Ajouter une intrigue dans votre langueA swooning study of "Mack the Knife" singer Bobby Darin and specifically his relationship with wife Sandra Dee.A swooning study of "Mack the Knife" singer Bobby Darin and specifically his relationship with wife Sandra Dee.A swooning study of "Mack the Knife" singer Bobby Darin and specifically his relationship with wife Sandra Dee.
- Prix
- 7 nominations au total
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The film's complex structure is unusual, in that the adult Darin (Kevin Spacey) talks with himself as a child (William Ullrich) and the two of them, via flashbacks and fantasy, direct a movie about the adult's life. It is an interesting, though at times confusing, structural approach.
What I liked most about the film is the music. Spacey himself sings the songs. And he does a terrific job with the big band sounds of "Dream Lover", "Artificial Flowers", "Some Of These Days", "Beyond The Sea" and, of course, "Mack The Knife". The film's secondary performances are quite good, especially John Goodman. Production design is high quality, and the dance routines are well staged.
Overall, listening to Darin's songs was great. But I would have preferred a more traditional, linear biography. This movie reinforces the perception that talented performers who die young are more likely to get film tributes than talented performers who live to an old age. Maybe, in some way, Hollywood feels guilty at the premature loss. Or, maybe, an early death makes the entertainer, over time, seem more idealized.
That having been said, I can tell you that I was profoundly affected by Beyond The Sea. Spacey lives up to his surname in spades with this project, by tossing out all the 'normal' bio-pic story-telling tools, instead resorting to a spaced-out show biz fantasy-type structure which does work because Bobby himself did use his career as an antidote against the reality of his ever-failing health and inevitable early death - his overwhelming drive and beyond-intense focus stemmed from the fact that he knew he had only so much time to do anything with his life; this is what made him so great on stage, and this immediacy and strength of purpose is conveyed brilliantly in the movie not through the usual talking and explaining sequences but rather through Darin's actions. So the liberties that Spacey takes with Bobby's life pay off - the song-and-dance numbers and the plot devices (the best one being Darin's younger self having a simultaneous part in the proceedings with the older Darin).
So much has been written about Spacey being too old to play Bobby, how Spacey shouldn't have actually sung the songs himself, how this is a vanity project on Spacey's part, blah blah blah. All untrue.
The clever way in which he stages the film acknowledges the fact that he knows he's chronologically older than the perfect age to play this part, and he sings the songs himself because he CAN - his voice is more than serviceable; in fact when I saw the trailer for the first time a few months back and heard him singing Mack The Knife I was in the theatre telling the person I'd come with "That's Bobby, that can't possibly be Kevin Spacey" - this from a person who has listened to Darin's recording of that song literally hundreds and hundreds of times.
The thing that is most interesting about the negative criticism is the one about this being a vanity project for Spacey; his desire and enthusiasm to share his feeling for Darin via this project is being interpreted as an ego trip, when in reality it's an unabashed and pure labor of love. The film is being misunderstood by a lot of people, and I see this as being unbelievably ironic and, ultimately, proof that the film works because Darin himself was constantly misunderstood, constantly having his hell-bent-for-leather, no-time-to-waste desperation perceived as arrogance. So Spacey succeeded on that level alone.
It also doesn't hurt that from the back, he manages to bear an uncanny resemblance to Bobby, he captures the physicality perfectly, and in all the shots that are not too close up, you'd swear it was Bobby that you were seeing and not Spacey. It's only in the close-ups that I was reminded it wasn't actually Bobby on the screen, and in the later scenes, when he becomes politically aware, grows the mustache and bills himself as Bob Darin, Spacey looks like him even in the close-ups.
By the end of the film, I found myself feeling profoundly moved by what I was experiencing, even though, oddly enough, I didn't feel up to that point that the film was particularly profound, and so my reaction was very surprising to me. There's a scene where -=- POSSIBLE SPOILER -=- Darin is in his hospital bed right before he dies and Sandra Dee (who was no longer with him at that time but still loved him) is in the bed cuddled up beside him - that image was, to me, by far the single most powerful one in the movie, and it has stayed with me, long after the movie's final credits. -=-END OF POSSIBLE SPOILER
I want to include this: the person I saw the film with hadn't been a fan of Bobby's the way I had for years, and I asked her after we'd left the theatre if she'd felt moved by what she'd experienced - I was trying to get a more objective idea how the movie would play to someone who wasn't so emotionally connected to the material. She said that after seeing it, she wanted to know more about Bobby, how she'd had no idea what he'd gone through in his life and how she felt tremendous compassion and respect for him.
