The Room

This film is completely worth seeing. A friend of mine recently said it was as if a deer made a movie about human interaction, unable to comprehend what it is to be a human being. It is hilarious.

It is also funny how many people actually see this as a real movie, and take the acting, story, and dialogue seriously. It's a sad testament to the state of intelligence of some, but that doesn't detract from the movies awful redemption.

There was no way this was made as a 'black comedy' on purpose. The ineptness present in ALL aspects of the film could only come about through an attempt to put Tommy's own high-school angsty experiences (probably) on tape. When the reviews trashed the movie, he pulled a Paul Ruebens "I meant to do that". The denial of the films obvious serious beginnings add even more hilarity. Tommy, we are laughing at you, not with you. Thank you for that.

I can't think of anything good to say about this movie, other than I enjoyed every single second of it. It's actually so bad that it entertains effortlessly.

This film tells the story of a man who will be marrying his girlfriend of seven years. However, his girlfriend seems not to settle for what she has.

I would not have known about this film if not for "The Disaster Artist". Seriously, the sets are bad, the lighting is bad, the camera angles are bad, the camera is mostly static, the acting is horrible, and the story is just bad. The plot is so thin that it almost appears to be a soft core film. It is worse than a B film. It is so bad that I laughed out loud several times, such as the infamous bottle throwing scene, or when Jack throws the girlfriend on the sofa, or the fight in the party. And could they have at least filmed on a real rooftop, instead of the fake computer generated scenery? The acting is so bad, most of the characters are wooden, except the mother who has a quite a character. The film is so bad that it becomes good. I do recommend it.

There are a number of "so bad it's hilarious" movies out there but almost all of them are in the sci-fi and horror genres. "The Room" is exceptional in that it's intended as an edgy independent psychological drama. To see a "Plan 9 From Outer Space"-style version of that genre is even funnier! This film is absolutely bizarre. The dialogue is at once very childlike and yet it tries to tackle "heavy" themes like adultery, terminal illness, drug abuse and the like. As a result, it feels like it was written by an alien from outer space. And when you see The Room's protagonist, who is also the director, writer and producer, you'll see that he very likely IS an alien from outer space! It's absolutely unbelievably, jaw-droppingly awful... And highly recommended!

Johnny, a man thanks to whom a bank makes lots of money, did not get his promotion but he's way too busy trying to be American by throwing footballs around at any given opportunity to really mind that. And he's also about to get married to Lisa who's in some computer business of some kind but she's having an affair with Mark, Johnny's best friend, who does not want to hurt Johnny but clearly can't help himself. Danny, Johnny and Lisa's young sexually confused neighbour who has problems of his own somewhat related to drugs and football fetching, doesn't suspect a thing although he's always hovering about and is also in love with Lisa but would rather watch Lisa and Johnny in bed when he's not fetching Johnny's balls. The only person who knows what is afoot between Johnny and Lisa is Lisa's mother who begs her daughter to come to her senses but in vain since no one listens to her and... she's dying... since she DEFINITELY has breast cancer (which is okay since "they're curing people everyday"). Confused? Well don't be...

And welcome to the wondrous world of "The Room". This is a world from the breathtaking lack of imagination of Tommy Wiseau, the least appealing man ever to walk this Earth; a world where people play football in tuxedo, have the same conversations again and again due to their 5 minutes memory, make babies by humping belly buttons in the middle of rose petals and finally enter and exit places without any other reason than to do just that.

Indeed, this is probably one of the worst film ever made but as opposed to any other cinematic turd, this one is hardly ever dull (except for the "sex" scenes maybe), the aimless plot driven through one stupidity to the other by the on-par grammar-school writing delivering gems galore ("I'm so happy I have you as my best friend and I love Lisa so much", "I'm tired. I'm wasted. I love you darling"), the final broth served by inept performances (for want of a better word) from its cast. This is truly the most inspired disaster ever committed to screen.

But what I find the most interesting about the "The Room" is its maker Tommy Wiseau. "The Room" is a window into his confused psyche because make no mistake folks: Tommy IS Johnny. And what are we told about Johnny? Well that "he's very caring about the people in his life", provides for his girlfriend, "is very sensitive", "doesn't drink", "has a very secure situation" and has nice pecs. Quite a catch wouldn't you say ladies? On paper possibly... Because everything about his persona seems phoney: his accent which is a mix of anyone's that ever walk this planet whom couldn't speak English, his over-sized suit, his dark, long and way too greasy hair, his geriatric body posture, his re-shaped and re-muddled face and, above all, his completely dry and humourless laughter (and not in a sarcastic way either). Such a penchant for dissimulation is downright creepy and I must admit, the physical repulsion he exerts on me is the stuff fascination is made of.

The fact that "The Room" has gathered such a cult following is no surprise. In the oh-so jaded times we're living in, celebrating the mediocre, talentless and pointless have become all the rage with the recipient of the mockery confusing infamy with fame. There is something both pathetic and a little unsettling about how Tommy Wiseau regards the cynical interests his movie has attracted for a genuine recognition of his talent.

Mind you, I suppose Mr Wiseau can take pride in the fact that "The Room" will go down in Cinema history. But as what?