Uno

I noticed a comment here, saying that Norway is such a peaceful country, and that this movie is unrealistic, wannabe etc.

The environment that sets the basis for this movie is not apparent for "regular" citizens of Oslo, neither is it apparent for everyday people.

This movie is great, and we all know that this movie is realistic, whether you want to or not. Some of the actors are great, Bjørn Floberg in particular. He is among the finest actors in Norway, and i wish he starred in more films like this. This is not a feel-good film at all, and it will probably leave you with a few questions, but it is definitely worth seeing.

Two thumbs up for Uno

I watched the film during the Istanbul Film Festival (2-17 April 2005) between two low-tempered films both from Europe, and Uno just suited very well between those two slow ones. The first thing about "Uno" is its tempo. It starts in a smooth mode and goes on like this through the whole film. Even in the beginning, when the main characters were introduced, the movie starts to "move". Both the visual technique Hennie used and the elements of the story serve the the tempo of the film very well. The movie has waves in itself but it never breaks at any point. The second important thing i guess is the atmosphere of the movie. Every place in the movie was well-chosen and well-prepared. The houses, the room of David, the gym... The atmosphere created by Hennie was dark but hopeful. And i liked it. And Tom Mcrae's songs adds a lot to the movie. After all, nice movie even for non-Norwegians!! 8/10.

A memorable film, mostly because of the grim reality-feel in the movie. You can tell that some of the story is bigraphical from the director.

Situated in Oslo, it does a good job portraing the city. Most of it's outdoor scenes are filmed in a green-greyish color, which resembles the harsh nature of the aspahlt-story.

Also a very good contributor to the good grades is the music; Tom Mcrae's work is amazingly perfect to the film and a crucial part of making this movie memorable, and thus; a film worth owning.

The director (who is the guy who plays the main character), started writing on the script in 1996, but it didn't surface as a movie almost ten years later. It has been worth the wait, and a promising start for a young director; please make more films, Axel Henie.

This about gang criminality, loyalty to the gang and cowardliness was a very pleasant surprise. I find it to be a realistic picture of how these things operate with well developed characters, good script, realistic atmosphere with sometimes a very strong feeling of anxiety and the actors are all fit their role very good including the mother of David and Kjetil who I find very understanding of the situation and a strong mother. Best is Bjørn Floberg as Jarle though. He is quite scary actually.

Aksel Hennie put a lot of work into the script and you can tell. It moves very quickly with no dead points. The relations are thought out. Camera-work is good too, Oslo center-east is put forth as it feels, but not too easily is transmitted through pictures. Recommended together with 'Hawaii, Oslo' in which Hennie plays a similar role in the neighbourhood of this movie and 'Schpaaa' also about Oslo underworld and its affiliation with youths. Both are by Erik Poppe. Not meant to take away the spotlight from 'Uno' though.

This film is not the one you should see if you want to have a cheerful evening. It is a very strong story from the reality in Oslo's gang/crime world. During the film i felt it in my guts. The depression, the anxiety and the fear the many characters must feel. the director Hennie has made a film that has a nerve during the hole film. A definitive must see film!.!

The cast also have a credibility you don't often see (espesially in norwegian movies).

For other nordic readers this film will remind you of the danish film "Pusher". Its much the same anxiety the characters feel when they have to deliver money the creepy gangsters. Again a MUST SEE FILM!