Inside Man and Dirty Pretty Things (among others), he defies convention in Kinky Boots--this is not an actor who can be type cast! He is riveting as Lola/Simon, convincing through and through.

There are some subplots that fall a little flat, but the story is very cute overall. The actors are uniformly good, but Ejiofor stands out. In addition, the production design is also pretty well done--the drag sequences are hysterical and a joy to behold. This film put a gigantic smile on my face that stayed put for the rest of the day!

I really enjoyed Kinky Boots - great performances by both Joel Edgerton and Chiwetel Ejiofor. It's the first time I've seen Joel Edgerton in a lead role and I think he carries it off quite well, though I'm probably biased as I like him as an actor. It was very interesting to see Chiwetel Ejiofor later the same evening in a totally different sort of role as the Operative in "Serenity", showing his ability to play a broad range of characters. It's very funny in parts - the first film I've been to in a long time where I've had a really good laugh. The rest of the audience obviously enjoyed the humour as well. The humour generally revolves around Lola and the way that people relate to her, but it avoids stereotypical jokes. It's not only funny, but also quite moving at times, and again that tends to relate to the way people deal with Lola, which usually says more about them than her - ultimately a feel good movie and based (not sure how closely) on a true story. Overall, it's a well told story, with likable characters, a plot that's believable, and left me feeling good about the characters and what happened to them.