Hellboy II - L'armée d'or

A lot more fun than the original, though unlike many reviewers I kind of miss the darker, real-life villains. (Is anything hotter than Rasputin the Russian mystic making love to a stunning blonde Valkyrie of the SS?) Anyway, the cute elf princess and the fish-like Abe make a surprisingly romantic pair, the fight scenes rock, and the dialogue is sharp and funny almost all the time.

Only one regret: I do wish they could have yanked "Can't Smile Without You" by Barry Manilow, and replaced it with a song with a bit more soul. I would suggest "When A Man Loves A Woman" by Percy Sledge. Or "Hello Stranger" by Barbara Lewis. Or "Walk Like A Man" by the Four Seasons. Or just about anything but Barry Manilow!

HELLBOY II threatens to be nothing more than your latest CGI-laden braindead Hollywood action movie, and yet it's not, thanks to the presence of director Guillermo del Toro. Del Toro has to possess one of the most imaginative minds in Hollywood and he brings a level of creativity to the movie that's sorely lacking in most genre fare getting released these days. Del Toro's imagination comes to the fore in the myriad creatures he creates for this movie, bringing to life monster upon monster with no end to the creativity in sight.

Even better, the producers have the budget to match the vivid creations coming out of the minds of this film's makers, and the special effects do not disappoint. The CGI in this movie is phenomenal, with not a single effect out of place. Having just sat through the dodgy, odd-looking chimpanzees of RISE OF THE PLANET OF THE APES, I'm doubly impressed by the quality of the CGI in this movie (which was made with a lower budget than the ape film, it has to be said). It's an entirely visual film, one which never disappoints.

The plot, of course, is secondary to the effects, but that doesn't matter so much this time around. As usual, there's a bad guy (Luke Goss, returning as a del Toro villain after BLADE II) who wants to take over the world and who has all manner of mean and wild creations to help him in the process. Up against him is Hellboy and his companions. The return of welcome old faces is great (and kudos to the writers for giving the excellent Abe Sapien a bigger part this time around) and the new character of Johann Krauss is similarly a work of genius. Hellboy is his usual wisecracking self and Perlman brings plenty of laconic humour to the part.

The narrative pretty much leads from one wild set-piece to the next, with some more effective than others. Hellboy's encounter with the nature god is my favourite part of the film, although the run-in with the titular army at the movie's climax is also fairly exhilarating. Okay, so this isn't a great movie – the story doesn't hold up to a great deal of scrutiny, after all is told – but it looks the part and I can't dislike any movie with this level of sheer inventiveness behind it.

You know you're not watching a formulaic comic book film when one of the highlights is a drunken rendition of "Can't Smile Without You" by Hellboy and Abe Sapien. "Hellboy II: The Golden Army" is a more confident, assured outing than the first film and while it does not draw from Mignola's comics for its plot it is perhaps better off for it, lacking the usual burden of comparison and expectations. "The Golden Army" is more fantastical than the first film and is less sci-fi oriented but this is the sort of thing Del Toro does exceptionally well as a writer. He never lets the fantasy become the focus of the film, instead concentrating on characters and delivering action scenes that can only be described as, forgive the crass immaturity, kickass.

As entertaining as many comic book-to-film adaptations are it is a rare event when one can call one of these films a true artistic achievement. I am convinced without a shadow of a doubt that Guillermo Del Toro's entire career has been leading up to this film, particularly regarding his work as screenwriter here. The comedy feels less forced and is worked incredibly well into the script here, so much so that it doesn't feel remotely unnatural when the scene of comic drunken singing leads directly without a break into one of the film's most intensely dramatic sequences. Del Toro's handling of character has never been better, not even with "The Devil's Backbone", which is still my favorite of his films, and his sheer skill and ability when it comes to telling a fairytale-esquire fantasy is astonishing, as proved in the prologue to this film. In short this is Del Toro at the top of his game and providing artistry the likes of which we rarely if ever see in summer blockbusters. It's only fair that an astonishingly brilliant comic like "Hellboy" by an astonishingly brilliant artist like Mike Mignola is adapted this well and by someone as talented at what they do as he is.

How refreshing it is, a week after the release of "Hancock", which to me epitomizes everything wrong with action film-making today, that we get "The Golden Army" which features hands down some of the finest action scenes we have ever seen in this sort of film. Just stunningly beautiful, well-shot, well-crafted, the sort of thing that leaves one wondering how much time and effort went into it and endlessly thankful that some really talented people went to the trouble of making the film.

The film is generally just superb on a technical level. Why am I even saying this? Of course it is. Danny Elfman composing, Guillermo Navarro serving as cinematographer, top-notch editors, fantastic special effects wizards. It's a world-class crew that made this film. I shouldn't be surprised at its quality but "The Golden Army" really just floored and astonished me with how good it is. The cast is also excellent, proving once again that you don't need 'big names' to carry a movie. Just about everyone here is excellent, particularly Perlman with another excellent turn as Hellboy and the underrated Selma Blair as Liz Sherman.

"Hellboy II: The Golden Army" provides essentially everything a Del Toro or Mignola fan would want. I imagine it will entertain and charm many outside those circles as well with its fantastic action sequences, engaging characters, and wonderful sense of humor. I would personally go as far as calling "Hellboy II: The Golden Army" one of the top five or so comic book movies ever made.

