Une chronique de la vie de Johnny Cash, légende de la musique country, depuis ses débuts dans un champ de coton de l'Arkansas jusqu'à sa célébrité avec Sun Records à Memphis.Une chronique de la vie de Johnny Cash, légende de la musique country, depuis ses débuts dans un champ de coton de l'Arkansas jusqu'à sa célébrité avec Sun Records à Memphis.Une chronique de la vie de Johnny Cash, légende de la musique country, depuis ses débuts dans un champ de coton de l'Arkansas jusqu'à sa célébrité avec Sun Records à Memphis.
- A remporté 1 oscar
- 45 victoires et 48 nominations au total
- Jerry Lee Lewis
- (as Waylon Malloy Payne)
- Carl Perkins
- (as Johnny Holiday)
Avis en vedette
Here is a BIOPIC focused on a real life cultural icon who rose to fame at least a generation before most of You Dear Readers were even BORN!
In L. A., California, in the 50s and 60s, my daily habit of listening to TOP 40 Radio exposed me to just about every kind of music genre, pretty much all of the time! Interestingly enough, I acquired, eventually, a taste for just about all of them, to one degree or another! Well, pretty much everything...JAZZ, not so much, really, and definitely NOT at all: COUNTRY music!
The ONLY Country album I EVER bought in my ENTIRE life (Well, at least before turning 50!) was "Johnny Cash: His Greatest Hits"! Upon realizing that they had released a movie about his life, it immediately went to the top of my "MUST SEE" List!
Here is the central question for ALL of You to ponder BEFORE... DURING ...and AFTER watching: Precisely what was it about his music that gave it such widespread appeal? Exactly what ELEMENTS made Johnny Cash and his Music so very, very special?
It would be nice to be able to provide a simple, straightforward answer to both questions, but in the film, WALK the LINE, it is all too clear, that in real life, when it comes to a human being, things sure can get extremely complicated!
As a result, here, we end up with a movie that mirrors the life of its lead character: very interesting, entertaining, multifaceted, but at the same time, often dark, brooding and conflicted!
I most certainly MUST emphasize ...WALK is a film I can wholeheartedly recommend no matter how you feel about Johnny Cash and/or his music.
Quite frankly, for the role of Johnny Cash, Joaquin Phoenix (GLADIATOR) is not someone who would have made my short list, or even my long list, for that matter! WOW!, What a surprise! This actor, who was born in Puerto Rico, demonstrates tremendous versatility, both as an actor as well as a singer... (Yes, that is Joaquin Phoenix's own voice in the movie!) However, I do think that, at times, Mr. Phoenix comes up just a little bit short when it comes to his ability to project his voice firmly, but his performance, in general, was so masterful, that this point is quite easily overlooked.
What really drives WALK? What gives it its soul and keeps it focused and centered is the repressed romance between Cash and the love of his life, June Carter (Reese Witherspoon / Legally Blonde, Cruel Intentions) Joaquin Phoenix, despite shining in the title role, is overshadowed by Witherspoon's overwhelming screen presence in the scenes where they appear together.
Previously, WITHERSPOON had never really flagged my attention that much, perhaps other than her notable characterization of Tracey Flick in ELECTION. In most of her roles she seemed to be type cast as the syrupy sweet, but at the same time, rather annoying girl next door! WALK is well worth any time and money you invest to see Reese demonstrate her considerable acting talents ... And how clearly she demonstrates just how stunning those abilities are!
Surely, WALK the LINE, for a myriad of reasons, invites comparison with another film about the life of another famous musician, RAY. Perhaps, there are many common elements in the life of famous musicians: A tragic childhood, years struggling in anonymity, problems with alcohol and drugs, a great deal of conflict and tension in their affective relationships and great difficulty accepting and managing fame and money. But after all, each story is real and each contains many elements that distinguishes it from others!
8******** ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
To say that Reese steals the show is an understatement. Reese becomes a lightning rod for Joaquin's character, in a way that is actually quite scary. After all, Reese is from Nashville, and her Southern affect is flawless and absolutely winning. Suffice it to say that Reese will thankfully be present when the Academy Awards are presented next year. She might want to get a few words ready.
This movie will not be everyone's favorite flick, if for no other reason than that it is a biopic of flawed, Southern characters. However, perhaps the very flaws that imbue these characters with vitality and realism can establish the acting of Joaquin and Reese with an almost spiritual meaning, as they live these real people on screen. But in the final analysis, Reese Witherspoon will become the greatest contemporary screen actor upon release of this film. See for yourself. You read it here first.
This romantic tragedy, which is based on the autobiographies of Johnny Cash The Man in Black and Cash: the Autobiography was actually written and perfected alongside the famous duo Cash and June Carter Cash before their deaths in 2003.
The movie begins with a young, music obsessed "J.R." Cash growing up in a poor cotton farming family in Arkansas. Shortly afterwards, a family tragedy changes his life forever.
Cash (Joaquin Phoenix) leaves for the air force, where he is stationed in Germany, buys an old guitar and proceeds to write one of the most recorded songs in history along with many others.
Upon returning, Cash's obsession leads him to a recording studio and into the spotlight with June Carter (Reese Witherspoon) as well as Elvis Presley (Tyler Hilton) and the comical Jerry Lee Lewis (Waylon Payne.) The next emotional hour and 45 minutes is filled with great music, drug dependency, infidelity, and most of all love.
