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Rencontres à Elizabethtown

Titre original : Elizabethtown
  • 2005
  • PG
  • 2h 3m
ÉVALUATION IMDb
6,3/10
74 k
MA NOTE
Kirsten Dunst and Orlando Bloom in Rencontres à Elizabethtown (2005)
Home Video Trailer from Paramount
Liretrailer2 min 33 s
4 vidéos
99+ photos
ComédieDrameRomanceComédie noireComédie romantique

Au cours d'un mémorial dédié à son père dans le Kentucky, un jeune homme début une histoire d’amour inattendu avec une hôtesse de l’air.Au cours d'un mémorial dédié à son père dans le Kentucky, un jeune homme début une histoire d’amour inattendu avec une hôtesse de l’air.Au cours d'un mémorial dédié à son père dans le Kentucky, un jeune homme début une histoire d’amour inattendu avec une hôtesse de l’air.

  • Director
    • Cameron Crowe
  • Writer
    • Cameron Crowe
  • Stars
    • Orlando Bloom
    • Kirsten Dunst
    • Susan Sarandon
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,3/10
    74 k
    MA NOTE
    • Director
      • Cameron Crowe
    • Writer
      • Cameron Crowe
    • Stars
      • Orlando Bloom
      • Kirsten Dunst
      • Susan Sarandon
    • 549Commentaires d'utilisateurs
    • 169Commentaires de critiques
    • 45Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 2 victoires et 4 nominations au total

    Vidéos4

    Elizabethtown
    Trailer 2:33
    Elizabethtown
    Elizabethtown
    Trailer 2:32
    Elizabethtown
    Elizabethtown
    Trailer 2:32
    Elizabethtown
    Elizabethtown
    Featurette 5:31
    Elizabethtown
    Elizabethtown: Music (Featurette)
    Featurette 5:30
    Elizabethtown: Music (Featurette)

    Photos174

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
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    + 168
    Voir l’affiche

    Rôles principaux99+

    Modifier
    Orlando Bloom
    Orlando Bloom
    • Drew Baylor
    Kirsten Dunst
    Kirsten Dunst
    • Claire Colburn
    Susan Sarandon
    Susan Sarandon
    • Hollie Baylor
    Alec Baldwin
    Alec Baldwin
    • Phil Devoss
    Bruce McGill
    Bruce McGill
    • Bill Banyon
    Judy Greer
    Judy Greer
    • Heather Baylor
    Jessica Biel
    Jessica Biel
    • Ellen Kishmore
    Paul Schneider
    Paul Schneider
    • Jessie Baylor
    Loudon Wainwright III
    Loudon Wainwright III
    • Uncle Dale
    • (as Loudon Wainwright)
    Gailard Sartain
    Gailard Sartain
    • Charles Dean
    Jed Rees
    Jed Rees
    • Chuck Hasboro
    Paula Deen
    Paula Deen
    • Aunt Dora
    Dan Biggers
    • Uncle Roy
    Alice Marie Crowe
    • Aunt Lena
    Tim Devitt
    Tim Devitt
    • Mitch Baylor
    Ted Manson
    Ted Manson
    • Sad Joe
    Maxwell Moss Steen
    Maxwell Moss Steen
    • Samson
    Reid Thompson Steen
    • Samson
    • Director
      • Cameron Crowe
    • Writer
      • Cameron Crowe
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs549

    6,374.3K
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    Avis en vedette

    8taylorhammons

    A criminally underrated movie

    I don't know why this movie seems to have fallen by the wayside, but I haven't met anyone outside of my family who's actually seen it.

    This movie is insanely underrated. It's a near perfect blend of subtle comedy and heartbreaking tragedy. It's deep and meaningful without being pretentious. It's beautifully shot without being overly artsy. It's smartly written, expertly acted, and perfectly timed. It's relatable but fresh.

    Everything about this movie makes me continually want to come back to it. The soundtrack, the dialogue, the story, it's all absolutely perfect. I just wish more people knew about it.
    8sschwa

    Wonderful.

