Le soldat Joe Bauers, la définition même de « l'Américain moyen », est choisi pour participer à un programme d'hibernation secret. Oublié, il se réveille cinq siècles après pour découvrir un... Tout lireLe soldat Joe Bauers, la définition même de « l'Américain moyen », est choisi pour participer à un programme d'hibernation secret. Oublié, il se réveille cinq siècles après pour découvrir une société bêtifiée où il est le plus intelligent.Le soldat Joe Bauers, la définition même de « l'Américain moyen », est choisi pour participer à un programme d'hibernation secret. Oublié, il se réveille cinq siècles après pour découvrir une société bêtifiée où il est le plus intelligent.
- Prix
- 1 nomination au total
- President Camacho
- (as Terry Alan Crews)
- Bailiff
- (as Kevin S. McAfee)
- Officer Collins
- (as Mike McCafferty)
- Hospital Technician
- (as Ryan Melton)
Sommaire
Avis en vedette
Mike Judge's tale is a riff on Woody Allen's SLEEPER where a man from the present ends up in a future he doesn't recognize. An "average Joe" (Luke Wilson) circa 2005 wakes up centuries in the future to find a world so dumbed down that he's the smartest man around! Joe meets up with Frito (Dax Shepard) and Rita (Maya Rudolph) and they end up in the orbit of the boisterous President Camacho (Terry Crews). Together they try to upgrade the intelligence of the American public - good luck with that!
Judge and Etan Cohen's screenplay is a bit scattershot at times, but it is fitfully hilarious too. The most popular show on TV is "Ow! My Balls!" about the various way a man's marbles can be whacked. Costcos are the size of cities and junk food is not only king - but, often the full meal. Again - is this really "centuries from now?". The supporting cast include Thomas Haden Church as Brawndo's CEO and uncredited bits by Sara Rue and Stephen Root.
Fox was so scared of the film it was barely released. Even when theaters requested the rights to show the movie, they were often denied. Of course, this only made the cult surrounding it only that much stronger.
Now, sit back, take a big swig of Brawndo and enjoy the future! Er...the present....? Past?
Well... Guess what...
It is now August 2020 and I just saw this again, for the second time in my life. It turns out Idiocracy has transformed into some sort of Kafka'esque nightmare! When watching those first ten minutes after Joe wakes up in 2505, when he's walking around trying to get his bearings in the sea of morons, getting assaulted because he sounds smart, I wasn't thinking "this is beyond ridiculous" (like I did 11-12 years ago). Now I just couldn't help feeling totally frustrated about the whole situation, and empathetic with Joe. My wife, who was seeing it for the first time, reacted with a blunt "This is a total nightmare!".
Don't get me wrong now. This is still a great comedy, it has just gone from an over-the-top ridiculous one, to a prophetic piece of commentary on current society. It was of course just that even back in 2006, but it was just NO WAY to imagine how far (or low) we would have come in a mere 14 years. I think Mike Judge's estimate of 500 years is far too generous. We'll reach Idiocracy in no more than 100 - unless we manage to blow ourselves up before that, which actually seem far more likely.
This horror film depicts the future in a way not even Orwell or Huxley have considered. Far more dystopian than 1984 or Brave New World. Not even Fahrenheit 451 could have made me so worried about the future.
It haunts my nightmares now and I keep a defibrillator nearby all the time. I learned a better way to use it watching the last season of Breaking Bad.
Watch with caution. Don't let children watch it.
Very scary. Not for the faint of heart.
In an age where misinformation spreads like wildfire on social media, and political discourse often devolves into name-calling and ad hominem attacks, "Idiocracy" hits uncomfortably close to home. The film's portrayal of a society where entertainment and spectacle are valued over knowledge and critical thinking serves as a cautionary tale about the dangers of apathy and intellectual laziness.
Le saviez-vous
- AnecdotesWriter and Director Mike Judge came up with the idea for the film while he was visiting Disneyland with his family and saw two mothers, with kids in strollers, fighting and cursing at each other. He thought it would be horrible if humanity was like this in the future.
- Gaffes(at around 55 mins) In the montage following his initiative to irrigate the crops with water rather than Gatorade, the crowd chant "Joe, Joe". But they all know him by the name "Not Sure".
- Citations
[first lines]
Narrator: As the twenty-first century began, human evolution was at a turning point. Natural selection, the process by which the strongest, the smartest, the fastest reproduced in greater numbers than the rest, a process which had once favored the noblest traits of man, now began to favor different traits. Most science fiction of the day predicted a future that was more civilized and more intelligent. But, as time went on, things seemed to be heading in the opposite direction. A dumbing down. How did this happen? Evolution does not necessarily reward intelligence. With no natural predators to thin the herd, it began to simply reward those who reproduced the most, and left the intelligent to become an endangered species.
- Générique farfeluAfter the credits there is a scene in which Upgrayedd arrives into the future to look for Rita.
- ConnexionsFeatured in The Chibi Project: Sailor Soldiers vs Fresnel Lens (2007)
- Bandes originalesTrio Sonata No. 1 in G
Written by Domenico Gallo
Performed by The Royal Philharmonic Orchestra
Courtesy of Extreme Production Music
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Idiocracia
- Lieux de tournage
- Austin Convention Center - 500 E. Cesar Chavez Street, Austin, Texas, États-Unis(Escalator/Tattoo/IQ Test)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 400 000 $ US (estimation)
- Brut – États-Unis et Canada
- 444 093 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 124 367 $ US
- 3 sept. 2006
- Brut – à l'échelle mondiale
- 495 652 $ US
- Durée1 heure 24 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1