44 Minutes: The North Hollywood Shoot-Out

On 28 February 1997, two men heavily armed with AK-47 try to heist the Bank of America of North Hollywood, but their plan fails and they are kept under siege by the LAPD. Along forty-four minutes, Los Angeles witnesses live on television one of the greatest shoot-out of the American history.

Based on a true event, this movie impresses regarding the scenes of intense shoot-out, with the cast having also great performances. However, the statements of the characters, showing the LAPD as a brotherhood or family, do not seem to correspond to the reality showed in other police stories in American movies. Anyway, this film is a surprisingly good and worthwhile entertainment. My vote is seven.

Title (Brazil): "44 Minutes - O Tiroteio de North Hollywood" ("44 Minutes - The North Hollywood Shoot-Out")

After watching the film then doing the research of what really happened, I didn't know what was more unbelievable the film or the raw footage on you tube, even though the film doesn't stick to all of the facts I still couldn't believe that two guys caused that much chaos.

The film seen as it is is actually pretty good but I think after seeing some of the raw footage this film would've been a lot better if it stayed closer to the facts in order to add to the realism, but like I said the overall film isn't bad at all, the performances were great all around, Micheal Madsen's character was likable especially over what he does at the beginning of the film.

Personally I liked the film but would've honestly proffered a different take on the subject matter, at least this film doesn't glorify the robbers by portraying them as the victim.

I watched this on cable the other night and was very pleasantly surprised. It's well done, with solid acting from old pros Madsen and Van Peebles and very tight directing. The documentary style works well, and unlike most cops vs. robbers movies it shows the motivation and thoughts of the bad guys without glorifying them. It's obviously a bit of a PR piece for the LAPD, but it also makes some really good points about the availability of assault weapons and the failings of the justice and political system in keeping crooks from getting them. The locations used in the movie were the actual locations where the shootout took place, and this added immeasurably to the realism of the story. This film is a real cut above most cable fare and is really worth watching.

Since I was only about two miles away from the real shootout and saw the footage on the news about 100 times, I was quite interested in seeing the movie to see how accurately it would depict the real event. The film was not only accurate (with very few exceptions) but it was also riveting (with the shootout edited together with documentary-style testimonials from the policemen characters) and peppered with some FX-style swearing and graphic moments. Of the actors, Michael Madsen and Mario Van Peebles were the best (and most well known) and Ron Livingston was good too, but seemed a bit out of place as a hard-edged, SWAT team member. Interesting tidbits were that the gunmen's full names were never mentioned (one was referred to as Larry a few times, but nothing else) and the gunmen characters looked nothing like the real gunmen (the wrong one had long hair and one of the real guys was about 100 pounds heavier than the other). Also, Michael Madsen, who is often confused with Tom Sizemore, who was in the 1995 film Heat, brings up Al Pacino's character from Heat in one of his testimonials. Heat is often mentioned in the same breath as the real North Hollywood incident, because of the similar shootouts and the fact that the real gunmen used the movie as an informal training video for robbing banks. The real gunmen also were nicknamed the 'High Incident Bandits' and the shootout was also the basis for the final episode of the 1996-97 ABC cop show 'High Incident' starring Blair Underwood. Good film.

So, there I was, dozing off in bed, about to turn off the TV when this movie starts up, Michael Madsen's eyes on the screen, giving the first monologue about how 90% of cops wind up never shooting their weapon. I was hooked right there.

The first act gives us a summary of a normal week-day's early morning preparation, getting ready for a day on the job, putting on your work clothes, making sure your name tag is straight, revising your weapon: all the things that define you.

The second act is the violence. While the robbers sit in their car outside of a Bank of America waiting for their initial target, the other primary actors are doing their jobs of law enforcement. When the target arrives, it doesn't go where the heavily-armed thieves have thought it would: confused, they decide to rob the bank. Everyday people see them enter and call in the emergency. Chaos ensues. When the duo emerges from the bank, they are met by dozens of police officers. The shootout begins with bullets flying everywhere from AK47 machine guns. The police figure out the two men are wearing body armour as they seem impervious to the return fire. Endless volleys and blood spattering moments as projectiles rip through vehicles, buildings, making targets of anyone and anything. Eventually, the bank robbers are stopped by sheer determination on the part of the LAPD.

The third act is the aftermath: destruction of public property, picking up the used brass casings, a review of the injuries, recognition of the heroism under extreme fire. And a denouément that shows how life just goes back to "normal" afterwards: the bank reopens the day after, life affirmation and dedication. We see in the final scenes a close up again of Michael Madsen describing the events and his reaction, and the camera pulls out to reveal that it is part of a sequence being worked on in an editing bay of one of the television stations that covered the shootout.

This made-for-TV production is absolutely gripping. It is almost a documentary re-enactment, but for small embellishments that hold interest by making the participants human and are dramatization. You may find yourself unable to take your eyes off the screen as it plays out. Madsen, Livingston and van Peebles give us good performances.