ÉVALUATION IMDb
7,0/10
13 k
MA NOTE
Un vendeur ambitieux est prêt à tout pour obtenir une importante promotion, mais inévitablement, il apprendra que le crime parfait n'existe pas.Un vendeur ambitieux est prêt à tout pour obtenir une importante promotion, mais inévitablement, il apprendra que le crime parfait n'existe pas.Un vendeur ambitieux est prêt à tout pour obtenir une importante promotion, mais inévitablement, il apprendra que le crime parfait n'existe pas.
- Director
- Writers
- Stars
- Prix
- 4 victoires et 13 nominations au total
Mónica Cervera
- Lourdes
- (as Monica Cervera)
Enrique Villén
- Comisario Campoy
- (as Enrique Villen)
Javier Gutiérrez
- Jaime
- (as Javier Gutierrez)
José Alias
- Matías
- (as Jose Alias)
Penélope Velasco
- Susana
- (as Penelope Velasco)
Montse Mostaza
- Helena
- (as Montserrat Mostaza)
Eduardo Gómez
- Taxista
- (as Eduardo Gomez)
Enrique Martínez
- Pepón
- (as Enrique Martinez)
Alicia Andújar
- Desiree
- (as Alicia Andujar)
Manuel Tallafé
- Tipo 2
- (as Manuel Tallafe)
Avis en vedette
I saw this film at the 2004 Toronto International Film Festival. I knew I was going to enjoy this film from the moment a large rumpled man in a Misfits t-shirt lumbered onto the stage to introduce himself. "Hola, amigos. The person who is supposed to introduce me is not here. I am here but she is not here. She is in the bathroom." Director Álex de la Iglesia had us laughing even before the first frame of his film. While admitting that Ferpect Crime was just about the worst title for a film ever, he told us that this film was about a man who was so obsessed with living a perfect life that it was bound to cause problems. It's no surprise to learn that the director has a degree in philosophy.
Rafael works as a salesman in the ladies' wear section of an upscale department store. He's very popular at work, especially with the ladies, and he's very very good at his job. So good, in fact, that he considers himself a lock for the position of floor manager. But after losing the promotion to his hated rival Don Antonio, things take a turn for the worse and pretty soon Rafael has a dead body on his hands. His only help comes from the one woman he hasn't already bedded, the unattractive Lourdes. Before long, Lourdes has Rafael wrapped around her finger and his life is far from the model of perfection he has always pursued. As the plot thickens, the comedy becomes much darker and the film almost turns into a thriller. There is also a strong element of satire, making this much more substantial than the laughs would indicate. The conclusion ("lesson" seems too strong a word here) is that it's only after we give up our unrealistic expectations of living a perfect life that we can really begin to live at all. But if that's too heavy for you, then go just to see the scene where Rafael goes to meet Lourdes' parents. This film makes me want to see every other film by this warm and wickedly funny director.
(9/10)
Rafael works as a salesman in the ladies' wear section of an upscale department store. He's very popular at work, especially with the ladies, and he's very very good at his job. So good, in fact, that he considers himself a lock for the position of floor manager. But after losing the promotion to his hated rival Don Antonio, things take a turn for the worse and pretty soon Rafael has a dead body on his hands. His only help comes from the one woman he hasn't already bedded, the unattractive Lourdes. Before long, Lourdes has Rafael wrapped around her finger and his life is far from the model of perfection he has always pursued. As the plot thickens, the comedy becomes much darker and the film almost turns into a thriller. There is also a strong element of satire, making this much more substantial than the laughs would indicate. The conclusion ("lesson" seems too strong a word here) is that it's only after we give up our unrealistic expectations of living a perfect life that we can really begin to live at all. But if that's too heavy for you, then go just to see the scene where Rafael goes to meet Lourdes' parents. This film makes me want to see every other film by this warm and wickedly funny director.
(9/10)
It's hilarious. It's poignant. It's artistic. It's even philosophical at times. I can't imagine anyone not liking this film. "Crimen ferpecto" is a great surrealistic comedy along the lines of "Being John Malkovich", "One Night at McCools" or even the masterpiece "Brazil".
The plot begins bizarre, and from there it gets ever bizarrer. Set in a department store (the perfect metaphor for the human condition!), this film brilliantly weaves the themes of glamorous/plastic life versus the mundane/real. Trapped between worlds and desperately trying to achieve the former is our hero Rafael, a man whose entire life exists within the ladies' clothing department. Somehow he gets wrapped up in murder, blackmail and ectoplasmic visitations from lovable corpses. Yeah, I told you it gets bizarre.
