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5,6/10
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Mère et fille, toujours blessées à la suite d'un âpre différend au sujet de leur garde, se planquent dans un immeuble d'habitation désaffecté. Pour ajouter encore plus de drame à leur sort, ... Tout lireMère et fille, toujours blessées à la suite d'un âpre différend au sujet de leur garde, se planquent dans un immeuble d'habitation désaffecté. Pour ajouter encore plus de drame à leur sort, ils sont pris pour cibles par le fantôme d'un ancien résident.Mère et fille, toujours blessées à la suite d'un âpre différend au sujet de leur garde, se planquent dans un immeuble d'habitation désaffecté. Pour ajouter encore plus de drame à leur sort, ils sont pris pour cibles par le fantôme d'un ancien résident.
- Prix
- 6 nominations au total
Avis en vedette
The Hollywood version of 'Dark Water' is based on a Japanese horror film, which I haven't seem, so I can't really compare the two. However, whether on not it surpasses its source material, I have to say it's a pretty creepy little number.
A woman (Jennifer Connelly) is going through a divorce and custody battle for her daughter (Ariel Gade) and moves to a run-down apartment in New York until the proceedings are over. It's hardly five-star housing and there are water leaks everywhere. And, if that wasn't bad enough to bring up a child, the family is haunted by the presence of another young girl.
Since the success of the English version of 'The Ring' the 2000s saw quite a few horror films where a woman slowly uncovers something supernatural until she has to confront it head on in the final act. 'Dark Water' certainly fits into that genre, but it's definitely a cut above the rest. For a start it has a stellar cast. I've already mentioned Connolly, but there are also excellent performances from Tim Roth as a supportive (but flawed!) lawyer, Pete Postlethwaite as a useless building supervisor and John C Reilly as the superbly-slimy estate agent. Dougray Scott is also good, but doesn't have quite as much to work with as the others and Ariel Gade is very good as the young girl, never really coming across as annoying as so many child actors in similar roles.
Another thing that works for the film is the atmosphere. You really get the sense of a dark, depressing world that's ripe for haunting by unrested spirits. It could be described as a bit of a 'slow burner' as the real 'meat' of the story doesn't really get going until the final act. Prior to that is mainly character building and setting up the horror that's finally waiting for our protagonists.
I won't say too much about the story, as you only really get one chance to watch it and not know where it's going. A couple of the plot points surprised me, so I won't spoil anything. It may not be a blood-bath and it's probably got a few too many 'jump scares' for some people's liking in the opening two acts, but, overall, it's a very atmospheric, creepy little number that horror fans who like a slow build of terror should enjoy.
A woman (Jennifer Connelly) is going through a divorce and custody battle for her daughter (Ariel Gade) and moves to a run-down apartment in New York until the proceedings are over. It's hardly five-star housing and there are water leaks everywhere. And, if that wasn't bad enough to bring up a child, the family is haunted by the presence of another young girl.
Since the success of the English version of 'The Ring' the 2000s saw quite a few horror films where a woman slowly uncovers something supernatural until she has to confront it head on in the final act. 'Dark Water' certainly fits into that genre, but it's definitely a cut above the rest. For a start it has a stellar cast. I've already mentioned Connolly, but there are also excellent performances from Tim Roth as a supportive (but flawed!) lawyer, Pete Postlethwaite as a useless building supervisor and John C Reilly as the superbly-slimy estate agent. Dougray Scott is also good, but doesn't have quite as much to work with as the others and Ariel Gade is very good as the young girl, never really coming across as annoying as so many child actors in similar roles.
Another thing that works for the film is the atmosphere. You really get the sense of a dark, depressing world that's ripe for haunting by unrested spirits. It could be described as a bit of a 'slow burner' as the real 'meat' of the story doesn't really get going until the final act. Prior to that is mainly character building and setting up the horror that's finally waiting for our protagonists.
