Ajouter une intrigue dans votre langueA promiscuous gay party animal falls for a young Mormon missionary, leading to crisis, cliché, and catastrophe.A promiscuous gay party animal falls for a young Mormon missionary, leading to crisis, cliché, and catastrophe.A promiscuous gay party animal falls for a young Mormon missionary, leading to crisis, cliché, and catastrophe.
- Prix
- 3 victoires au total
- Julie Taylor
- (as Rebekah Jordan)
- Elder Harmon
- (as Rob McElhenney)
- Noreen
- (as Judith Morton Fraser)
Avis en vedette
The storyline in short, a closeted Mormon Missionary from Idaho, Aaron Davis, moves to LA where he ends up living next door to a hot swinging gay boy, Christian, who has all the depth of reality TV. Christian's interest in Aaron is initially motivated by a bet he makes with his friends that he can bag this `missionary man.' Aaron and Christian are quickly attracted to one another and begin to struggle with their emotions, sexual desires and the painful limitations of their respective lifestyles.
Wes Ramsey, does a phenomenal job as the shallow but beautiful Christian. But it is Steve Sandvoss, as the Mormon missionary with everything to lose and for that matter, a life to gain, who really makes this movie something special and memorable. I doubt that there is a gay or bi-man alive who can see this movie and not fall in love with Sandvoss' character, Aaron Davis. This is an incredible performance for a first time screen actor! Sandvoss is totally believable as a sensitive, loving, spiritual person whose humanity is profoundly more life affirming than his religious mentors or the sophisticated freethinking idealists of West LA.
The plot and its various twists sometimes come off as a bit far fetched. That said, if you are the kind of person who believes in romance and can suspend belief long enough to allow yourself to get caught up in this film, it will leave you with a lump in your throat if not a tear on your cheek. If you are struggling with the challenges of being gay, it will remind you that you're OK and are as entitled to love and happiness as anyone in this world. And oh yes.. it will leave you wanting to see more of Steve Sandvoss. Come to think of it, I think it may be time for a third viewing.
descrimination, but will learn some REAL religion which teaches tolerance and love and understanding. C J Cox understands the real meaning of these issues, and shows a firm grasp
of the concept of humanity, and love. This is a finely crafted, humorous, and exciting take on what it means to be gay and to learn the meaning of love; in it's most broadest meaning, is an extremely moving, emotional journey. This film
has lots to say; "and it's beautiful, and it's good."
Maybe it is stereotypical, and maybe its not Academy Award material (I like few that are), but it really touched some hot buttons with me, and it moved me to tears in the end. I thought that Cox and company did a great job summing up such deep subject matter in such a short time.
For those who think it's hoaky, I say relax, its just a movie. I lived many parts of the real-life version of this story, and it wasn't always pretty. While never a Mormon, I have "wrestled with the angel" for most of my adult life, still trying to reconcile my gay being with my spiritual being. Long-term denial of my sexual identity at an early age led me into a lengthy struggle with drugs and alcohol and a near-death experience 11 years ago. I even looked into aversion therapy once as a way to "cure" myself from homosexuality. Trust me, its better to see this unfold in a movie than to have lived it.
While it may be steeped in stereotype and clichés, as many critics have suggested, Latter Days manages to expose many shallow traits among the major elements in this story: organized religion, gay culture and even Hollywood itself (I love how Cox portrayed L.A. as an additional "character" in the movie).
I thought that the acting was terrific, especially Sandvoss as Aaron Davis. The music is as touching as the story (I recommend the soundtrack too). I can't speak for most moviegoers, but this one will stick with me for a while, and few ever do.
Le saviez-vous
- AnecdotesThis film was originally to be shown in the "Madstone" theater in Salt Lake City, Utah (which has a heavy LDS population) on the day of its national release, but the theater pulled it a few weeks before it was scheduled to open. The reason given was that the film "lacked artistic merit", but the film's promoters contend that the theater management gave in to local pressure not to show the film due to its unflattering portrayal of the LDS Church. The film was shown a few weeks later in a different Salt Lake theater and attracted a large audience.
- GaffesWhen asked for his first name Aaron says he is not allowed to use his first name. Missionaries are not allowed to call each other by their first name but there is no rule that says you can not tell people your first name.
- Citations
Lila Montagne: Chris? Sit down.
[he comes over and sits down, as she pours him a brandy]
Lila Montagne: Drink that.
[he takes a small sip]
Lila Montagne: Toss it, that way it's medicinal.
[he knocks back the drink]
Lila Montagne: Good! It's vital for a man to have a couple of slugs in him before discussing heartache. I think Hemingway told me that.
Christian Markelli: You knew Ernest Hemingway?
Lila Montagne: Margaux, actually. But beauties don't always escape tragedy.
Christian Markelli: Oh, God, this is hell! I've done something... I'm guilty. And I'll burn for it.
Lila Montagne: Funny thing about guilt: There's nothing so bad that you can't add a little guilt to it and make it worse; and there's nothing so good you can't add guilt to it and make it better. Guilt distracts us from a greater truth: we have an inherent ability to heal. We seem intent on living through even the worst heartbreak.
Christian Markelli: How?
Lila Montagne: Hm. Practice.
- Générique farfeluA Special Thank You to... The Erik Palladino Screening Room and His Xylophone Backup Singers
- Autres versionsThis film is available on DVD in the US in R-rated and unrated versions.
- ConnexionsReferenced in Bad Boy Street (2012)
- Bandes originalesWindmills
Performed by Toad the Wet Sprocket
Written by Dan Dinning, Randel Guss, Todd Nichols & Glen Phillips
Published by Sony/ATV Tunes, LLC (ASCAP
Courtesy of Columbia Records by arrangement with Sony Music Licensing
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Latter Days
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 850 000 $ US (estimation)
- Brut – États-Unis et Canada
- 834 685 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 57 242 $ US
- 1 févr. 2004
- Brut – à l'échelle mondiale
- 865 028 $ US