Walk the Line

Forget North Country, Walk the Line directed by James Mangold (Girl Interrupted) and written by Mangold and Gill Dennis is the better 2005 Oscar contender.

This romantic tragedy, which is based on the autobiographies of Johnny Cash The Man in Black and Cash: the Autobiography was actually written and perfected alongside the famous duo Cash and June Carter Cash before their deaths in 2003.

The movie begins with a young, music obsessed "J.R." Cash growing up in a poor cotton farming family in Arkansas. Shortly afterwards, a family tragedy changes his life forever.

Cash (Joaquin Phoenix) leaves for the air force, where he is stationed in Germany, buys an old guitar and proceeds to write one of the most recorded songs in history along with many others.

Upon returning, Cash's obsession leads him to a recording studio and into the spotlight with June Carter (Reese Witherspoon) as well as Elvis Presley (Tyler Hilton) and the comical Jerry Lee Lewis (Waylon Payne.) The next emotional hour and 45 minutes is filled with great music, drug dependency, infidelity, and most of all love.

Joaquin Phoenix and Reese Witherspoon, who sang every song themselves, completely shined in this movie. There are no better actors that could have filled the shoes of the Carter-Cash duo. Phoenix and Witherspoon had such great chemistry, by the end of the movie you actually think they might really be in love.

However, if you tend to get restless in longer movies, the running time of 136 minutes can start to seem a little long towards the end, but it's well worth it.

Overall Walk the Line receives nine out of ten stars. The movie did an excellent job portraying the life of the "man in black," his soul mate and their rocky path on the way to love. If Phoenix and Witherspoon are not nominated for their amazing voices and chilling performances, it will be a great disappointment.

"Walk the Line" is without question the zenith of Reese Witherspoon's acting career thus far. Joaquin Phoenix IS Johnny Cash in this biopic, but Reese as June Carter Cash sets this film on fire. It is one thing to portray a person's life, with feeling and emotion, something which Joaquin pulls off effortlessly. However, it is quite another to make a portrayal bigger than life, and Reese makes June Carter Cash the central character of this film.

To say that Reese steals the show is an understatement. Reese becomes a lightning rod for Joaquin's character, in a way that is actually quite scary. After all, Reese is from Nashville, and her Southern affect is flawless and absolutely winning. Suffice it to say that Reese will thankfully be present when the Academy Awards are presented next year. She might want to get a few words ready.

This movie will not be everyone's favorite flick, if for no other reason than that it is a biopic of flawed, Southern characters. However, perhaps the very flaws that imbue these characters with vitality and realism can establish the acting of Joaquin and Reese with an almost spiritual meaning, as they live these real people on screen. But in the final analysis, Reese Witherspoon will become the greatest contemporary screen actor upon release of this film. See for yourself. You read it here first.

Wow, what a film. I had been waiting to see this movie since I read that Joaquin Phoenix and Reese Witherspoon were cast in the lead roles. I was not sure what to expect when I heard they were going to do their own singing, but was I ever impressed. Their performances in this movie were brilliant, and I had chills down my spine. It was truly amazing how much Phoenix sounded like Johnny Cash-this was a role he was born to play, and he was mesmerizing. Totally sizzling. Witherspoon was positively radiant as June Carter, and talk about chemistry between the two actors. Talk about lightning striking! I only hope they are rewarded for their efforts come Oscar time. This was a truly amazing movie, filled with great music, a top-notch supporting cast and a terrific script which was wonderfully directed.

Whenever I see so much "Oscar worthy" tags/blurbs in an ad campaign I get nervous, see Cinderella Man. Usually you look closely at the fine print and see that the esteemed critic lauding the film is Joe Schmoe from the One Stop Light Bugle Press in Buttcreek, Illinois or a low level flunky who just happens to work for the media conglomerate that is distributing the film. So my heart sank a little when a film I have been eagerly awaiting was swaddled with such praise when the ads hit the air.

But they're right for once.

Joaquin Phoenix wears Johnny Cash like a suit. He isn't doing a Rich Little impersonation, you don't rub your eyes in disbelief, but he channels a man so distinct in appearance and voice to a level that is beyond admirable. One of the traits that made Johnny Cash a legend was that nobody sounded or looked like him. Short of a computer generated Cash walking around in his own bio-pic like one of those John Wayne beer commercials this is the definitive representation.

And yet Phoenix may not give the best performance in the film.

Reese Witherspoon more than holds up her end in a role that easily could have been reduced to a clichéd bumpkin. Witherspoon portrays the on-stage June in the way June portrayed her own "character", the stage persona that people adored, while giving her the resolve and inner strength to be the woman who tamed a hell-bent, grizzly bear of a man like John.

The chemistry of Phoenix and Witherspoon together in any scene, but their on-stage duets in particular, are truthful in a way that resonates long after the credits. I know that unless you have been living in a cave for the past week you have likely been bombarded with the word that the actors sing themselves without use of lip syncing. I have never been a fan of musicals, or even musical performances in a film. They generally seem forced and uncomfortable to me, the moment when I stop experiencing the story and feel reminded that I am watching a movie. I never felt that in this film. I never felt that their singing took the focus of the film, but the performances work with the story like no other music bio I have ever seen. I never felt as if I was being led through the catalog, the songs felt as organic and natural as any spoken dialog in a great narrative.

This film far exceeded my expectations and afforded me the first trip home from a theater with a true feeling of satisfaction in a very, very long time. Highly recommended.

I don't know about "Mangold the Auteur", and might need a bit more proof that this is really a director worth paying attention to, but this is a pretty watchable film. I found the story and film-making a bit predictable, like the usual bio-pic formula that you might expect if you've seen, say, coal miner's daughter, or any other bio-pic of someone you love. What makes this movie stand out is the two lead performances. Reese is unbelievably convincing as June Carter Cash. She almost disappears into the role. And her singing! Who knew???

And Joaquin! We've been waiting for him to deliver a really spectacular performance for some time, and this is finally it. I, for one, resisted the idea that ANYONE could portray the man in black, but he does a pretty fine job. Not just an impersonation, but actually a performance worth watching. Really fine.

Watch for the Jackson duet. Really awesome.