A Way of Life

Leigh-Anne is 17, and the mother of a 6-month old baby, Rebecca. She lives in a run-down council flat in Cardiff and her life is filled with bleakness and insecurity. She is convinced her neighbour Osman is trying to get Social Services to take her daughter away. Enlisting the help of three friends she aims to ensure Osman does not undermine her. Little does she realise the consequences of her actions.

Incredibly powerful and emotional story. Harrowing ordeal, showing the lives of people in poorer echelons of society, and how they live their lives. Shows the traps and cycles they fall into, as well as how their situation shapes their behaviour.

Also explores themes like racism and paranoia.

Superb movie.

A Way of Life

I was not prepared for what I seen in this film. I went into this with the impression that it was going to be some movie about struggling teenagers who turn out alright in the end. I thought that I would leave the cinema saying, 'well…that was nothing special.' I was completely wrong. It was one of the best films I've seen all year. Directed by first timer Amma Asante, it is the harsh truth of the state of lower class citizens, one of the most important messages ever sent out of a film. You will leave more determined to be a better parent in the future.

The film draws you in straight away as it begins with a gang of teenagers physically assaulting a middle aged man in the middle of the street. The ferociousness of the beating their giving out made me sit up straight away and take notice. The film then travels back to the events leading up to this attack.

At the beginning we are introduced to Leigh-Anne (Stephanie James). Leigh-Anne is a frustrated, angry teenage mother living in a council flat with no electricity. Her mother killed herself when Leigh was just a child and she also, along with her brother, suffered constant abuse form her father. So with only her brother and his two friends to support her, and with very little income coming in, times are hard for Leigh. Her only reason for living is her daughter Rebecca, and she will do anything, literally, to protect her. Her Grandmother Annette (Brenda Blethyn) feels that she would be more suited to look after Rebecca, which leads to several run ins between the two. Annette isn't the only person she has trouble with, due to her jealousy and racist standpoint, Leigh is involved in constant confrontations with Turk Hassan Osman (Oliver Haden). Another reason for this hatred towards Osman is Leigh is jealous of the relationship he has with his daughter Julie (Sara Gregory).

In one scene we see an example of the lengths Rebecca will go to help her daughter- no matter how brutal. She acts as a pimp to gain £30 off a man who comes looking for sexual service. Rather than have sex with the man herself, she convinces a girl younger than herself, to seal the deal. "Just open your legs and let him do the rest'. It is one of the most startling and shocking scenes of the film.

Leigh's brother Gavin (Nathan Jones), and his two friends Robbie (Gary Sheppeard) and Stephen (Dean Wong), are always there for Leigh. But that usually involves crime and anti-social behaviour. The four of them as a group run riot and it's when they are together we see that despite being a committed mother, Leigh is far from an innocent little girl.

Leigh is regularly visited by a social worker (Marged Esli), and after seeing her chatting to hated neighbour Hassan, she is convinced that Osman is plotting to get her baby taken away from her. One of the most significant parts of the film is when baby Julie is burned by a candle at home. This leads to a string of events that leads to the tragedy that we caught a glimpse of at the start. The aftermath of this is even more tragic.

This is a film that will leave you thinking of the youth out there today and have you deciding whether or not you sympathies with Leigh Anne. I didn't.

All the cast in this film played their roles very well but for me Stephanie James, in the role of Leigh-Anne, stood out for me. Not because she was the lead character but due to the fact that for someone making her on-screen debut and performing so well, I feel that that takes a lot and I'm pretty sure this will not be the last we see of her.

Overall I feel that this is a must see film for all ages of 15 and up, I felt that it should have had an 18 certificate, if not for its stance as a very good movie, but for it's importance.

Makes some trenchant and powerful points about racism, and the way the poor are often turned against each other. Nicely shot, and mostly well acted.

That said, it's become a fairly familiar story, and this reminded me of a lot of other films.

Also, as good as the performances often were, I kept being naggingly aware I was watching actors doing a very good job 'acting like' poor, uneducated people. Especially with the young lead, -- I felt just the slightest hint she was playing 'down' to her character.

I did appreciate the lack of softening the edges of these characters to make them 'likable'.

I'll still take this kind of socially aware, intense film over 99% of what's out there, even with any flaws.

Remember seeing this film years ago late at night and could never find again. Love it!

This film certainly had a lot of potential. The film certainly pulls no punches when it comes to portraying the main characters. We are shown their violence, racism and bigotry in depth. Not that they are averse to exploiting their own, as several episodes show.

Whilst the main characters certainly have many unsavoury characteristics the film does allow time to explore what made them what they are. Many factors are highlighted, lack of stable partnerships, low self-esteem, lack of commitment, lack of parenting skills, drugs, unstable violent backgrounds, unemployment, discrimination and lack of opportunities.

My main criticism of the film is not that it isn't well researched. The problem is in the production. The direction is so leaden and obvious. The characters have no space to develop and the director rams their points into your face. You could almost imagine that this was produced as a course material for a school sociology program.

The camera-work and sound tract only reinforce this. The angles and shots are all so daytime TV, zooming into faces for close ups in those confrontation moments, giving the obligatory 2 second scenic scene setting shots at all the appropriate moments. Need I say that the soundtrack is hardly subtly or seamlessly enmeshed.

All in all whilst this film has good intentions, good material and some good acting the whole thing feels poorly put together and ends up loosing a lot of its impact between the cracks in the production.