ÉVALUATION IMDb
5,5/10
42 k
MA NOTE
Carrie Stetko, U.S. Marshal, poursuit un tueur en Antarctique, alors que le soleil est sur le point de se coucher pendant six mois.Carrie Stetko, U.S. Marshal, poursuit un tueur en Antarctique, alors que le soleil est sur le point de se coucher pendant six mois.Carrie Stetko, U.S. Marshal, poursuit un tueur en Antarctique, alors que le soleil est sur le point de se coucher pendant six mois.
Craig A. Pinckes
- Aircraft Tech
- (as Craig Pinckes)
Avis en vedette
Whiteout was better that I expected after reading the summary and a few reviews. I am surprised that given the storyline, that the movie was as interesting as it was. I would recommend it to a friend, with context. Don't expect it to be the best movie that you have ever seen, but it is suspenseful and fun to watch. Stick with it, it took 20 minutes to pick up real steam.
Neither great nor horrible, it's entertaining, smart, and sometimes has some surprises that are worth seeing, but expect action thriller melodrama as opposed to science fiction intrigue.
The main problem is that it's often too formulaic and cliché, sometimes nearly nonsensical. It feels in many ways like any other FBI/CIA international mystery thriller involving lots of brutally murdered people, with the exception of the setting.
Nice FX and a sort of gore horror film element (that axe murderer story lovers will greatly appreciate) add something beyond the FBI melodrama to create some excitement, thrills, and disturbing moments.
The main problem is that it's often too formulaic and cliché, sometimes nearly nonsensical. It feels in many ways like any other FBI/CIA international mystery thriller involving lots of brutally murdered people, with the exception of the setting.
Nice FX and a sort of gore horror film element (that axe murderer story lovers will greatly appreciate) add something beyond the FBI melodrama to create some excitement, thrills, and disturbing moments.
While digesting my Thanksgiving meal, I wanted to watch a good movie in front of the fire on a cold winter night. Whiteout seemed appealing because of the synopsis and the setting. I love the desolate setting of an science facility in the cold lifeless continent of Antartica. There is always something creepy and thrilling about being so far from civilization and life sustaining climate; the movie had a similar creepiness to some other thrillers that take place in deep space. The plot and setting were original, and keep you guessing throughout the movie. The suspense and thrills were more likened to a horror movie or a slasher film, but I say that in a good way. My 17 year old daughter and wife had to turn their eyes away for many scenes in fear and anticipation.
I like to judge movies by what their intent is. I try and compare Old School to Gone with the Wind for example... 2 completely different audiences and intents, but both great movies that deliver what they try to deliver. In my opinion, Whiteout delivered what it tried to deliver, a scary, interesting, beautiful, thrilling escape. Exactly what I wanted to see on a cold Friday night in front of the fire!
I like to judge movies by what their intent is. I try and compare Old School to Gone with the Wind for example... 2 completely different audiences and intents, but both great movies that deliver what they try to deliver. In my opinion, Whiteout delivered what it tried to deliver, a scary, interesting, beautiful, thrilling escape. Exactly what I wanted to see on a cold Friday night in front of the fire!
Based on a graphic novel, this tells of Carrie Stetko, a U.S. Marshal on assignment in Antarctica due to her own personal exile. Nearing the end of her tenure in the great white south, she gets sucked into a murder mystery when a body is found on the ice.
I have never read the graphic novel, and if it was as poorly done as this film, I never care to. Pitiful, repetitive dialogue (count the "Oh my God"s), generic music blaring over the scenes on an almost nonstop basis, stiff performances and a mystery that is far from mysterious. The resolution of said mystery leaves you thinking "That's it?" more than anything. The director repeatedly beats us over the head with things that would best be discovered later on, but since we know before the characters, it sucks out any possible suspense there might have been. You can also spot one of the villains based on an old TV show rule.
Whiteout fails to excite or intrigue. It's about as generic as they come. Skip it.
I have never read the graphic novel, and if it was as poorly done as this film, I never care to. Pitiful, repetitive dialogue (count the "Oh my God"s), generic music blaring over the scenes on an almost nonstop basis, stiff performances and a mystery that is far from mysterious. The resolution of said mystery leaves you thinking "That's it?" more than anything. The director repeatedly beats us over the head with things that would best be discovered later on, but since we know before the characters, it sucks out any possible suspense there might have been. You can also spot one of the villains based on an old TV show rule.
Whiteout fails to excite or intrigue. It's about as generic as they come. Skip it.
The first few minutes of watching Kate Beckinsale stripping was....well, expected and pleasant. But it is becoming routine for her in her movies.
That entire sequence was made to keep us guys interested for the rest of this rather predictable movie. It served no other purpose at all. (Yeah, she's still got an incredible body) This movie has a very simple and uncomplicated plot. Even the "twist" is totally predictable. I knew who the villain was in the first 15-20 minutes of the film.
The movie is paced quite evenly without much up and down except for a rather unusual "action" sequence somewhere in the middle of the film, involving ice-pick, a blizzard (white-out), and a lot of guiding ropes. The action could have been better if not for some blurry fast action moments. I had no idea what happened for a few seconds. they kicked, he fell, she fell....
No surprise at all. Wait for the DVD. This is a good movie to watch on a small screen.
That entire sequence was made to keep us guys interested for the rest of this rather predictable movie. It served no other purpose at all. (Yeah, she's still got an incredible body) This movie has a very simple and uncomplicated plot. Even the "twist" is totally predictable. I knew who the villain was in the first 15-20 minutes of the film.
The movie is paced quite evenly without much up and down except for a rather unusual "action" sequence somewhere in the middle of the film, involving ice-pick, a blizzard (white-out), and a lot of guiding ropes. The action could have been better if not for some blurry fast action moments. I had no idea what happened for a few seconds. they kicked, he fell, she fell....
No surprise at all. Wait for the DVD. This is a good movie to watch on a small screen.
Le saviez-vous
- AnecdotesThe US Marshals Service established its legal presence in Antarctica in 1989. It's under the jurisdiction of the US Attorney for Hawaii.
- GaffesWhen Kate and the team went out searching for the lost plane, she's using a Garmin 60 series GPS. On the screen it shows the first page, which is the satellite signal page which also shows the longitude and latitude. By searching the coordinates that are displayed (50 deg 45'55.3N, 98 deg 22'61.2W) you find that they are in fact on Lake Manitoba, Canada; not the South Pole. (Lake Manitoba is a known film location.)
- Citations
Man in Hall: Hey Marshal, don't you owe me a strip search?
Carrie Stetko: [about earlier streaking] You were the second guy out the door, right?
Man in Hall: Yeah.
Carrie Stetko: Not interested.
- Générique farfeluThe Warner Bros and Dark Castle logos fade into the aurora australis (southern lights) over the Antarctic sky.
- Bandes originalesLaser Love
Written by Marc Bolan
Performed by T. Rex
Courtesy of Spirit Music Group o/b/o ITS Music Publishing BV
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Enfer blanc
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 10 275 638 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 915 104 $ US
- 13 sept. 2009
- Brut – à l'échelle mondiale
- 17 976 667 $ US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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