Joaquin Phoenix and Reese Witherspoon, who sang every song themselves, completely shined in this movie. There are no better actors that could have filled the shoes of the Carter-Cash duo. Phoenix and Witherspoon had such great chemistry, by the end of the movie you actually think they might really be in love.
However, if you tend to get restless in longer movies, the running time of 136 minutes can start to seem a little long towards the end, but it's well worth it.
Overall Walk the Line receives nine out of ten stars. The movie did an excellent job portraying the life of the "man in black," his soul mate and their rocky path on the way to love. If Phoenix and Witherspoon are not nominated for their amazing voices and chilling performances, it will be a great disappointment.
Covering 20 years of his life, including Cash's rise into fame and delve into near-self-destruction, James Mangold concentrates on the key things in his life his music, the drugs, and his all-consuming, untameable love for the very special June Carter Cash. It is as a romance that Walk the Line truly shines. In real life, Johnny and June didn't get together until 20 years since their first meeting, and that they could wait that long for each other, is quite poignant.
Holding the film together are the Oscar-nominated and Oscar-winning figures of Joaquin Phoenix and Reese Witherspoon, and their chemistry pretty much carries the film. When they're together, they both dazzle, gelling perfectly, whether it's a bout of verbal jesting, they're doing a duet, or just chatting. Phoenix captures the tortured soul of Cash eloquently in one of his finest performances, and one that exudes that dangerous yet enthralling edge of danger present in Cash. His singing voice resembles that of Cash's, yet he never resorts to downright imitation, which only adds to the viewing pleasure.
But the shining star of the film is Reese Witherspoon, as June Carter Cash. She plays the singer-songwriter-country music star that grabbed the attentions of Johnny Cash, but proved a hard win, forcing him to quit his narcotic dependence and violent self-destruction before she'd consider him. Although many have disliked Witherspoon's work her, I simply adore it. She makes June a truly memorable, Crouchesque, person. For the audience, she can be goofy and lovable, but alone, with Johnny, she displays a vulnerable side. Witherspoon here radiates a strong, feminist, yet effortlessly lovable vibe, and every scene she appears in, she steals.
The look and feel of Johnny's time are captured well in the set design and T-Bone Burnett guitar-led score, and the costumes are nothing short of sublime. The dressing of Cash is inspired, but it is June's clothes floral print, pink, domestic, or snazzy, that, again, steal the show. Each of Reese's costumes captures the mood of her characters.
There's also great fun to be had in the musical numbers. Ring of Fire and Jukebox Blues allow the audience to get their toes tapping, but my favourite number is the performance of Jackson, where their unmatched chemistry is showcased in one of my favourite songs of all-time. Like the film, this song is entertaining, sweet, and more intelligent than frequently given credit for.
Le saviez-vous
- AnecdotesWhen Johnny Cash wakes up on the tour bus, just after the Folsom Prison performance, he walks past guitarist Luther Perkins, who is passed out with a lit cigarette in his mouth, and puts the cigarette out. Perkins died a few months after the "At Folsom Prison" recording and performance. He fell asleep in his Tennessee house with a lit cigarette in his mouth, and died from injuries sustained in the resulting fire.
- GaffesJohnny is shown touring with Elvis, Jerry Lee, and June for Sun Records early in the movie. In fact this could not have happened. By the time Jerry Lee Lewis was signed to Sun Records. Elvis Presley was already recording for RCA, and touring on his own.
- Citations
[after record producer Sam Phillips stops Cash's band a couple of verses into their audition]
Sam Phillips: You know exactly what I'm telling you. We've already heard that song a hundred times. Just like that. Just... like... how... you... sing it.
Johnny Cash: Well you didn't let us bring it home.
Sam Phillips: Bring... bring it home? All right, let's bring it home. If you was hit by a truck and you was lying out there in that gutter dying, and you had time to sing *one* song. Huh? One song that people would remember before you're dirt. One song that would let God know how you felt about your time here on Earth. One song that would sum you up. You tellin' me that's the song you'd sing? That same Jimmy Davis tune we hear on the radio all day, about your peace within, and how it's real, and how you're gonna shout it? Or... would you sing somethin' different. Somethin' real. Somethin' *you* felt. Cause I'm telling you right now, that's the kind of song people want to hear. That's the kind of song that truly saves people. It ain't got nothin to do with believin' in God, Mr. Cash. It has to do with believin' in yourself.
Johnny Cash: [after a pause] I got a couple of songs I wrote in the Air Force. You got anything against the Air Force?
Sam Phillips: No.
Johnny Cash: I do.
- Générique farfeluIn the opening credits, Robert Patrick's name appears to pass through the prison bars, like his T-1000 character did in Terminator 2: Judgment Day.
- Autres versionsOriginally released on DVD in its theatrical incarnation. An extended cut, adding about 16 minutes worth of additional footage into the movie, was released later on. The French Blu-Ray version contains the extended cut, while the American version contains the theatrical version.
- ConnexionsFeatured in Today: Episode dated 3 August 2005 (2005)
- Bandes originalesCocaine Blues
aka "Transfusion Blues"
Written by Red Arnall (as T.J. Arnall)
Performed by Joaquin Phoenix
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Johnny & June: Pasión y locura
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 119 519 402 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 22 347 341 $ US
- 20 nov. 2005
- Brut – à l'échelle mondiale
- 186 797 986 $ US
- Durée2 heures 16 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1