But despite the zany plot, there's a very poignant & sober message that runs just below the surface. It's subtle, but it comes to fruition during the magnificent climax when we realize exactly what this whole wacky movie is about. If you've paid attention to symbolism, metaphor, allegory and all that intellectual jazz, you'll get it, and you'll see how everything fits into place. If not, fine, you'll enjoy the picture anyway because it's just plain funny. The beauty is that you can take it at your own pace. Great film. Damn near perfect. Er... ferpect.
The plot begins bizarre, and from there it gets ever bizarrer. Set in a department store (the perfect metaphor for the human condition!), this film brilliantly weaves the themes of glamorous/plastic life versus the mundane/real. Trapped between worlds and desperately trying to achieve the former is our hero Rafael, a man whose entire life exists within the ladies' clothing department. Somehow he gets wrapped up in murder, blackmail and ectoplasmic visitations from lovable corpses. Yeah, I told you it gets bizarre.
But despite the zany plot, there's a very poignant & sober message that runs just below the surface. It's subtle, but it comes to fruition during the magnificent climax when we realize exactly what this whole wacky movie is about. If you've paid attention to symbolism, metaphor, allegory and all that intellectual jazz, you'll get it, and you'll see how everything fits into place. If not, fine, you'll enjoy the picture anyway because it's just plain funny. The beauty is that you can take it at your own pace. Great film. Damn near perfect. Er... ferpect.
After his latest experiment with new genres (no less than a western) with "800 balas", Álex de la Iglesia goes back to his habitual black comedies and proves he is still in top form. "Crimen ferpecto" is probably his most accomplished film so far, and surely the funniest.
Looking back at his oeuvre, there are very good films ("La comunidad" is still his best) but also average ones ("Muertos de risa" had its edge, but was pointless). "Crimen ferpecto" is the deserving follow-up to "La Comunidad", after the failure of "800 balas", and keeps showing the evolution of the director/writer towards creative maturity.
Guillermo Toledo plays Rafael, de la Iglesia's best leading male character so far. He is at his best playing this womanizer in trouble, elegant, seductive and utterly charming. He is accompanied by Mónica Cervera, who will certainly break through in this film after his impressive turn as a retarded young woman in "Piedras". She plays the wicked witch of the men's department, ugly, manipulative, evil but yet a character one can sympathize with.
The high point of this comedy is certainly the part in which the couple visits the girl's family (Gracia Olayo is brilliant in a bit part as Lourdes' mother), the audience could hardly stop laughing. The rest of the footage combines lighter comedy, dark comedy, thriller and even a little share of action.
It's a shame, however, that I could not be pleased by the ending. It's difficult to find a satisfying ending when one has sympathized with both Rafael and Lourdes, who both have played the roles of "good" and "bad" in turns. Eventually both of them get what they deserve, but is life really like that? I expected an edgier ending, but still appreciated "Crimen ferpecto" as one of the best comedies of the year.
Overall rating: 8/10
Looking back at his oeuvre, there are very good films ("La comunidad" is still his best) but also average ones ("Muertos de risa" had its edge, but was pointless). "Crimen ferpecto" is the deserving follow-up to "La Comunidad", after the failure of "800 balas", and keeps showing the evolution of the director/writer towards creative maturity.
Guillermo Toledo plays Rafael, de la Iglesia's best leading male character so far. He is at his best playing this womanizer in trouble, elegant, seductive and utterly charming. He is accompanied by Mónica Cervera, who will certainly break through in this film after his impressive turn as a retarded young woman in "Piedras". She plays the wicked witch of the men's department, ugly, manipulative, evil but yet a character one can sympathize with.
The high point of this comedy is certainly the part in which the couple visits the girl's family (Gracia Olayo is brilliant in a bit part as Lourdes' mother), the audience could hardly stop laughing. The rest of the footage combines lighter comedy, dark comedy, thriller and even a little share of action.
It's a shame, however, that I could not be pleased by the ending. It's difficult to find a satisfying ending when one has sympathized with both Rafael and Lourdes, who both have played the roles of "good" and "bad" in turns. Eventually both of them get what they deserve, but is life really like that? I expected an edgier ending, but still appreciated "Crimen ferpecto" as one of the best comedies of the year.
Overall rating: 8/10
I Just can't get enough of this. I watched this movie alone the first time, then I showed it to my flat mates. Now I'm looking forward to the next time friends visit me so I can watch this movie again with them.