Spacey has said that his motivation in doing the movie was to remind people who hardly remembered him what a monumental talent Bobby Darin was, and to hopefully introduce a new generation to the man. I think he's succeeded on that level too, at least with people who go to see this movie with an open mind and a receptive heart.
Those who complain that he was told old to play the part are nitpicking. I am not a personal fan of Spacey. Off-screen, I think he's a jerk. However, the criticism of him here is simply unfair. The man did an incredible job imitating Darin - period. Who could have done better?
Kate Bosworth is also very good as "Sandra Dee," the actress who married Darin. She comes across as a very positive and nice person, a lot more than Darin whose problems are shown as well as his good points. He is not always a good guy.
The language is a little rougher than I'd like to see this in this music-biography. The bits with the kid were annoying, not profound as they were obviously trying to be. In fact, the film would have ended perfectly without that last 4-5 minute scene with the child.
Bobby Darin's story is a compelling one. He was born into difficult circumstances, suffered from poor health all of his life, was extraordinarily talented, and he died young.
"Beyond the Sea" is a beautifully layered film. Kevin Spacey uses some very interesting "point of view" methods to tell his story and he does so without overwhelming the viewer. He pays tribute to the big musicals without being sugary. He avoids cliché and tells Darin's story without being trite.
Bobby Darin's music is dynamic and diverse. He had a gift for song and delighted in sharing it with the world. Kevin Spacey genuinely admires Darin's talent and delights in sharing his own gifts with the world in tribute to Darin.
Kevin Spacey's acting ability is perfectly showcased here. His talent as a director is remarkable. His storytelling is strong and moving without being pushy or maudlin. He is honest in his depiction of Darin as both arrogant and sympathetic. Spacey's singing is surprisingly good. He does not insist he is Bobby Darin, he merely asks us to accept his portrayal of a great vocalist as accurate. Spacey manages to reveal the enormity of his own talent without being vain.
"Beyond the Sea" draws attention to Darin's rich and varied legacy. He was a prolific songwriter, a master showman (the only performer Sammy Davis Jr. would not follow), a successful popular recording artist and an accomplished actor. "Beyond the Sea" reveals the enormity of Spacey's talent and leaves him with a legacy that is as impressive as Darin's.
Le saviez-vous
- AnecdotesKevin Spacey does his own singing.
- GaffesIn reality Bobby Darin was with Robert F. Kennedy during the campaign when Kennedy was shot, and in fact in the same hotel where/when it happened. "Beyond the Sea" had him in his trailer at Big Sur when he gets the news on the radio.
- Citations
Bobby Darin: It's OK, I'm not gonna hurt you. Watch. My momma used to tell me a story when I was a kid that in the Middle Ages, one of the knights in King Arthur's court, he laid down his sword between himself and Guinevere, and he promised that he would never cross over to the other side.
Sandra Dee: Really?
Bobby Darin: I am laying down this sword between us. That's my side of the bed, and that's yours, and I will never cross over. Ever. I don't care if we don't touch for a thousand nights. Only you can cross over to my side. Only you.
- Générique farfeluMemories are like moonbeams... This film is not a literal telling of the life of Bobby Darin. It is a creative work based on fact, but in dramatising the story for the screen, some characters, events, dialogue and chronology have been fictionalised and of course much has been left out. No assumption should be made that any of the persons, companies or products shown or mentioned in the film have endorsed this production.
- ConnexionsFeatured in The 62nd Annual Golden Globe Awards 2005 (2005)
- Bandes originalesMack the Knife
Original German lyrics by Bertolt Brecht
English lyrics by Marc Blitzstein
Music by Kurt Weill
Published by WB Music Corp., on behalf of Kurt Weill Foundation for Music, Berthold Brecht, Joseph & Josephine Davis as Executors of the Estate of Marc Blitzstein/Universal Edition A.G./European American Music Corporation
Performed by Kevin Spacey & The John Wilson Orchestra
Meilleurs choix
- How long is Beyond the Sea?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Beyond the Sea
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 6 318 709 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 45 264 $ US
- 19 déc. 2004
- Brut – à l'échelle mondiale
- 8 447 615 $ US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1