Boudu
- 2005
- 1h 44m
ÉVALUATION IMDb
5,2/10
1,3 k
MA NOTE
Ajouter une intrigue dans votre langueLight-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.Light-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.Light-hearted, social comedy about the house guest from Hell. A modern remake of Renoir's classic film about a vagabond saved from drowning.
- Prix
- 1 nomination au total
Agnès Regolo
- La mère de Coralie
- (as Agnès Régolo)
Fabien Aïssa Busetta
- Un visiteur de la galerie d'art
- (as Aïssa Busetta)
Avis en vedette
I think the movie's great.it's not a masterpiece though, but it's quite entertaining.sometimes European comedies are way better than the American ones, the last often being shallow and childish.In my opinion Gerard Depardieu is one of the best character actors.Which are your top 5 french comedies?Do you think Hollywood could ever measure up to the European cinema?OK,i suppose i'm not the only person who have watched the movie.Post your comments.I would really love to see what you think of it.Take care .Bye. P.S One more thing- I think the title sounds stupid:)i really liked the movie though. Gerard 's face is so funny, yet so sad and capable of showing variety of emotions.
This is a remake of Jean Renoir's Boudu Saved From Drowning (1932), which Paul Mazursky remade in Down and Out in Beverly Hills (1986).
I'm not sure why it had to be done again (a universal dearth of ideas possibly), but it's not a bad piece of fluff, an enjoyable waste of time. Its only real problem is its length: it just runs out steam. Jugnot and Depardieu are fun to watch for a while, but you just know their mutual fulminations and frustrations are going to wane; sure enough, it happens, at about the 75-minute mark. After that, it just goes downhill, and there just isn't any fun anymore.
Depardieu offers us yet another self-mocking caricature of Gerard Depardieu. I like him a lot -- it's somehow endearing to see this universally known actor fearlessly showing his bulbous belly and nude derriere to a worldwide audience. It's somehow very European, or maybe just French. I've always loved Catherine Frot, and her ditzy performance adds a lot to the silliness.
Good comedies are hard to find. One reason is that they can rarely sustain the comedy and the 'plot' convincingly over a feature length. This is the fate of this latest incarnation of Boudu.
I'm not sure why it had to be done again (a universal dearth of ideas possibly), but it's not a bad piece of fluff, an enjoyable waste of time. Its only real problem is its length: it just runs out steam. Jugnot and Depardieu are fun to watch for a while, but you just know their mutual fulminations and frustrations are going to wane; sure enough, it happens, at about the 75-minute mark. After that, it just goes downhill, and there just isn't any fun anymore.
Depardieu offers us yet another self-mocking caricature of Gerard Depardieu. I like him a lot -- it's somehow endearing to see this universally known actor fearlessly showing his bulbous belly and nude derriere to a worldwide audience. It's somehow very European, or maybe just French. I've always loved Catherine Frot, and her ditzy performance adds a lot to the silliness.
Good comedies are hard to find. One reason is that they can rarely sustain the comedy and the 'plot' convincingly over a feature length. This is the fate of this latest incarnation of Boudu.
Le saviez-vous
- AnecdotesA remake of Boudu sauvé des eaux (1932). That film has also been remade as Le clochard de Beverly Hills (1986), with Nick Nolte in the Boudu roles. Nolte also appeared in Trois fugitifs (1989), a remake of Les fugitifs (1986),. Nolte took over Depardieu's role in that film as well.
- ConnexionsFeatured in Gérard Jugnot - artisan réalisateur (2013)
- Bandes originalesL'Enlèvement au sérail
Composed by Wolfgang Amadeus Mozart
Performed by the Wiener Philharmoniker (as Vienna Philharmonic Orchestra), conducted by Georg Solti
Decca Records 1987
With kind permission of Universal Music Projets Spéciaux
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tenemos un problema gordo
- Lieux de tournage
- Environs d'Aix-en-Provence, Bouches-du-Rhône, France(village house)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 8 568 040 $ US
- Durée
- 1h 44m(104 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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