    I don't know. It seems to me that Americans have lost their taste for "small" films - films that emphasize character, rather than explosions and movement. You get the same sort of comments with movies like Tim Burton's wonderful Big Fish or Spielberg's Terminal. I will admit that the Dunst character is a cliché, but this movie is really about the extras, the characters that step out of the background, have their moment, and step back again. Paula Dean stands out as a woman to whom family -- *all* her family -- is all-important and who keeps it together with food and photographs. I'm not from Kentucky or the South, although I've lived South for a number of years. I'm not that interested in *my* extended family -- and in that respect I'm far closer to the Bloom character than to the Dean character. But I recognize that this film is a great portrait of a certain kind of family life. Also, the dead father becomes a very well-rounded character indeed, as you think about the contradictions of his life. This is a film that expects the audience to do a little work, and it pays very well for that work.
    6daoldiges

    Good Story Poorly Presented

    I appreciate what I think Crowe was trying to accomplish here with Elizabethtown, but through a combination of missteps it falls very short. In general I like both Bloom and Dunst but feel they are both a bit miscast and present these interestingly written characters poorly. Neither quite succeeds. I very badly wanted to final road trip portion of the film to be great and to be moved by it, but alas it just rung hollow to me and I was not able to connect with it. Sure there were some nice elements and moments here, but overall it just seemed to drag on for far too long.
    7davidmvining

    Interpretation covering up for bad writing

    This was the beginning of the end for Cameron Crowe. He has made two movies since, and neither was terribly well received, but it was Elizabethtown that went from anticipation to antipathy, marking what seems to be the rest of his career. It didn't help that the reception at the Toronto International Film Festival was so resoundingly negative that Crowe did an emergency cut that drastically reduced the film's length before its wide release.

    The movie begins with the main character, Drew Baylor, discussing the difference between a failure and a fiasco, fodder for critics who didn't like the film overall. Drew was the lead designer on a new type of shoe that was met with critical anticipation and then derision once it was released, costing the Mercury Shoe Company $972 million. He contemplates suicide and comes up with a plan involving a kitchen knife and an exercise bike when his sister calls with news of his father's death in Kentucky. Setting out to accomplish the one goal of bringing his father's body back to Oregon for cremation and spreading his ashes at sea, he flies to Louisville. On the flight he meets Claire.

    A lot of the critical drubbing the movie received was over Claire. It went so far as a critic ended up coining the term "Manic Pixie Dreamgirl" in direct response to this film. I'll admit that Claire is a problem in the film, even with my interpretation that she doesn't actually exist. She's too available, too cute, too open to Drew too early, and probably written as a real person originally with some scenes that would have undermined my theory about her reality thrown to the cutting room floor. She sees Drew completely alone in coach on an overnight flight, begs him to come to first class, draws him a map to the small town of Elizabethtown, and gives him her number. This is a lot, but she ends up disappearing from the film for a good while, blunting that impact and impression.

    Drew goes home, and this is where the film works best. Isolated from his father's extended family for pretty much his whole life, he suddenly finds a huge warm embrace to greet him. Cousins, uncles, aunts, and family friends he has only the vaguest of memories of are all incredibly happy to see the son of the man they loved. This feels genuine and infectious, reminding me of when I would go to see my own father's family in Tennessee. There are a lot of people with a lot of implied history who all seem to know Drew's father better than Drew ever did. This ends up matching rather well with Drew's own personal journey dealing with his own failure and the thought that he has nothing to live for anymore. The death of his father provides him a look at new life he had forgotten with years of work. It's not new stuff, but it's solidly told.

    Drew goes to his hotel and has an all night conversation with Claire after he feels alone and ends up calling everyone he can just to have a conversation. They talk and talk in an extended montage that actually does feel rather sweet as they go from one topic to the next from shot to shot. It implies the sort of easy connection between two people meant to be together. It's nice.

    The rest of Drew's trip to Elizabethtown is dominated by the final discussions on what to do with his father's body with him standing strong on his father's final wishes for cremation, only to succumb to his family's wishes for burial in Elizabethtown too late to make a difference. The final wake and celebration of the man's life is actually a really nice demonstration of how people mourn in different ways, the centerpiece being Drew's mother using comedy to tell the estranged family why she loved her husband and how she'll miss him. It's odd and sweet.