I won't say too much about the story, as you only really get one chance to watch it and not know where it's going. A couple of the plot points surprised me, so I won't spoil anything. It may not be a blood-bath and it's probably got a few too many 'jump scares' for some people's liking in the opening two acts, but, overall, it's a very atmospheric, creepy little number that horror fans who like a slow build of terror should enjoy.
Dark Water is another one of those slow PG-13, atmospheric and creepy ghost stories in the vein of The Ring and the Grudge, and like those two, it is worthwhile.
The film certainly has flaws, but it is also clever and has some great drama. Jennifer Connely also gives a strong performance, and the film as a whole is probably slower than someone would think. While it is not as scary as The Ring or The Grudge, it is in a way more mature than those two because it does excel in genres other than as a thriller. Overall, it was not amazing, but certainly underrated at this time and certainly worth it.
The film certainly has flaws, but it is also clever and has some great drama. Jennifer Connely also gives a strong performance, and the film as a whole is probably slower than someone would think. While it is not as scary as The Ring or The Grudge, it is in a way more mature than those two because it does excel in genres other than as a thriller. Overall, it was not amazing, but certainly underrated at this time and certainly worth it.
I agree with the user comment above in regard to the fact that teenagers will not appreciate this film. I kept telling myself as I was watching it, that it is not a movie that kids will understand. I shouldn't say 'all' kids, but probably most. Ironically, this is a movie that kids should see because they can learn about elements that a good movie usually contains: developed characters, a good plot, and excellent acting, to name a few. Not to mention that the movie gives the viewer a lot to think about and is an expertly crafted piece of psychological suspense.
There are reasons this movie will most likely not appeal to young people. To begin with, it is NOT a horror movie. It might be marketed to look like one, but it is more of a psychological thriller of sorts. So many kids will go to it expecting blood, gore and action, but get a literate, story-driven film instead--one in which thinking is required to fully understand what is going on. This is a movie that requires "active" viewing, just as if one were to read a well written novel with round characters, symbolism, and whatever other elements it may have to raise it beyond the level of mediocrity.
Unlike a more conventional horror movie like Boogeyman (which I also liked for other reasons), Dark Water is rooted in psychology and the inner and outer conflicts the characters attempt to overcome. It is also a film adept in creating a dark, disturbing mood. In fact, I was really impressed with its ability to play with one's emotions and fears so strongly. As another use noted above, it's almost as if the 'horror' is subliminal. The viewer doesn't necessarily have to see it in order to feel it. I think this is partly because we've all dealt with bits and pieces of what some of the main characters have to go through here. Some of their own discomfort seems familiar to us.
It is sad that many younger people cannot appreciate movies of this nature.
There are reasons this movie will most likely not appeal to young people. To begin with, it is NOT a horror movie. It might be marketed to look like one, but it is more of a psychological thriller of sorts. So many kids will go to it expecting blood, gore and action, but get a literate, story-driven film instead--one in which thinking is required to fully understand what is going on. This is a movie that requires "active" viewing, just as if one were to read a well written novel with round characters, symbolism, and whatever other elements it may have to raise it beyond the level of mediocrity.
Unlike a more conventional horror movie like Boogeyman (which I also liked for other reasons), Dark Water is rooted in psychology and the inner and outer conflicts the characters attempt to overcome. It is also a film adept in creating a dark, disturbing mood. In fact, I was really impressed with its ability to play with one's emotions and fears so strongly. As another use noted above, it's almost as if the 'horror' is subliminal. The viewer doesn't necessarily have to see it in order to feel it. I think this is partly because we've all dealt with bits and pieces of what some of the main characters have to go through here. Some of their own discomfort seems familiar to us.
It is sad that many younger people cannot appreciate movies of this nature.
This is not a "child talks to dead people" movie. You should rejoice. It's not a "woman fights supernatural forces" thriller. You should get down on your knees and thank the powers that be. This is not "just an unnecessary re-make of the Japanese original". It's better.
