Le retour des Yamakasi

After being quite disappointed by the first Yamakasi film, i didn't expect very much. But after watching Les Fils du vent i was literally blown away. First of all, forget about the story. It's an action movie, and not a drama, so a good story won't be that important after all. The director took a free running group from France and added some martial arts artists from Thailand(?). The outcome of the equation were some very impressive action scenes. I gave this movie 8/10 stars, because it fulfills everything i expect from an action movie. So if you like martial arts and/or those little free running clips from all over the net, you won't be disappointed by this movie.

5 years after YAMAKASI failed to introduce Les Groupe Yamakasi's brand of Parkour to the wider world, the members are reunited by director Julien Seri for a semi-sequel, this time taking the action to Bangkok for a change of scenery. The group are all a bit more mature, and so is the film - not so much a kids movie anymore. Time does not appear to have diminished their "Free Running" skills - in fact I *think* they've gotten quite a bit better. I have to qualify that observation because it's really hard to tell - the director belongs to that school of thought which says that action scenes are more exciting if you can't tell what on earth is going on :( That was the main problem with the first YAMAKASI film, and I really hoped some lessons would have been learnt and this time they'd leave the camera in one place a bit longer and actually let us see the Parkour the group are performing... that _is_ why you'd hire them all to be in a film, after all.

Sadly, Julien Seri seems to have missed the point entirely, and shoots all the action in the most infuriating way possible. He proudly tells us in the extra features that he used 4 cameras to shoot the action, and he really enjoys "just getting the camera on my shoulder and running about" when he's on set, but "the most creative part is in the editing room". What this means is that as soon as the cast start moving at more than 3mph, the camera starts zooming and shaking and we rarely get a shot that lasts more than 1/3rd of the second before it cuts to another angle. What we do get to see of the action looks amazing... the film mixes up Parkour with Muay Thai and other martial arts styles in a way that could have produced an absolute classic. In the right hands this could have been the beginning of a whole new action film style, as exciting an action film as ONG BAK. Sadly, Seri clearly does not have the right hands :( I suppose some comments about the story are appropriate... it's rather daft. The Yamakasi go to Bangkok to help set up a gym for poor kids, and accidentally get involved in a turf war between the Triads and the Yakuza (who all speak French. In Thailand). A pair of French-Chinese siblings are the catalyst for much of this - a brother who wants to get into the Yakuza because the Triads rejected their mixed blood, and his sister who thinks all this crime is maybe a bad thing.

The film suffers from chronic "orientalism" - the insidious form of racism which certainly doesn't think Asian people are inferior to westerners, no way Jose - in fact it thinks they're great... with their ancient traditions, quasi-mystical religions and mad martial arts skillz - they probably just need a group of westerners to spend a few days with them and sort out their generations old blood feuds (and teach their ladies how to love). The Bangkok setting is beautiful, but it seems to be populated entirely by gangsters, monks, Muay Thai rings and alleyway markets.

LES FILS DU VENT could have been great - the design of the action scenes is brilliant, and Les Groupe Yamakasi really deserve a vehicle that showcases their skills rather than trying to hide them. Again they've been let down by a director who's so in love with himself he's perhaps afraid that if he let us see them in action for more than half a second we'd start thinking it was *their* film, not his. If that was his worry, he definitely shot himself in the foot (actually head), because all he accomplished with his camera work and editing was to make me hate him.

The film still manages to be enjoyable, but you have to look past what you're actually seeing to what was really being done to appreciate it. I'm torn between loving the ideas and the actors and hating what was done with them on screen. That leaves me somewhere around... 6/10.

This is the second feature for the French stunt acrobat group Yamakasi. They are all very talented but director Julien Seri can't capitalize on this talent to save his life. Granted, this is a bit better than the eyeball killer YAMAKASI (2001) but not by much. The group finds themselves in Thailand and they end up feuding with a local Yakuza (!) gang. Each member is given more to do this time whether it be falling in love or re-connecting with one's long dead mystical father. There are quite a few action scenes but nothing really stands out. Director Seri has an unbelievable ability to shoot stuff in a way that it has so little impact. The only high point is a shot where three guys drop about 5 stories down a series of silos that is shot in one take. Given that Thailand produced their own badass actioner in ONG BAK the year before, it is sad to see these talented guys relying on lots of wirework. I pray that someone will utilize their parkour skills in something in the future that is a bit more engaging like BANLIEUE 13.

This French film sees a group of French parkour specialists heading to Bangkok where they hope to help one of their number set up a gym for street kids. Unfortunately they soon cross paths with a local gang. The gang is led by Kien, who along with his sister Tsu is helping the yakuza in their conflict with the local triad which rejected them because of their mixed Eurasian parentage. Tsu is trying to get away from the gangs and starts to develop feelings for Logan, one of Parkour group. This basis set up leads to confrontations between the various groups; all leading to a massive fight where the parkour group are caught in a fight between yakuza and triad gangsters which will require their skills to escape.

This film might not have the most original plot but that doesn't matter as the plot is just there to give a reason for the action and it is that action most viewers will be watching for. The parkour scenes are very exciting and when they are combined with martial arts fighting the thrills only increase. These scenes look very real with none of the obvious wirework you get in many martial arts films. It is just a bit of a pity that some of these scenes are over-edited with excessive cuts hiding the performers' obvious skills. The romance between Logan and Tsu is a bit of a distraction from the action but just provide some character motivation. The acting might not be the very best but it is clear most of the cast is there for their physical skills and in that department they really deliver. Overall I'd certainly recommend this to fans of parkour or martial arts which aren't too brutal.

These comments are based on watching the film in French with English subtitles.

Now, I may have had my expectations too high because the file read Les Fils du Vent, Yamakasi 2. I liked Yamakasi, even if I don't usually watch sport movies. As sports go, Free Running is pretty cool and the story and acrobatics of Yamakasi were very nice.

This movie lacks the story, the technical prowess and it's set in Bangkok, where just about everyone knows how to jump from buildings (in the movie, of course). To make the French athletes fight in the end and mix Free Running with martial arts seemed to me a very bad idea.

I could have liked this movie, though, if it weren't for the end. It's a mindless brawl where no one has any purpose in what they do. To make things worse, after this scene that seemed to be the end comes another, which practically voids the one before.

So if you are a movie lover or a Free Runner enthusiast, you will not be particularly pleased with this movie. And it has no other qualities.