    Claire ends up dominating the last half hour of the film when she gives Drew an extremely detailed roadmap that she apparently created in an evening that takes Drew from Elizabethtown all the way back to Oregon, planned to the minute. He follows it, releasing bits of his father's ashes at certain spots, and eventually meeting Claire at the second largest flea market in the world. I'm not going to say the movie falls apart in this final half hour, but it's a weak ending. The movie seems to have lost any real focus by turning Drew's attention to a road trip and bits of Southern history like the visit to the hotel where Martin Luther King Junior was murdered. It feels random and out of place. Perhaps MLK's death is supposed to indicate that he died for something, a great victory in the end, with Drew's thoughts of suicide being selfish, but it's not really made clear and feels like an inappropriate way to use the assassination of a beloved figure. There had been bits of talk about Drew having planned a road trip with his father before his death, but it's Claire's voice that dominates the soundtrack, making it more about her than about Drew. I wonder if making it Drew saying the exact same things would have helped refocus the journey on where it should have been.

    Now, my theory that Claire doesn't actually exist. She interacts almost exclusively with Drew. The only other people she ever speaks to are the engaged couple that are on the same floor as Drew in the hotel. She's never even seen by Drew's family or even talked about with them. Combined with the writing that makes her the Manic Pixie Dreamgirl, an unrealistic ideal of a movie creation that doesn't feel like a real woman, and it seems like a decent interpretation of her character that she actually ends up representing part of Drew's psyche rather than an actual person. She appears when thoughts of perhaps not ending it all start to perk up, and even the last shot of the film seems to underline that a bit. Drew finally gets some more voiceover in the ending, and his last word, "life", cuts to him embracing Claire in that flea market. Even in the assumption that she's real, she obviously is meant to represent more than just a woman, but Drew embracing life after his week in Kentucky. Is reading her as unreal a critical cover for bad writing? Maybe, but I do think it works.

    The movie has its issues, but it is an open-hearted exploration of live after failure. That earnestness also seems to rub some people the wrong way, but I embrace it.
    8click08

    Wonderful Movie

    I loved Kirsten Dunst, who's lovable because of her odd and weird habits. All the actors played marvelous characters which added to the movie's charm. Great unique story. I'm happy I came crossed it by accident.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film was inspired by Cameron Crowe's visit to his own father's grave. It was his first trip to Kentucky since his father died 16 years earlier, and he found himself overwhelmed with emotion.
    • Gaffes
      While Drew is Driving into Elizabethtown and is waving to all the townsfolk, reflections are seen in the windows of some building. The reflections are of the car that Drew is in, and it is on a trailer with a camera attached to the bonnet.
    • Citations

      Claire Colburn: So you failed. Alright you really failed. You failed. You failed. You failed. You failed. You failed. You failed. You failed. You failed. You failed. You failed. You failed. You failed. You think I care about that? I do understand. You wanna be really great? Then have the courage to fail big and stick around. Make them wonder why you're still smiling.

    • Générique farfelu
      This film opens with the 1954 "VistaVision" Paramount Pictures logo - instead of the new 'live-action' one. This logo was used at the head of all Paramount films released from the mid-1950s through to 1986.
    • Connexions
      Edited into Paula Goes to Hollywood (2005)
    • Bandes originales
      Jesus Was a Crossmaker
      Written by Judee Sill

      Arranged and Conducted by John Scott

      Performed by The Hollies

      Courtesy of EMI Records Ltd.

      Under license from EMI Film & Television Music

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    FAQ

    • How long is Elizabethtown?
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    Détails

    Modifier
    • Date de sortie
      • 14 octobre 2005 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Aussi connu sous le nom de
      • Elizabethtown
    • Lieux de tournage
      • Elizabethtown, Kentucky, États-Unis
    • sociétés de production
      • Paramount Pictures
      • Cruise/Wagner Productions
      • Vinyl Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 45 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 26 850 426 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 10 618 711 $ US
      • 16 oct. 2005
    • Brut – à l'échelle mondiale
      • 52 164 016 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 3 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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