My Take: An elaborate set of imaginative creature effects and the always interesting lead character make the show worth watching.

I have a confession to make: I haven't seen the original HELLBOY yet. And neither have I seen it when I saw the much-praised sequel HELLBOY II: THE GOLDEN ARMY. But that's just what I really like about this sequel: It doesn't require you to have seen the original to fully enjoy this weird and entertaining excursion. Seeing the original would certainly add to the experience, but taken in its own rights, HELLBOY II does what a sequel should do: Not just live up to the expectations left by its predecessor, but also shine as a stand-alone effort.

And yet I have another confession: I have not seen Guillermo Del Toro's crown jewel PAN'S LABYRINTH yet. But seeing HELLBOY II, I am more than impressed by his wild imagination. HELLBOY may have been based on a comic book, but for anyone who isn't a fan of the comics, Hellboy is Del Toro's own creation. Like what Tim Burton did with BATMAN, Del Toro has modeled Hellboy (Ron Perlman) as his own creation on-screen, and he's a very interesting character. Perlman never wastes his opportunity to provide depth as well as nuance to his character. Perlman proves himself worthy, not just an ideal action hero (under tons of make-up), but as yet another actor who successfully embodies the role of a comic-book character.

As in PAN'S LABYRINTH, Del Toro populates the world of HELLBOY II with some truly fascinating and intriguing creatures. Roger Ebert made a truthful compliment by stating that the world of HELLBOY II reminded him of the famous Cantina scene from STAR WARS. What George Lucas has conceived within only a few minutes of screen time in his movie, Del Toro manages to do for 2 hours. The creatures are imaginative, not just in look but in personality, and they are at an abundance. Plus, they're also mostly done using make-up effects rather than CGI, which makes them all the more real. Add to Del Toro's imaginative set pieces, he is a master storyteller. From the opening scene, where "Broom" Bruttenholm (John Hurt) tells the legend of the "Golden Army" to a young Hellboy, Del Toro exhibits is true talents at telling a good story. There are moments of thrills and even laughs, and the visuals are superb. Supporting performances and some neat special effects (notice that I praised the CGI later in in this review) make for one worthy adventure ride. HELLBOY II isn't perfect, but it sure is great at what it was doing.

Rating: **** out of 5.

Let me start of by saying that Del Toro had one message to the fans, and it was "I will not disappoint"

I have long felt that the first Hellboy installment is one of the most underrated films of the 2000's. The first thing you notice about both the first film and this more than worthy successor is the passion. Everything is simply beautiful (not in the typical beautiful sense, but in that you appreciate the art that it is), and it should come as no surprise as the film's director, Guillermo Del Toro, is a long time fan of the comic stories on which the movie is based. Del Toro turned down multiple high profile projects, including multiple Harry Potter films, so he could work on the Hellboy series, which we all know will not gross as much money. Del Toro's passion for excellence is evident in this wonderful sequel, which is better than the first, and cements Del Toro's place as one of the top filmmakers of today.

The first thing I liked about the movie: the easy transition from the first to the second movie. Though I don't remember exact plot details, it was very easy for me to get back into the story, world, and especially our three main characters. I'd reckon that you could watch this movie without having seen the first and still have a great time (though, it helps). A great cast with great chemistry more than sets the tone and makes this one very watchable.

First, you've got Ron Perlman. For those of you who don't know this terribly underrated actor, he's one you can't afford to miss as Hellboy. Even though he's covered in make-up and prosthetic's, Perlman does a great job of making us love him as a hero, and a man. This is something most of the superhero performers do not (or perhaps cannot) do. The just-as-passionate-as-Del-Toro Doug Jones leaves a HUGE mark on the viewer here, not just for his performance as Abe Sapien, but for his remarkable range as a couple of other characters in the movie. Luke Goss is the film's villain, and I really saw the dedication in his performance as well, something required for his character, who is of course a dedicated man. He's not necessarily the typical 'evil' character, but a somewhat misguided one, and I think Goss got that across to me very well. A fact often ignored by critics in the comic book/superhero realm of films is the supporting heroine. Most times, without the audience knowing it, this character makes or breaks the movie. Selma Blair, boy does she make it. Not only does she look absolutely stunning as Liz Sherman, she takes the final act into her hands and does wonders with it. Definitely the best performance I've ever seen from Ms. Blair. Add in a hilarious and great performance from Seth MacFarlane (yes, the voice of multiple Family Guy characters, I know I looked it up too!! Have to give it to him) as Johann Kraus's voice, and Anna Walton as Princess Nuala, and you've got the best ensemble of the year thus far.

As for the action, it's stunning. Hellboy has a LOT more to work with than the traditional superhero film, and Del Toro more than takes advantage of it. With action ranging from lighting fast and well shot sword fighting and hand to hand combat to Hellboy versus a giant plant (the Last forest Elder) and what a fight it was, it's a sight to behold as we watch a legendary director in the making perfect his craft once again. There were multiple times where I found myself saying "holy crap", or "wow". Del Toro also keeps some humor in there to balance the much darker tone of the film.

The film has also an incredible awesome version of the song lovesick. but that's for you to find out.