Nakata is famous for taking the long view of his characters. Keeping us safe emotionally from them in order to bring the horror to life. Salles trumps him by pulling us right into Dahlia's arms where her fear, paranoia, and despair are absolutely palpable.
This is the story of a single mother trying to survive after a nasty divorce. Trying to hold onto her daughter so she can overcome her own history of abandonment. The ghosts (whether real or imagined) are peripheral to her dilemma.
The American Dark Water, gives us the same foreboding leak, the same bleak horrific photography, the same basic plot line, and yet by taking the emphasis off the ghosts reaches a much stronger emotional resonance.
Highly recommended for those that submit themselves to movies, rather than submit movies to themselves. You know who you are.
Nakata is famous for taking the long view of his characters. Keeping us safe emotionally from them in order to bring the horror to life. Salles trumps him by pulling us right into Dahlia's arms where her fear, paranoia, and despair are absolutely palpable.
This is the story of a single mother trying to survive after a nasty divorce. Trying to hold onto her daughter so she can overcome her own history of abandonment. The ghosts (whether real or imagined) are peripheral to her dilemma.
The American Dark Water, gives us the same foreboding leak, the same bleak horrific photography, the same basic plot line, and yet by taking the emphasis off the ghosts reaches a much stronger emotional resonance.
Highly recommended for those that submit themselves to movies, rather than submit movies to themselves. You know who you are.
I have never posted a review on this site, but I feel that I should inform some people on "Dark Water".This is NOT a horror film.Yes,it's being marketed that way but it's not.This is a drama about a mother and daughter trying to make it on their own with a bit of a ghostly twist.Jennifer Connelly is amazing and has become one of my favorite actresses.In this,she is strong and fragile.She almost made me cry once or twice as she tried to hold things together and convince herself that she is not crazy.The little girl playing her daughter is sublime;The next dakota fanning maybe. This film is slow paced,there are NO big scares,no blood-just tension and mystery under the surface.The pace brings you to really care about the characters and not root for dahlia because it's Jennifer Connelly,but because it's Dahlia.It has one of the saddest yet hopeful endings I've seen in a while.This stands head and shoulders above "The Ring" (which I liked) and "The Grudge".Give it a try if you're looking for a good drama.
Le saviez-vous
- AnecdotesA color dye usually used in concentrated gels for soft drinks was added to the water to turn it to a dark color. Flat and expired soda pop was also used for dark and filthy water.
- Gaffes(at around 1h 20 mins) A square hole is cut in the apartment ceiling to fix a pipe causing a leak. There is a shot from inside the ceiling, looking down to the floor past the pipe and through the square hole. Dahlia enters the room looking up at the newly repaired pipe. She is obviously barefoot. She hears a noise and we cut to a shot looking down a hallway where there are wet footprints and someone hurriedly clearing the hallway to turn right out of shot. Curious, Dahlia immediately follows the noise. She is now making shoe-noises as she walks and as she climbs some stairs we see she is now wearing laced-up running shoes when just a second before she was barefoot.
- Autres versionsUnrated version adds one scene (dream sequence) but removes the dream/reality scene (where Dahlia dreams that her daughter returns from her father) and the scene where Ceci calls Dahlia. In the end the unrated version runs ca 1 minute shorter.
- ConnexionsFeatured in Late Show with David Letterman: Jennifer Connelly/Eels (2005)
- Bandes originalesI Got Soul
Written by John Martinez and Josh Kessler
Performed by Scar featuring Filthy Rich
Courtesy of Marc Ferrari/MasterSource
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- How long is Dark Water?Propulsé par Alexa
- What is 'Dark Water' about?
- Is 'Dark Water' based on a book?
- Why are Dahlia and Kyle getting divorced?
Détails
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 25 473 352 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 9 939 251 $ US
- 10 juill. 2005
- Brut – à l'échelle mondiale
- 68 357 079 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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