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IMDbPro

Der neunte Tag

  • 2004
  • Not Rated
  • 1h 38m
ÉVALUATION IMDb
7,0/10
2 k
MA NOTE
August Diehl and Ulrich Matthes in Der neunte Tag (2004)
DrameGuerreThriller

Ajouter une intrigue dans votre langueA drama loosely based on Jean Bernard's Nazi-era prison diary.A drama loosely based on Jean Bernard's Nazi-era prison diary.A drama loosely based on Jean Bernard's Nazi-era prison diary.

  • Director
    • Volker Schlöndorff
  • Writers
    • Jean Bernard
    • Eberhard Görner
    • Andreas Pflüger
  • Stars
    • Ulrich Matthes
    • August Diehl
    • Hilmar Thate
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,0/10
    2 k
    MA NOTE
    • Director
      • Volker Schlöndorff
    • Writers
      • Jean Bernard
      • Eberhard Görner
      • Andreas Pflüger
    • Stars
      • Ulrich Matthes
      • August Diehl
      • Hilmar Thate
    • 21Commentaires d'utilisateurs
    • 29Commentaires de critiques
    • 67Métascore
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 6 victoires et 13 nominations au total

    Photos20

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    Rôles principaux21

    Modifier
    Ulrich Matthes
    Ulrich Matthes
    • Abbé Henri Kremer
    August Diehl
    August Diehl
    • Untersturmführer Gebhardt
    Hilmar Thate
    Hilmar Thate
    • Bischof Philippe
    Bibiana Beglau
    Bibiana Beglau
    • Marie Kremer
    Germain Wagner
    • Roger Kremer
    Jean-Paul Raths
    • Raymond Schmitt
    Ivan Jirík
    • Armando Bausch
    Karel Hromadka
    • Pater Laurant Koltz
    Miroslav Sichmann
    • Pater Marcel Bour
    Adolf Filip
    Adolf Filip
    • Professor Klimek (Kraków)
    Vladimír Fiser
    • Bischof Kozal
    • (as Vladimir Fiser)
    Peter Varga
    • Józef (Polish Inmate)
    • (as Petr Varga)
    Petr Janis
    Petr Janis
    • Pater Nansen
    Zdenek Pechácek
    • Lagerführer
    Václav Krátký
    • SS-Mann
    Marcel Svidrman
    • Gestapomann (with Gebhardt)
    Karel Dobrý
    Karel Dobrý
    • Raportführer Bertram
    Götz Burger
    Götz Burger
    • Generalvikar Gerard Mersch
    • Director
      • Volker Schlöndorff
    • Writers
      • Jean Bernard
      • Eberhard Görner
      • Andreas Pflüger
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs21

    7,01.9K
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    10

    Avis en vedette

    7nmuk

    Please go watch it - this is no Catholic propaganda movie

    This movie has been unduly panned by IMDb critics as being Catholic propaganda, when there is hardly any. It's actually an exploration of questions on faith and morality, viewed from the perspective of Rev. Henri Kremer, a priest who has been "on leave" from Dachau to convince the Bishop of Luxemburg to support Nazism, who has been a silent opponent all throughout. At one point the film even mentions that the Pope however congratulated Hitler on his birthday - that clearly indicates the acquiescence of the Catholic world - to me that's quite the opposite of propaganda.

    **** SOME SPOILERS AHEAD **** The movie chronicles each of the 9 days that Rev. Kremer is allowed, and his conversations with Gestapo officer Gebhardt. When Kremer fails to convince the Bishop, he is persuaded to write a memo himself, given his own respectability due to his family status. In return he can have all the priests in Dachau released. Kremer at one point thinks he is being like Judas betraying the Christian cause (also to be noted that his personal cash upon release amounted to 30 marks), which Gebhardt, a former theology student himself, argues is a necessary evil, because without Judas there would be no martyrdom of Christ, and hence no Christianity. Rev. Kremer also learns that by giving Nazi policies the official blessing of Catholicism, he can be responsible for the deportation of thousands - although some 40 priests could be let go from Dachau. The resulting dilemma of Kremer dominates the movie.

