Deux soeurs se lient d'amitié avec un mystérieux étranger échoué sur la plage de leur village balnéaire de Cornouailles dans les années 30.Deux soeurs se lient d'amitié avec un mystérieux étranger échoué sur la plage de leur village balnéaire de Cornouailles dans les années 30.Deux soeurs se lient d'amitié avec un mystérieux étranger échoué sur la plage de leur village balnéaire de Cornouailles dans les années 30.
- Prix
- 3 nominations au total
- Fisherman
- (as Ian Marshall)
Avis en vedette
The usual superb performances from Judi and Maggie, what makes them so good, in Judi Dench's case particularly, is that you can *see* what they are thinking before they even speak.
Superb fingering on the violin from an actor who, prior to this movie, had never touched one - you'd swear he was really playing.
The movie was particularly poignant for me as I lived for many years in Cornwall and recognised a lot of the scenery. I can, incidentally, assure the critic who claimed a "mistake" by saying Starry-gazey pie is confined to Moushole, that this he/she totally wrong.
It may have been originally a Mousehole speciality, but like Yorkshire pudding, has long since spread to other areas.
Ladies in Lavender is one of those British films which will become a classic for its gentle theme, fantastic setting (inside and out) superb lighting and sound - and a good, strong story line.
Both Judi Dench and Maggie Smith are at their bests, Dench probably showing a broader range of emotions. Daniel Brüll is also quite worth mentioning as the young dreamy-eyed violinist. Natasha McElhone gives a solid supporting act. And it's a real treat to the ears by Joshua Bell, who masterfully played all the violin compositions.
The script is finely wrought and the understated English humour a joy. There are moments when you just have to laugh out loud. At other times your empathy for the characters moves you to deep sadness and regret at lives that have had times of sorrow or been unfulfilled.
The visual imagery in this film is evokes the nostalgic feel of an English rural landscape of sixty years ago. The beautiful cinematography was complemented by the musical score.
This is the second English film in two weeks I have been really impressed by.
If one has to compare this film with other forms of art, "Ladies in Lavender" feels like a fine piece of vintage literature, transfered on screen and complemented with exquisite acting and gorgeous music. At the same time, it is so much "slice-of-life" story thanks to meticulous nuances in depicting the characters' lifestyle and subtle performances of the film's main stars.
Contrary to some reviews, I don't have an impression that the story is deficient or lacks in details. I find it rather complete and coherent. Moreover, I think that giving any additional background information on the characters would have only diluted the story. The director's objective is clearly to focus on the internal feelings of the two old sisters and for that enough information is provided in their own comments. After all, it's not the story of the stranger that is so important; but the story of their loneliness and attachment to this young man that is the cornerstone of the plot.
Not as shattering as some more action-driven movies, this film is a good treat for those who want to get away from the din of our modern life and enjoy some excellent music for precious one and a half hours.
"Ladies in Lavender" is a captivating film. It is very strong in both story telling and in acting. Both Judi Dench and Maggie Smith did excellent in portraying love and jealousy. It is amazing that by just one look on the face, you can tell how the characters are thinking. The story telling is subtle by the acting is so direct. "Ladies in Lavender" draws me, captivates me and touches me. I think this film deserves a wider audience. It is a pity, that many people may not give this film a chance because they think the target demographic is towards the older generation.
Le saviez-vous
- AnecdotesMaggie Smith and Judi Dench were performing together in a West End play when they received the scripts. They consulted each other, and decided to do the project.
- GaffesMains electricity, gas lighting and indoor flush toilets were unlikely to be present in remote village houses in 1936 Cornwall.
- Citations
Andrea Marowski: [Andrea is about to leave, turns to Ursula] I walk.
Ursula Widdington: Oh, good. Um... we have chicken for supper.
[Andrea looks at her, not understanding]
Ursula Widdington: Um, um...
[she picks up Janet's German-English dictionary, but stops before opening it]
Ursula Widdington: Oh! Uh, Hundchen zum Abendessen.
[subtitles: Puppydog for supper]
Andrea Marowski: [he laughs] Hundchen?
Ursula Widdington: Hundchen, ja.
Andrea Marowski: Das ist gut. Wiedersehen.
[subtitles: That's good. Goodbye]
Ursula Widdington: I'll see you later.
- Générique farfeluSpecial thanks to the people of Helston, Cornwall and the people of Cadgwith, Cornwall.
- Bandes originalesSince Father Did a Broadcast on the BBC
Written by Robert Rutherford (as Rutherford) and Elliot
Performed by Arthur Askey with The BBC Dance Orchestra
Meilleurs choix
- How long is Ladies in Lavender?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- O Xeno
- Lieux de tournage
- Prussia Cove, Rosudgeon, Cornwall, Angleterre, Royaume-Uni(Ursula & Janet's cottage)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 6 765 081 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 149 224 $ US
- 1 mai 2005
- Brut – à l'échelle mondiale
- 20 421 130 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1