Solstice d'hiver

This is a very low-key film in which the action is inaction. LaPaglia's character, Jim Winters, in particular lives in the silences between the sounds. The film is redolent with the ghosts of unsaid words therefore as the viewer one must approach this film with the knowledge and appreciation that this is intended as a thought-provoking piece of cinema and so has no really big bursts of emotion. All the cast act beautifully, but as one has come to expect of Anthony LaPaglia he is outstanding. He plays a widower who after five years has still not come to terms with his bereavement, and as a result, though seemingly living an ordered day to day existence, in reality he finds it increasingly difficult relating to life in general and specifically to his two teenage sons. LaPaglia's portrayal is subdued and masterful; I don't think I know of any other actor who can so eloquently inhabit a role by apparently doing so little - definitely this is a case of art concealing art. This is a sensitive and rewarding film. And for all those guys out there who want this film to have some male endorsement, my husband liked the film very much when I asked him to watch it over Christmas, so it must be good.

i viewed this film at the premiere on the Paramount lot. My thoughts ... placid on the surface but it had this continual bubbling beneath that serves to create this underlying tension and anxiousness which make you wonder ... where is this story going? thin on plot, yet masterly made .. the director was able to extract superlative performances from EVERY cast member which made this film work. This film is subtle and many aspects will be lost on most. This won't be a box office success but will pay for itself ($1m budget), it is a fantastically crafted piece and is in essence, a beautiful film. well done anthony la paglia for doing this low budget film and for giving such a fantastic emotional and well balanced performance that rubbed off onto all.

In Winter Solstice Josh Sternfeld's debate as a director is a true original. This is a movie that shows exactly how men communicate. Men tend to avoid emotional conversations. Some women may look at this negatively because of their frustration with this fact. Women would love to see their men discuss their inner most feelings and share in their pain and happiness.

This movie shows the truth behind men's issues with showing emotion. Many people would consider it an ego thing. I think it is more of pride in oneself. Men were brought up to stand on their own two feet, and to make it on their own steam. This is exactly what Jim Winters(played by Anthony Lapaglia) deals with in raising his two sons on his own.

Jim and his two sons have to make it on their own after the loss of Jim's wife. The three communicate in a truly male way. Not saying much, but saying a lot in how they act and react.

I could relate to this movie so well because all of the conversations I had with my father were very much the same as in this movie. If you are a man who wants to see men portrayed in the light they deserve go see this movie. If you are a woman frustrated with not being able to talk to your man, take some time to watch this movie and try to leave any prejudice at the door.

Winter Solstice is not an exciting movie by any stretch of the imagination. Its about everyday life and how men deal with their lives. Go see it, but don't expect some major complicated plot. Its as uncomplicated as most men are.

WINTER SOLSTICE (2005) *** Anthony LaPaglia, Aaron Stanford, Mark Webber, Allison Janney, Ron Livingston, Michelle Monaghan, Brendan Sexton III, Ebon Moss-Bachrach. (Dir: Josh Sternfeld)

Echoes of "Ordinary People" and a first-writer's novella.

Anthony LaPaglia is an excellent actor whose talents have been lately on the small screen in the TV crime drama CBS hit "Without A Trace" but on screen it's been awhile since he's had the chance to shine and in his latest film his talents are on full display.

LaPaglia plays Jim Winters, a recently widowed father of two teenagers, attempting to hold things together including his moderately successful landscaping business in the lush suburbia of New Jersey. After the car crash that killed his beloved wife and the apparent glue to his brood the Winters family has been in a state of flux with his eldest son Gabe (Stanford) restless to break free from his dead-end job at a restaurant and his youngest son Pete (Webber) is aimlessly attempting to rebel by being a chronic late-to-riser and winding up in summer school much to their chagrin. All the while Jim has kept his grief to himself and apparently blaming himself.

Enter Molly Ripkin (Janney of NBC's "The West Wing") a newcomer who enters the picture as a neighbor's house sitter who breaks Jim's cloud by moving in a few doors down enlisting Jim to help her move in and by returning the favor invites him and his boys to a dinner. Jim is naturally awkward and still trying to heal his new wounds but sees some salvation in this sudden change of events but still must deal with his head-strong sons when Gabe announces he's saved enough money to drive down south to stay with a friend in Florida, even leaving his girlfriend Stacey (Liv Tyler look-alike Monghan) behind.

Novice filmmaker Sternfeld (making his directorial debut) – who also wrote the screenplay – tiptoes around the familiar angst in suburbia route that "Ordinary People" furrowed 25 years ago but shrewdly makes this more of a character study than a soap opera melodrama; the film feels like a first time writer's early novella. His casting of LaPaglia anchors the film with an implosive anger and rising feel of uncertainty yet doesn't rely on pyrotechnique of the human emotions that often blister what is lurking under the surface of complacency: fear and anger. LaPaglia has a few nice moments where the emotions are bubbling (I especially liked his encounter at a teacher/parent meeting where he almost bursts out in barely restrained ire) and tries to find his footing when Janney enters the picture; he clearly wants to move on but is plagued by his own hatred of himself which is subtle yet on display with his interactions with his sons.

The acting is fine – Janney is a drink of ice water in an arid story of sadness and dislocation; Stanford and Webber have a good feel for their characters as not atypical teens and Livingston has some fun as the summer school teacher who seems as bored as his charges with ancient history.

The only problem overall is the pacing seems a bit off and is arguably too low-key prompting the viewer to expect a fireworks display of feelings to come skyrocketing out of nowhere but this is not what Sternfeld has in mind and yet the stillness works. As does the rustic guitar-playing acoustic score by John Leventhal.

A nice little indie film with some assured acting and interactions that often are overlooked in the multiplexes, even in the wilds of Jersey. Trust me, I had to venture to the jungles of Manhattan to catch this gem.

Josh Sternfeld has done the unthinkable. He has elected to tell a story merely by allowing the viewer to overhear the minimal dialogue of the characters without supplying a linear plot or explanation of how a little family fell apart.

Landscaper Jim Winters (Anthony LaPaglia is a brilliant role) is the single father of two sons - Gabe (Aaron Stanford) who is the older and looking for ways to move away from his boring little small town home to find breathing space in Florida, and Pete (Mark Webber) a confused kid who wears a hearing aide and only sporadically seems to tune in to life and school. The three men live a fairly orderly life since the death 5 years ago of the wife/mother in a car accident which Pete survived. Jim tries to maintain some semblance of family but just cannot quite step out of his ill-defined grief to get a perspective on life. Obviously some forces of change are needed to heal this family of men.

Into the neighborhood moves Molly Ripkin (Allison Janney) who is house sitting for friends while she breaks away from being a paralegal to try her hand at making unique jewelry. She connects with Jim, tries to connect with his sons, but at the least she introduces a figure of gentle concern and focused presence. Pete finds some understanding from a summer school teacher (Ron Livingston) and begins to see some concept of meaning to his life. Gabe's decision to leave for Florida's promise of better life means he also must say goodbye to his only rock of realism - his girlfriend Stacey (Michelle Monaghan). With all of these elements of change in the air the story just ends. What will happen now is left to us to decide.

Yes, the film is slow moving, relying on minimal dialogue and more on silences and gazes. But Sternfeld opens this little family drama in such a tender way that we find ourselves wholly committed to the plight of each character. He makes us care. And that is the true beauty of minimalist art in film-making. The acting is first rate, with LaPaglia and Janney giving performances that deserve attention come awards time. Highly recommended for those who appreciate quiet sensitive films. Grady Harp