    Ulrich Matthes is very convincing in the role of Kremer with his sunken cheeks and eyes, and watch the young actor August Diehl in the role of Untersturmfuehrer Gebhardt.
    6Liedzeit

    Switching uniforms

    The basic idea of this film is rather interesting. There was a catholic priest from Luxembourg imprisoned in the concentration camp Dachau during the Second Word War. He wrote a diary describing daily camp life. But for 9 days he is allowed to get back to his family for the funeral of his mother. It is known that he is interrogated by the GESTAPO. But he does not tell anything about it in his diary. So the film fills the historic gap with some fiction. We are told the story of a young Nazi official who tries to convince the priest to get his bishop to stop his passive resistance. So far so good. Quite conceivable that this actually happened. But. The whole thing is just not believable. The dialogs are weak, so far as there are dialogs at all. Most of the time Uli Matthes, who is supposedly one of the best German actors, is silent. You just see his face with an expression that you can put anything into. That of course is impressive. But it is not acting. We are told that he is brilliant, but it is never shown. He just has switched uniforms. He recently played Goebbels in the Downfall. What I had expected was some real intellectual argument between the Nazi guy and a catholic intellectual. There is next to nothing of it. Some argument about Judas but it is never clear what this is supposed to proof. There is never a moment of doubt about the outcome of the "intellectual battle". And because of this the film is a failure. Very good music, though and some good scenes of the concentration camp life.
    7Blumanowar

    Very interesting

    It showed just all the considerations that the Vatican and the clergy had to make and how complicated and not black and white their decisions were based upon. Not everything is as obvious as it seems. And it was not a Catholic based excuse movie for decisions made, it was just the facts. And it wasn't just the church that had to make these difficult considerations in WW2, but many governments and institutions. When your dealing with a madman who can like current day Putin, kill tens of and hundreds of thousands of people because of a single slight, you certainly have to be careful in your decisions. Just as the NATO decision on a no fly zone over Ukraine decision is. Sure we want to do it but is it worth starting WW3 over? Decisions I'm certainly glad I'll never have to make.
    7dhaufrect-1

    A Seven for "The Ninth Day"

    "The Ninth Day" is one of Volker Schlondorff's finest directorial feats. It covers an episode of the Nazi concentration Camp of Dachau in which there was a lesser known group of Catholic priests who were incarcerated and half of them exterminated by the oppressive regime that had enveloped Germany in the 30's and 40's during WW II. It particularly revolves around a priest from Luxemburg, Father Henri Kremer, who is released for a nine day period from the camp in order to develop positive relationships between the Bishop of Luxemburg and the Pope and Adolph Hitler's Nazi goals of extermination of specific groups of peoples. Ulrich Matthes plays Henri Kremer and he is very convincing in his strength of faith and love of family in his struggle to accomplish what he has been requested by the Gestapo to do. August Diehl is brilliant in his portrayal of Unterstumfuhrer Gebhardt, the demanding and ruthless Gestapo leader who degrades and tortures his victims to the nth degree. The cruel treatment and crucifixions of the priests is difficult to watch, yet this is a true recollection of events documented by the writer of the book by the same name. He was one of the few Catholic priest survivors of the camp. This film was released in 2004, and it is now on DVD and well worth the viewing for an historical standpoint with a different twist.
    10Amaranta20

    Haunting, brilliant, agonizing. Enthralling and mesmerizing. Cannot be recommended highly enough.

    I do not at all understand how someone can dismiss this film as a "Catholic propaganda movie". That's utter rubbish. I was raised catholic and have converted to paganism but this was still an excellent movie. It does not try to push the catholic faith onto anyone. What it is about is, simply, one man's principles. In an awful time, in the face of torture and abuse, when he is being confronted with the most persuasive arguments and when no one could blame him for taking the easy way out and saving himself, can he stand by what he believes? Will he save himself and then live the rest of his life hating himself for it? This movie was completely engrossing from beginning to end. It absolutely gripped my emotions and my mind and held me riveted. It also left me thinking about it and haunted by it long afterward. I cannot recommend this movie highly enough. Brilliant. I found myself both attracted to and repelled by the character of the Nazi sent to persuade him. Amazing subject matter beautifully executed.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      While their fellow-prisoner is being crucified, the priests are singing the hymn "Pange, lingua, gloriosi" by Thomas Aquinas (1264). However, they are singing a German version of this song, which was not in use before 1969. In addition, even if they happened to know a German version, it would be more likely for them to sing the original Latin version, as there were priests from all over Europe imprisoned in this block.
    • Connexions
      Referenced in Monsieur oui (2008)
    • Bandes originales
      Concerto Grosso No. 1
      Music by Alfred Schnittke

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    FAQ19

    • How long is The Ninth Day?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 novembre 2004 (Germany)
    • Pays d’origine
      • Germany
      • Luxembourg
      • Czech Republic
    • Site officiel
      • Official site (Germany)
    • Langues
      • German
      • French
    • Aussi connu sous le nom de
      • The Ninth Day
    • Lieux de tournage
      • Allemagne
    • sociétés de production
      • Provobis Gesellschaft für Film und Fernsehen
      • Videopress S.A.
      • Bayerischer Rundfunk (BR)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Brut – États-Unis et Canada
      • 72 888 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 8 786 $ US
      • 29 mai 2005
    • Brut – à l'échelle mondiale
      • 135 311 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 38 minutes
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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