The Birthday

I saw the movie at the SITGES FILM FESTIVAL 2004 in Spain (if you notice some noisy mistakes I really sorry… but I'm an Italian guy!!!) and I'm afraid this movie is not gonna be very successful at the box office… mainly because of his WILD NATURE!!!

I mean, I don't know how the guys who made such a THING like this are gonna sell it… but I'm afraid is not an easy task. THE BIRTHDAY is the kind of movie that you LOVE or you HATE!!! And that's great, from my point of view.

Leet's see. You can like it or not, but this movie is EVERYTHING but disappointing. You can't expect what's gonna happen, and I'm not talking about the plot… it's more about the APPROACHING. Actually, If you read the synopsis, you think you're gonna see a straight to video flick (specially when you discover that COREY FELDMAN is in it!!!) but, man… THE BIRTHDAY is a UNIQUE cinematic experience. I'm serious!!! I'm not a film geek!! It's incredible how fast you forget you're supposed to be seeing a "genre movie". The characters (Corey Feldman is GREAT in this one!!!), the length of the shots (the movie follows the real time policy), the sound design (oh my GOD!! You really have to HEAR the last 20 minutes of the movie!!)… everything is… different. Specially in the first half, where NOTHING IS WHAT YOU EXPECT. We exclusively see just what Corey's character sees but, besides that, we agree or not with his decisions. And that's the most exciting thing about this movie.

THE BIRTHDAY starts with a "PeterSelleresque" Corey that stumbles with everything and everybody he finds across his path… and at the end of the movie, he's a HERO. But you don't notice this evolution. It's like when you're living with your parents at home for years: you don't realize they are getting older until you take a look to some pictures of the family album … because you've been growing with them. That's the magic of this movie, from my point of view. The real time policy never goes against the movie. Man, we all spend a lot of time watching BIG BROTHER on TV… and I can assure you that THE BIRTHDAY delivers a more… intense and thought provoking experience, at least.

I must say that sometimes is hard to follow, and I understand that some people get lost, specially with the speed the different dramatic tones change. Sometimes you think you are seeing a black comedy… some other times you'd swear Corey Feldman is the guest star in a TWIN PEAKS episode… and some other times it smells like a JOHN CARPENTER movie!!! It's weird… and exhausting. The atmosphere of the movie owes his flavor to David Lynch (The girl in the movie has a lot to do with Laura Palmer), the Coen Brothers (It's easy to think in BARTON FINK'S hotel) and, Paul Thomas Anderson (specially PUNCH DRUNK LOVE, with a very similar main character).

I think I have a better example: The best and the worst you can say about this movie is that it could be a Brian De Palma movie, with outstanding scenes driven by a "bigger than life" cinematic passion… but weirdly disturbing as a whole. RAISING CAIN, SNAKE EYES & FEMME FATALE are good examples. That kind of De Palma movie, where the director explores his obsessions with TOO MUCH passion… forgetting he has to deliver a "movie". A good one. But I'd never say THE BIRTHDAY is not a good movie… it's a TERRIFIC experience. My opinion.

Well, I don't know what to say. There's something about this movie, no doubt about it. I don't know what's gonna happen, but I hope to see this one in a big screen soon. Happy Birthday!!!

* I updated my review from 2008 to when i just saw it again in 2023

In 2004, Corey Feldman made a movie called The Birthday, in Spain. It never made it to America besides a few film festivals.

Jordan Peele had a film festival this week at the Walter Reede Theater and he wanted to close it out with this film. This was essentially the US world premiere, almost 20 years later.

I had seen this movie probably a decade ago thanks to the internet, but it was a crummy German dvd rip and it really lost a lot of its detail and sound design. This screening was a 35 mm print and it looked and sounded amazing.

Corey and the director Eugenio Mira were both in attendance to speak briefly before the start and to have a 25 minute Q&A after the film ended.

