Drôles de bottes

Kinky Boots is a cheeky, fun little movie that has a simple message, but a life all its own! It is part of the new wave of irreverent British comedies and it holds its own against the rest of the pack.

Chiwetel Ejiofor shines in this film, proving once again that he's an actor to watch. After compelling turns in Inside Man and Dirty Pretty Things (among others), he defies convention in Kinky Boots--this is not an actor who can be type cast! He is riveting as Lola/Simon, convincing through and through.

There are some subplots that fall a little flat, but the story is very cute overall. The actors are uniformly good, but Ejiofor stands out. In addition, the production design is also pretty well done--the drag sequences are hysterical and a joy to behold. This film put a gigantic smile on my face that stayed put for the rest of the day!

This movie is about old-fashioned values like decency and unselfishness. Though the premise, an old style English shoe factory avoiding bankruptcy by designing boots for drag queens sounds sleazy, this movie is squeaky clean entertainment suitable for children.

The camera work is entertaining, especially, oddly the closeup scenes of shoes being manufactured, streams of colour zipping along to the upbeat music.

It is a movie without villains. The conflict comes from selfish vs unselfish motives, self direction vs worrying what others think, despair vs taking responsibility.

Of course the theme of tolerance for diversity is woven through. The movie does not have the usual silly Hollywood tolerance breakthroughs. It comes in fits and starts with back pedaling and tolerance from surprising sources.

The lead drag queen Lola sings better than anyone on American Idol, in a genre all her own. The musical numbers are far better than you will see an any real world drag show. These are not female impersonators. None of the drag queens would ever pass as female.

This is a character-based tragi-comedy about wildly different outcasts interacting. Of course the basic plot is predictable if you watch the trailers and use your intellect. But that is not how to watch this comedy. It is a bit like complaining that Lucille Ball was inevitably going to get herself covered in some sort of mess in the Long Trailer or that a Marx brothers comedy would end in a pie fight. Immerse yourself in the movie's reality. I was genuinely surprised by the ending, though in retrospect it was inevitable. Plot twists like a murder mystery is not what this movie is about. If all you care about is plot, skip this movie; it will go over your head.

All said, unless you have a heart of stone, you will come out smiling and more optimistic than when you went in.

It is a great pity that the title was "Kinky Boots". I am sure that it led some people to expect soft porn so those who flocked to it for that reason were disappointed and those who stayed away for the same reason missed an excellent little film. it was never going to be a blockbuster but it should have had least the business that "THE FULL MONTY" had. I think it would have appealed to the same people. Ejiofor was great in this ,I have to say totally unexpected by me, But of course he is a good actor and has a complete range. Everyone shows up well in this piece and it was a real treat to watch something intelligent, well written and acted and an adult film in the best sense of the word.Perhaps it was a plea for tolerance, perhaps not, but it certainly must have had that affect on viewers with open minds. It was also a rather good education for struggling businesses. Try something new it shouts. Good stuff.

I really enjoyed Kinky Boots - great performances by both Joel Edgerton and Chiwetel Ejiofor. It's the first time I've seen Joel Edgerton in a lead role and I think he carries it off quite well, though I'm probably biased as I like him as an actor. It was very interesting to see Chiwetel Ejiofor later the same evening in a totally different sort of role as the Operative in "Serenity", showing his ability to play a broad range of characters. It's very funny in parts - the first film I've been to in a long time where I've had a really good laugh. The rest of the audience obviously enjoyed the humour as well. The humour generally revolves around Lola and the way that people relate to her, but it avoids stereotypical jokes. It's not only funny, but also quite moving at times, and again that tends to relate to the way people deal with Lola, which usually says more about them than her - ultimately a feel good movie and based (not sure how closely) on a true story. Overall, it's a well told story, with likable characters, a plot that's believable, and left me feeling good about the characters and what happened to them.

I'm a Northamptonian and just watched the film in Northampton at the Northampton premiere. I'm slightly Northamptoned out. Excellent British comedy, I enjoyed it a lot more than Calendar Girls.

I normally find these kind of films deeply predictable, but this one surprised me. It has a bit of a deep and meaningful message, but never gets lost as to what it is along the way, and keeps the laughs going.

Somewhat bizarre depiction of Northampton however - every other shot is either of a weird northern-like back alley or of northern-like houses against countryside... and I don't think you've been able to see fields like those from Northampton railway station for at least 60 years. You don't really get the impression that Northampton is one of the UK's largest towns!

Well worth a watch. And points go to whoever spots the Northampton Saints (rugby team) mug.