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5,5/10
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Ajouter une intrigue dans votre langueA businessman lets the Yakuza kidnap his wife, a tango dancer, to clear his debts. She's held captive for an elderly crime boss's entertainment. As she appears to adapt to captivity, her hus... Tout lireA businessman lets the Yakuza kidnap his wife, a tango dancer, to clear his debts. She's held captive for an elderly crime boss's entertainment. As she appears to adapt to captivity, her husband regrets his choice and tries to free her.A businessman lets the Yakuza kidnap his wife, a tango dancer, to clear his debts. She's held captive for an elderly crime boss's entertainment. As she appears to adapt to captivity, her husband regrets his choice and tries to free her.
Misaki Mori
- Kyôko Nojima
- (as Misaki)
Mr. Buddhaman
- Kudô
- (as Misutâ Buttaman)
Avis en vedette
This is what Eyes Wide Shut should have been. This is Zalman King eroticism with a sharp story line and excellent acting. Super erotic without blatant pornography; that would seem to be the test of great acting/directing/storytelling. I'd give it 10 but the ending seems subject to much interpretation. Although much of the movie is involved in bondage and forms of S&M, I get easily bored if THAT'S all that is going on. There's much more to this, the sequences do not feel contrived, and the reaction of the actors seems very genuine. This is not a slasher/blood splatter flick. In many respects, this is more erotic than what an actual porn flick would be. Overall, a very well done movie!
I don't know who writes these parents guides but they must have seen a different movie than I did! Mostly breasts are just shown and a few shots of thick pubic hair. No genitals ever shown, which is ok, just really tired of the morons who write the parents guide. They will write an entire essay describing every kiss or low cut dress! They even include when a guy is shirtless now!! It is however a torture/bondage film and not too bad in that respect.
Superb, brutal, erotic, handsomely produced sado-masochistic masterpiece from director Takeshi Ishii. It could have been titled "Wife To Be Sacrificed" because Shizuko (Aya Sugimoto), the wife of a wealthy businessman, is sacrificed in order to pay off her husband's debts.
Everything "Eyes Wide Shut" pretended to be this is. It does not cower from its powerful subject matter or merely titillate. It is the work of an incendiary artist with a firm grip on the material and the material's ability to emotionally resonate.
Sugimto, who is one of the strongest, most stunning, most beautiful creatures ever to ignite the cinema screen, is totally convincing as a woman plunged into a cruel, nihilistic, carnal hell referred to only as The Coliseum. It is a stadium-like space where the rich and powerful get their kicks watching beautiful women raped, beaten, bound and, in some cases, murdered, in a pretentious, circus-style setting.
This is a big budget extravaganza of ravishing perversion and beauty mixed with a violent white collar crime plot. Ishii's direction of both the violent confrontations and sado-masochistic set pieces is stunning. His camera dives, swirls, caresses and illuminates the provocative tableaux.
Goro Yasukawa's score is beautiful, and artfully enriches every aspect of this sensational production. It took three cinematographers to fully realize the striking visual style that brings Ishii's original vision to life.
The Oniroku Dan novel, 'Flower and Snake', has been filmed before, but this is the definitive version and the most sincere, a hardcore smack to the chops of conservative culture.
Everything "Eyes Wide Shut" pretended to be this is. It does not cower from its powerful subject matter or merely titillate. It is the work of an incendiary artist with a firm grip on the material and the material's ability to emotionally resonate.
Sugimto, who is one of the strongest, most stunning, most beautiful creatures ever to ignite the cinema screen, is totally convincing as a woman plunged into a cruel, nihilistic, carnal hell referred to only as The Coliseum. It is a stadium-like space where the rich and powerful get their kicks watching beautiful women raped, beaten, bound and, in some cases, murdered, in a pretentious, circus-style setting.
This is a big budget extravaganza of ravishing perversion and beauty mixed with a violent white collar crime plot. Ishii's direction of both the violent confrontations and sado-masochistic set pieces is stunning. His camera dives, swirls, caresses and illuminates the provocative tableaux.
Goro Yasukawa's score is beautiful, and artfully enriches every aspect of this sensational production. It took three cinematographers to fully realize the striking visual style that brings Ishii's original vision to life.
The Oniroku Dan novel, 'Flower and Snake', has been filmed before, but this is the definitive version and the most sincere, a hardcore smack to the chops of conservative culture.
The ultimate focus of this film is Aya Sugimoto, who've grown up from a graphic idol of the'80s into an entrepreneur and an actress amongst other things. She's really matured from the beautiful young girl into a nice multi-talented lady. A rarity in a field where new comers fade away just as quickly as they appear.
If you look at the combination of Dan Oniroku, and Takashi Ishii, you can bet that this is going to be a hard core movie in many ways (and it is).
A husband in debt is asked to submit his wife to a 95 year old man's pleasure item. He has little choice but to submit. The wife (Aya Sugimoto) who doesn't know anything about the deal becomes the unwitting sacrifice in the game of sadistic sexual display.
I actually haven't seen Aya Sugimoto for almost 20 years, and had to do a double take to make sure that she was the same Aya Sugimoto that I've seen in the '80s. She's changed, but into a respectable lady.
I'm not a big fan of Dan Oniroku or Takashi Ishii, but this movie was of good quality mainly due to the performance of Aya Sugimoto.
If you look at the combination of Dan Oniroku, and Takashi Ishii, you can bet that this is going to be a hard core movie in many ways (and it is).
A husband in debt is asked to submit his wife to a 95 year old man's pleasure item. He has little choice but to submit. The wife (Aya Sugimoto) who doesn't know anything about the deal becomes the unwitting sacrifice in the game of sadistic sexual display.
I actually haven't seen Aya Sugimoto for almost 20 years, and had to do a double take to make sure that she was the same Aya Sugimoto that I've seen in the '80s. She's changed, but into a respectable lady.
I'm not a big fan of Dan Oniroku or Takashi Ishii, but this movie was of good quality mainly due to the performance of Aya Sugimoto.
Incredibly hot Aya Sugimoto stars as Shizuko,a bored and unfulfilled wife of a wealthy businessman.When her husband is blackmailed by the Yakuza,Shizuko is sold to Oyabun Tashiro as payment.Tashiro quickly places Shizuko in a private S&M show for an elite audience in order to satisfy his own unfulfilled sexual needs.Shizuko is then subjected to sexual humiliation in front of the masked audience."Flower and Snake" is based on Oniroku Dan's highly successful novel.The film is perverse and sexually explicit,so fans of Japanese pinku eiga should get it as soon as possible.A famous Japanese singer and model Aya Sugimoto spends lots of her screen time naked and she has truly wonderful body.The story may be shocking for casual viewers,however if you are curious give this stunningly erotic masterpiece a look.9 out of 10.
Le saviez-vous
- AnecdotesThe film is based on an S&M novel written by Oniruku Dan which has reached cult status in Japan. There have been several prior film adaptations of the novel: a 1968 Pink film (Hana to hebi yori: niku no shiiku), a 1974 Roman porno with Naomi Tani in her first starring role for Nikkatsu studio, and a 3-film Nikkatsu series (1985-1987).
- ConnexionsFollowed by Hana to hebi 2: Pari/Shizuko (2005)
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- How long is Flower and Snake?Propulsé par Alexa
Détails
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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