The film itself is about a man named Norman (Feldman) who is attending a birthday party for his girlfriend's father at the hotel he owns. What starts out as a relationship plot slowly over time deviates into something more sinister. Throughout the movie, there is a building undertone of dread and mystery as the soundtrack drones on with weird ambient noises that sneak up on you from the background.

About a third of the way in, things start to get weird. Unfolding slowly is the real plot, involving a religious cult who believe that the beast that will usher in the end of the world is being born in that hotel that night.

I don't want to go too much further into the plot, but the last 15 minutes or so are so visually and aurally intense and there is so much chaos going on all at once. It reminded me a lot of some of David Lynch's work. Seeing it in the theater really brought out the sound design, which was one of my favorite parts of this movie.

Feldman is at his best here. He plays the character with a tinge of comedy, channeling Peter Falk (during the q&a, he claims he was doing a Pacino impression from Dog Day Afternoon but I'm not gonna agree). He's got a weird voice that is ridiculous at first but after two minutes I couldn't see him playing it any other way. He plays the opposite of his usual cool and confident characters as a meek nebbish pushover. This characteristic is a major part of the plot as he tries the entire movie to get his girlfriend aside to have a serious talk about their relationship but he's constantly being ignored.

The film has plenty of weird stuff going on, strange characters throughout and a lot of comedy at the expense of the weird. Feldman plays out a lot of slapstick comedy in this film and it works well. The entire film is set inside the hotel so you see the same sets over and over again but you never get bored of the scenery.

Feldman and Mira spent a good amount of time answering questions about the film after the film ended. A bunch of good stories were told and it was being filmed. Perhaps that footage will make it to a BluRay release at some point in the future.

Highly recommended.

I don t believe much of the reviews seen here, i think that they are written by the crew of the movie. In Sitges, 2 years ago, all the crew was in the cinema during the movie: they were the only ones to applaud, to clap their hands and to "like" the movie. I've seen thousands of movies, and this one was the one that disappointed me the most and bored me the most on a cinema. It s boring, no implication at all from the viewers and ultra long, so you want it to end but it never happens. You spend all the movie time expecting for some climax but that never happens. As a friend, a lover of cinema, a huge fan of fantastic and horror movies, don t waste no minute in this garbage.

I also got to see the movie at Sitges and I am perplexed. I agree with my Italian counterpart on the "love or hate" stance but I believe that the movie still has to grow on us all. The tempo is awkward but it's compensated by the brilliant sound and camera movements that keep us inside the movie's technique, something I believe Eugenio Mira intended for when he made the movie. I would say once again that it is too soon to judge "The Birthday" when, for now, it is heading to be a cult movie, indeed similar to Donnie Darko (my all time favorite), that has still to be seen and compared to similar movies that are trying to grasp a new style of cinema that young filmmakers are trying to institute in the new millennium. Last but not least, I want to point out that the actors are great specially taking into account the fact that the movie was made on a low budget in Spain. Corey Feldman makes me wonder why he disappeared for a decade from mainstream movies ( "The Birthday" looks like one of them, anyway...) but I believe that with this movie he has a made a great comeback playing a role that suits him well and that probable only he could represent. Check it out dudes! THE cult movie of the year (and it's only just started!)

I had the opportunity to see this wonderful film at last Sitges Film Festival. It is not an easy film, in fact, it is dammed to be misunderstood by the big crowds and the old fashion film reviewers. This movie is something really weird in the Spanish cinema, you can tell by seeing 2 seconds of it, that its director knows about cinema, he knows how and where put the camera and fills the screen with lots of details .

One of the things that I loved the most from it was all the homages to the biggest 80s classic films (Gremlins, Back to the future,etc.)

The birthday, besides its multiple good things, its far from perfect, it is way too long (almost two hours)and one of the main characters in the second half is really disturbing and was near of taking me out of the movie.

Eugenio Mira is a filmmaker to keep an eye on, he just made the geek film of the 2005 (Donnie Darko is one of the films that comes to my mind when thinking about The birthday).

If you are able to check out this film in a festival, don't miss it, you won't be disappointed!