Ryan

"Ryan" is an animated short story movie which shows us Chris Landreth who introduces himself to us and then he makes something like an intervention to Ryan Larkin. Ryan Larkin was a very popular animator in the 1960s and early 1970s who unfortunately became an alcoholic and he lost his mind because of some things that happened in his life.

We also see Felicity Fanjoy his big love in the best periods of his life and Derek Lamb who was his producer. The movie takes place in a restroom or something like a restaurant and we can observer that in there all the people who are there are homeless and had some issues.

Finally we follow Ryan Larkin to the streets where he is begging for some money, and I think that was the most sadly moment of this movie.

I saw this film at the Newport International Film Festival a few days ago (June 12, 2005). It won an award at the Festival for Best Animated Short.

I am an animation enthusiast who has created some of his own experimental animations. Up until seeing "Ryan" I didn't know the film existed and the NIFF did not list it as an Academy Award winner. So I went into the theater to see a series of short animated movies of which "Ryan" was included.

When I LEFT the shorts program screening, I couldn't help thinking of how profoundly moved I had been after having seen "Ryan". The imagination and creativity that went into the making this short were nothing short of incredible. The two main characters were fragmented and distorted in a way that represented (as many of you have said) the disintegration of the psyche and persona of the individuals. But the faces still had shreds of their original faces included. This was one of the animation techniques that amazed me the most because I really could not tell if the facial shreds were computer generated or rotoscoped from the faces of actors then applied to the individual shreds.

This movie was also laid out as an animated documentary, which is unusual. This means that there isn't much action. Everything is in the interviews that were conducted throughout the film. This means the animators had to REALLY pay attention to the small details. One detail in particular occurred towards the end of the film. This detail shows all street signs, store fronts and window writing written backwards. But if you look closely in one of the windows, you will see the reflection of one of the characters, and he is a complete being. So the world we have been taken to in this marvelous film is very similar to the world Alice stumbled into when she went through the looking glass.

This is a very definite 10 out of 10. Most of my points are awarded for imagination, creativity and for telling a moving story about someone I had never heard of before.

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Edit 10/17/2011

Entire film on YouTube: http://www.youtube.com/watch?v=CrsVa3CzQj0

'Ryan' is a truly beautiful film in many respects. First the visual look of the film is high art. Beyond the composition and the colors, there is so much visual information going on that as a viewer you feel like you are getting a secret peek into another realm, where people wear the experiences that pilfer their soul. Secondly, there is something very beautiful about the film's ancestry and pedigree. The film showcases the talented Ryan Larkin and his animation in a way that both honors the art of animation but also shows the growth of the genre. Thirdly the film depicts and encapsulates the sacrifice that artists face and struggle to passionately create their art and walk down a path that is so very much less traveled.

'Ryan' a beautiful film deserves its honors and praise.

This is not your typical animated short. It's not something you'd normally see before a full length feature at the cinema. It's more complex, and deep as it is fun and entertaining. There are, however elements of that too.

"Ryan" is a story about Ryan Larkin, an innovative, talented and gifted Canadian artist from the late 60s and early 70s. Director Chris Landreth plays himself, only a much more animated version. His body is breaking apart, his memories are haunting him and he's much more interested in the late artist instead of his own life. He introduces us to Ryan, voiced by Ryan Larkin himself, and tells us that he's on the verge of breaking down (literally). The story then starts playing out very visually as Ryan starts explaining the troubles of being an artist and how many are not respected and poor.

The visual style of this is enchanting. It goes through 3D animation, to pencil drawing, to painting, to sketches. Really unique in the sense that it stimulates your eye and allows you to see much more in the screen than most animated features do in a full scene. There are relative clues as to the depth of the main character, and how he's nostalgic of the past, and stricken by the disease of poverty ('Spare change? Thank you, sir, you're very kind.').

Chris starts out by telling us that he's about to explain some things to us. We expect him to tell us a story of Ryan, which has a regular narrative structure in which there's a beginning, a climax and the end. However, he tells us this story in a series of flashbacks, interviews, and visuals. That's where the interesting part really kicks in. Friends of Ryan are brought in through different forms of animation, and they explain to us just how Ryan's life has been.

Every little detail of this movie is flawless. We see a closeup of Ryan and his jaw-dropping realistic face, we see that when he smokes and freezes the camera circles him, exposing every millimeter of perfection, from the smoke to the back of his deformed head. Each shot is so well animated, and yet so deep that it's no wonder it won at the Oscars (ironically since Ryan Larkin was at the Oscars in 1969 and lost only to become unsuccessful and poor). "Ryan" shows us that you can make an animated short that isn't targeted at kids, and have it both entertaining and thought-provoking.

This piece of work is truly the most astonishing animation I have ever seen. Its visual attributes are so rich that the eye fails to follow them on the screen. My experience was indeed enhanced since I watched it on the NFB's big screen in downtown Toronto. Ryan's creators have doubtlessly pushed the envelope in exploiting artistic techniques. Its intelligent plot is also very admirable. Based on the life of a real character, Ryan criticizes the extreme financial difficulties of many unknown artists who struggle with their lives to produce art. All been said, this is one of those cases where any literal description of the work is still far away from the actual visual experience. So Go Figure!