Thoughtcrimes

When I first rented Thoughtcrimes, I thought I was going to get one of the usual B-level Orwell knockoffs. The opening did not help much, given that it screams to the rafters that this film was intended as a television pilot. However, in this day when Chris Carter can drag out a series to ten seasons in spite of running out of ideas in the first, or when Joss Whedon can gain a reputation as a guru in spite of putting the audience members most like his characters to sleep, Thoughtcrimes would have made for one hell of a television series. In contrast to Serenity, in fact, it makes a very watchable feature film. Thoughtcrimes kicks off with a setting right out of a teenie soap drama. We even get a mother (I think) telling her daughter that sixty-five percent of prom dates end in sex. I always thought it was closer to ninety-eight percent, but what the hey. Unfortunately for Freya, sex turns out to be the least of her worries that evening when she suddenly becomes aware that she can hear the thoughts of everyone else in the hall.

From there, we fastforward through the local mental hospital (mis)treating her for several years until one day, a doctor by the name of Michael Welles takes over her case and starts training her to control her telepathy. It is this point that earns the show five points right off the bat. We have all seen science fiction films in which telepathic characters can simply project their thoughts and ideas into the minds of others, or read the minds of others. To my knowledge, I have never before seen a film or television series featuring psychic or telepathic characters in which said characters have to struggle to come to terms with their gift, as some call it. Even the recent X-Men adaptations, which strike me as the pinnacle of a story about "those who are different" on film, did not invest this much effort into the pre-mastery element of the story. There is one moment in the film when Brendan, the more conventional hero of the piece, expresses anger at having his authority superseded by a girl who looks like she is barely out of school. Welles' response is to play him a MiniDisc of thousands of voices all layered over the top of each other. This, he tells Brendan, is what Freya has endured for the best part of a decade.

Never, in all the years I have seen films trying to deal with the subject of how the mentally ill, autistic, or just plain neurologically divergent live, have I seen the film hit the nail on the head so hard without even trying. Sometimes, I wonder if certain elements of the psychiatric profession did not slip a few bucks to the right people to keep this pilot from becoming a series, or becoming a wide-release film. It graphically shows how out of touch the medical profession, even those on the proverbial final frontier, have become with the "first, do no harm" philosophy that has guided medicine for thousands of years. There is some contention as to whether government agencies such as the NSA would be better at addressing the needs of Aspies or High-Functioning Autistic individuals, but Freya's attempt to escape also inadvertently highlights that those of us on this final frontier are in such a desperate situation that we need to take help wherever we can get it. If these demonstrations are intentional, then kudos to the writer and director for making them.

Like all television pilots, however, it does suffer a few weaknesses. Plot tangents such as the process of Freya reconciling with her sister are left loose, and we never get a definitive answer as to the fate of the main villain. Joe Morton, on the other hand, makes a good possibly-evil leader simply because the character is written to suggest he is quite ambivalent, and Morton is proficient enough to take advantage of such writing. Joe Flanigan is competent, but this episode allows his character little chance to be anything other than a frustrated straight arrow, and he as an actor does nothing to fight it. Jocelyn Seagrave plays June McAllister in a very 90210-esque spoiled teen style in spite of the fact that the character has apparently put herself through law school. The real surprise is Navi Rawat as Freya. We Aspies have a saying that goes something like "if this guy is not an Aspie, he is doing a great job of impersonating one". Navi does such an awesome job of impersonating a schizophrenic and later a telepath during this piece that she should have won an Oscar at the least. With the right agent, she would be unstoppable.

I gave Thoughtcrimes an eight out of ten. It is not perfect, but it is a great way to spend ninety minutes. I thoroughly recommend it to anyone who knows what it is like to fall through the cracks of the current health system. And that is probably the best recommendation I can make.

In 1994, in her high school prom, Freya McAllister (Navi Rawat) starts to hear voices in her head, is declared schizophrenic and sent to a mental institution. She is treated by Dr. Michael Welles (Peter Horton), who is sponsored by the National Security Agency (NSA), and along the treatment, he tells her that she in not crazy, but indeed she has powerful telepathic skills, being unique in the world. Nine years later, she is assigned by NSA to work with agent Brendan Dean (Joe Flanigan) in New York, chasing together the dangerous terrorist Cazal, whose identity is unknown by the secret service.

What a great surprise this excellent movie was for me! Yesterday, when I decided to watch "Thoughtcrimes", I was expecting a common movie just for killing time. However, the intriguing story hooked my attention until its very end. The beginning of the film is a sort of "Nikita" or "Firestarter", but the story works very well. Navi Rawat and Joe Flanigan show excellent chemistry, the characters are very well developed, the screenplay has no flaws and certainly is an attractive entertainment for fans of action movies. My vote is eight.

Title (Brazil): "Crimes Premeditados" ("Premeditated Crimes")

Note: On 27 Nov 2021, I saw this film again.

Recommended.

The movie has a strange start; the kind I don't get to watch in a lot of other movies. It's blunt, straight to-the-point to what happened, and where the story is going to take off from. I recall watching the same kind in a recent Hindi movie called 'Zinda' (that had a completely different story and theme, by the way).

Also noted by another viewer, one of the aspects that make this movie different is that within the first 15 minutes of the movie, you know that the central character isn't going to discover her strengths on her own; but she needs assistance. Had they not done that, it would have become yet another 'gifted' story. Overall, I liked the movie, and had a good feeling after watching it. There are many loose ends in the story that have been left unexplored, but hey, nobody's complaining.

Navi Rawat has looked great in the movie, by the way.

Thought Crimes arrived on the UK DVD market without much fanfare. I rented it, expecting a cheap B-movie. What I got was a very enjoyable story. I've since shown it to friends, who unanimously agree about its virtues.

The story is about a girl who unwillingly receives telepathic powers. She can hear other people's thoughts. After being driven mad by it, she gets picked up by a mysterious scientist, who trains her to develop her powers, and target them. Soon, she is asked to assist in helping with an investigation.

The movie is well-written, and many pathways for sub-plots and story lines are opened. Some are closed, but quite a few remain open, suggesting that this was meant to start a series. It's a thrilling movie, with a fairly original concept, dramatic moments that are convincing without getting too sappy and crucially, a sense of humour. It is comparable to Wheddon's various series (Firefly, Buffy et al) in its qualities. (Except for one deplorably bad line of dialogue in a crucial scene near the end) In terms of the acting, most people do a fairly good job. The male NSA agent / hero lays on the charme a bit thick, but I suspect the script forced that anyway. Maybe I just dislike male good-looking actors.

I highly recommend this movie for light entertainment purposes. It's more original and enjoyable than most big Hollywood movies these days, and it deserves a larger audience (and a spin off TV series!)

So I saw this movie about two years ago and didn't remember anything about it. I was in for a trip down memory lane. It's a well made thriller/action film that kind of reminds me of the Matrix, except nowhere near as crazy and out-of-this-world. The relationship between the two sisters is well done, although somewhat of a normalcy for any kind of movie. The acting is fairly good, and so is the directing. The plot twists were there, but sort of pedestrian for government thrillers like this. That about sums up this movie---while it's fun to watch, there isn't much to make the connoisseurs stand up and take note. It's just another one for the masses, and a genuinely vanilla flavored outing.

Of course it's got good points, such as the final twist before the ending showdown, in the kitchen, that was very nice to watch even if it was a bit predictable. I also quite enjoyed the character Brendan Dean (Joe Flanigan), as he was quite humorous and 'real.' The plot was well paced and you could easily understand what was going on at all times. Overall I'd recommend this to action/thriller fans.