The thing I liked most about this movie was the extremely smooth way of telling the story. As the movie started, I almost immediately got sucked into the story by the hypnotic, yet very funny way of displaying the plot. Not only the script or the acting, but also camera, light, sound and editing - all aspects of the movie presentation where thoughtfully placed and dozed to make up the right mix for a really well made movie.
The way of telling the story is almost a story for itself. The sequence of the scenes performs twists of its own, the way they are filmed and edited adds a whole new level, a sub plot so to speak. The scene presentation, the "image", plays an important role and I'd say it's the most grave factor that makes this movie unique.
The pace of the movie (regarding the story telling style, not the plot itself) slows down towards the end to leaves space for more roughness and suspense.
I really hope to see much more of Alex del la Iglesia in the future because what I got to see yet is always getting even better.
8 out of 10.
The thing I liked most about this movie was the extremely smooth way of telling the story. As the movie started, I almost immediately got sucked into the story by the hypnotic, yet very funny way of displaying the plot. Not only the script or the acting, but also camera, light, sound and editing - all aspects of the movie presentation where thoughtfully placed and dozed to make up the right mix for a really well made movie.
The way of telling the story is almost a story for itself. The sequence of the scenes performs twists of its own, the way they are filmed and edited adds a whole new level, a sub plot so to speak. The scene presentation, the "image", plays an important role and I'd say it's the most grave factor that makes this movie unique.
The pace of the movie (regarding the story telling style, not the plot itself) slows down towards the end to leaves space for more roughness and suspense.
I really hope to see much more of Alex del la Iglesia in the future because what I got to see yet is always getting even better.
8 out of 10.
And obviously try not to copy... What about this movie? I loved it! De La Iglesia hit perfectly the target using very well Spanish actors playing style. Spanish language, if well managed, allows movie to get a fast sequence of dialogs and scenes, that fits well black comedy style. I usually like all Spanish movies, that always bring all enthusiastic feelings of the recent country welfare. Spanish society deeply enjoy democratic and rich lifestyle, and Spanish movies communicate its happiness to the world. Raphael character reflects "Spanish dream", i.e. reaching success (such as "american dream") and also deeply enjoy life! Lourdes is a "clichè" of modern Spanish movies: the ugly, determined and sexual woman, who desires to be loved and struggle to obtain it. This movie is another strong lesson to the worldwide filmmakers: you don't need enormous budget to have a great movie: simply pick a good screenplay, good actors and manage all in the right way. Then you have to add some spices: foolish characters (Lourdes family) and grotesque elements (inspector squinting, the accident in Luna Park). Then put all together in the good environment (the shop: a little world that represent all characters life) and you have a magic movie!
Le saviez-vous
- AnecdotesSeveral of the clowns and journalists in the last scene are really fans of Álex de la Iglesia. They were invited by the director himself for supporting him through his official website.
- Gaffes(at around 1h 21 mins) The inspector pulls Don Antonio's bridgework out of the hot furnace on a shovel, picks it off the shovel with tweezers, and drops it into a plastic bag. It should have melted the bag.
- Citations
[when trying to pay for the movie "Perfect Crime," the code says "Ferpect Crime"]
Rafael: It's "Perfect", with a P... and there it reads..."Ferpect", with an F.
Clerk: Yes, but the price is right, isn't it?
Rafael: It's "Perfect", but it reads "Ferpect." Why?
Clerk: It must be a typo.
Rafael: Fuck. "Ferpect Crime."
- Générique farfeluInitial credits are written on different papers which are sometimes on the wrong order and then rearrange (Fernando Tejero initially appears as Fernando Rojete; see Dick Van Dyke credit in 'Mary Poppins'). The title initially appears as Crimen Perfecto, and then rearranges to Crimen Ferpecto.
- ConnexionsFeatured in Cómo se hizo: Crimen ferpecto (2004)
- Bandes originalesMoliendo café
Written by Jose Manzo
also attributed to Hugo Blanco (uncredited)
© Morro Music Corp.
Licensed by Peermusic Española, S.A.
Performed by Fanfare Ciocarlia
(P) 2001 Piranha Musik Berlin and Alpha Tango
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- How long is Ferpect Crime?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Ferpect Crime
- Lieux de tournage
- Fnac Callao - Calle Preciados, 28, 28013 Madrid, Madrid, Espagne(exteriors: Yeyo's, interiors: Yeyo's VHS movies section)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 750 000 € (estimation)
- Brut – États-Unis et Canada
- 418 843 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 588 $ US
- 21 août 2005
- Brut – à l'échelle mondiale
- 9 042 432 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Crimen ferpecto (2004) officially released in India in English?
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